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  “An old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift. Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira’s cinema, his method, his way of filming and his extraordinary cinematic inventions. He lived for over a century, over a century of cinema, cinema in its entirety. For him, and for me too now, documentary and fiction films go hand in hand; it is all about cinema. So I had the audacity to film a magnificent story that Manoel loved but never filmed, one that he left behind as if his hand and eyes were close to God, or among the gods, and he was steering me.” - João Botelho

  Cinema, Manoel de Oliveira and Me (2016 )

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  With statements by actor and director Ednaldo do Egito, the film reflects on the male presence in the city of João Pessoa.

  Cidade dos Homens (1982 )

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  In the early to mid '90s, when the South African system of apartheid was in its death throes, four photographers - Greg Marinovich, Kevin Carter, Ken Oosterbroek and João Silva - bonded by their friendship and a sense of purpose, worked together to chronicle the violence and upheaval leading up to the 1994 election of Nelson Mandela as president. Their work is risky and dangerous, potentially fatally so, as they thrust themselves into the middle of chaotic clashes between forces backed by the government (including Inkatha Zulu warriors) and those in support of Mandela's African National Congress.

  The Bang Bang Club (2011 )

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  A story inspired by the life of one of the most remarkable figures in Brazilian popular culture, João Francisco dos Santos (1900-1976). In turn, bandit, transvestite, street fighter, brothel cook, convict and father to seven adopted children, dos Santos – better known as Madame Satã – was also a notorious gay performer who pushed social boundaries in a volatile time.

  Madame Satã (2002 )

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  Coal, Corruption and community resistance of one of Australias most controversial mining projects Whitehavens Maules Creek Coal Mine in the Leard State Forest. The stage has been set for one of the most intriguing David and Goliath battles in this countrys history. Black Hole is the story of the fight to save the Leard State Forest from one of the most controversial coal mining projects in Australia Whitehavens Maules Creek Coal Mine. Set against the backdrop of the mining industrys ever-increasing thirst for fossil fuels, Black Hole is an intense and riveting exposé of the tensions between large corporations, the Australian government and the community. In this revealing world premiere, Director João Dujon Pereira asks us to examine the future of coal, corporate responsibility and the rights governments afford to people vs polluters.

  Black Hole (2015 )