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  Captures a generational moment - young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved. Six New Yorkers juggle love, friendship, and the keenly challenging specter of adulthood. Sam Wexler is a struggling writer who's having a particularly bad day. When a young boy gets separated from his family on the subway, Sam makes the questionable decision to bring the child back to his apartment and thus begins a rewarding, yet complicated, friendship. Sam's life revolves around his friends — Annie, whose self-image keeps her from commitment; Charlie and Mary Catherine, a couple whose possible move to Los Angeles tests their relationship; and Mississippi, a cabaret singer who catches Sam's eye.

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  Shot on the streets of Kabul, Granaz Moussavi’s (My Tehran For Sale) outstanding new feature is in the tradition of the great child-centred works of the 1980s when filmmakers such as Kiarostami, Panahi and Amir Naderi (to whom this film is dedicated) were putting Iranian cinema in the forefront of world production. 9-year-old Hewad is an irrepressible, street-smart kid who is energetically working every angle, hustling everything from pomegranate juice to amulets to protection from the evil eye. His real ambition is to be a movie star, and this comes a step closer when he meets an Australian photographer. But in a city where every family has a member who has been “martyred,” the streets are as perilous as they are vivid. Australia’s recent involvement with Afghanistan has been mixed, to say the best. The deeply-felt humanism of this film might just be our most effective contribution to that troubled country.

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  From the team behind Man on Wire comes the story of Nim, the chimpanzee who in the 1970s became the focus of a landmark experiment which aimed to show that an ape could learn to communicate with language if raised and nurtured like a human child. Following Nim's extraordinary journey through human society, and the enduring impact he makes on the people he meets along the way, the film is an unflinching and unsentimental biography of an animal we tried to make human. What we learn about his true nature - and indeed our own - is comic, revealing and profoundly unsettling.

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  Babar Naam Gandhiji is about Mahatma Gandhi and modern society through the eyes of street child. The film is based around a boy named Kencho, who has an encounter with the Father of the Nation through a currency note with Gandhiji's photo on it. The curious boy is adopted by an NGO and is taught the ideals of Gandhiji.

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  The weightlessness of youth: every breath radiates opportunity and hope; every sense thrives on the wealth of the present; every thing whispers of brilliance and awe. When you've seen the season’s first great snow through the eyes of a child—you've known true happiness. But what happened to that simple joy? Where do we find the freedom that time and wisdom stole away? Valhalla, Sweetgrass Productions’ fourth feature film, is the tale of one man’s search to rediscover the freedom of his youth. Feeling the distant heat of it’s fire still burning in the mountains of the frozen north, he goes in search of those tending the flame—the untamed, the wild, and the outcast dwelling on the fringe. Weaving narrative-driven style with award-winning, face-melting backcountry ski and snowboard cinematography; Valhalla is a vivid explosion of color, character, snow, and nostalgic soul.

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