Onde Assistir Nijolė no Brasil
An artist and her whole existence spent away from her homeland. The insight of a son, that forty years later interprets again the work of his mother. Descubra "Nijolė", um cativante documentário filme que estreou nas telas em 2019. Esta produção, originária de Espanha conta com contribuições de Antanas Mockus no papel de Self e Nijolė Šivickas no papel de Self.
Assista "Nijolė" agora em DocAlliance Films e explore ainda mais maneiras de mergulhar no seu filme favorito com o guia de streaming definitivo do Popcorn Time.
"Nijolė está classificado em #34135 no Popcorn Time Streaming Charts hoje no Brasil. O filme caiu 1 posições desde ontem."
O sistema de classificação do Popcorn Time calcula a popularidade combinando dados de várias fontes confiáveis, incluindo plataformas de streaming, tendências peer-to-peer e bancos de dados globais.
Nosso algoritmo ajusta dinamicamente as classificações com base no desempenho do conteúdo em diferentes plataformas, regiões e períodos de tempo. Cada filme ou série é avaliado usando uma combinação de sua posição global, popularidade regional e desempenho histórico. Isso garante uma reflexão justa, precisa e constantemente atualizada do que está em alta no Brasil.
Explore ainda mais opções de streaming para Nijolė!
Descubra como assistir Nijolė em várias plataformas e países! Esteja você em casa ou viajando para o exterior, encontrar onde transmitir legalmente nunca foi tão fácil. A partir de , Nijolė está disponível em serviços líderes como . Acessível em 4 outros países, você pode explorar opções de streaming personalizadas que cumprem as licenças locais, garantindo uma experiência de visualização sem complicações e legal.
Mais Informações
- Lançado
- País de Origem
- Espanha
- Idiomas
- en
Semelhantes a Nijolė
Filme
An epic investigation into countless murders in Mexico. Presented in chapters, the film unfolds methodically through unsettling testimonials, sketching a portrait of an entire country transformed into a gigantic mass grave thanks to a climate of impunity established by both criminal gangs and state authorities.
Dark Suns (2019 )
Filme
Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.
The Endless Film (2018 )
Filme
On returning from class, a teacher is questioned by his wife, who distrusts his pedagogic project: an “Academy of the Muses” inspired by classical references, which is supposed to contribute to regenerating the world through poetry. The controversial project triggers a series of situations dominated by words and desire.
The Academy of Muses (2015 )
Filme
An intimate portrait of the pioneering artistic collective Grupo de Cali, whose work is now considered a fundamental part of Colombia’s film history.
It All Started at the End (2015 )
Filme
Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.
Aleph (2021 )
Filme
Some arms do not stop tearing down walls and houses. Others insist on cleaning and tidying rooms that will be gone the next day. Collapse and resistance coexist. In A punto de despegar we witness the disappearance of San Agustín, the last town that survived the era of the great haciendas of Lima. The expansion of the airport causes the eviction of the entire place and with its demolition comes the end of several traditions and ways of life. Modern Peru is a one-way train where the archaic has no place. A respectful camera preserves the faces, gestures and words of those last days. A film built after a decade of friendship with the neighbors. A farewell that radiates affection, intimacy and uneasiness in equal measure.
A punto de despegar (2015 )
Filme
In 1982, the Argentine military dictatorship invaded the Malvinas Islands, located 500 kilometers off the country’s coast. The dictatorial government left no stone unturned in using propaganda to convince the people of their mission. Consisting almost entirely of excerpts from the TV program 60 minutes, 1982 summarizes the media campaign that took place over the 74 days of war, when Argentine troops tried to take their island back from the British. We watch TV anchormen ask viewers to donate money for weapons, inspire them to sing the national anthem at home, and welcome government leaders as heroes as they “spontaneously” show up at the studio to celebrate the importance of the mission for the motherland.
1982 (2019 )
Filme
In shades of gray, the calm, static shots show young female visitors to a public hospital in Argentina. This is the place where teenage girls have to make a decision about the new life growing inside them. A few of them have, at a very young age indeed, already had children. For others, the idea of a future as a mother is new and terrifying. In many cases, though, having an abortion isn’t a decision to be taken for granted. Some of the girls have learned from childhood that getting pregnant is your own fault, and you have to accept the consequences. What they know about abortion comes from horror stories of clandestine practices in backstreet clinics. The hospital gynecologists and other staff, who can be heard but not seen, ask the girls about their well-being, their relationship, their family ties, and how they see the future—with or without a child. In these intimate and non-judgmental conversations, the girls respond with powerful candor in their most vulnerable moments.
Mother-Child (2019 )