Como assistir The Campaign Against the Climate no Brasil

The Campaign Against the Climate não está disponível no Brasil

No momento, The Campaign Against the Climate não está disponível no Popcorn Time. No entanto, estamos constantemente trabalhando para expandir nossa biblioteca e trazer novos títulos todos os dias. Agradecemos sua paciência e incentivamos que você volte em breve, pois continuamos a atualizar nosso conteúdo.

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  Live performance from the Metropolitan Opera, March 1, 2014. Absent from the Met stage since 1917, Borodin’s masterwork about an introspective prince’s military campaign against the invading Polovtsians returned in 2014 with a first-rate cast and an astonishing production by Dmitri Tcherniakov. Well worth the wait, the sets feature visually striking projections interlaced with lush flowering fields, and the first act delivers one of opera’s most exciting dance medleys, a portion of which went mainstream in the 1950s when Tony Bennett recorded “Stranger in Paradise.”

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  When Dian was six years old, she heard a deep rumble and turned to see a tsunami of mud barreling towards her village. Her mother scooped her up to save her from the boiling mud. Her neighbors ran for their lives. Sixteen villages, including Dian's, were wiped away, forever buried under 60 feet of mud. A decade later, 60,000 people have been displaced from what was once a thriving industrial and residential area in East Java. Dozens of factories, schools and mosques are completely submerged under a moonscape of ooze and grit. The cause? Lapindo, an Indonesian company drilling for natural gas in 2006, unleashed a violent, unstoppable flow of hot sludge from the earth's depths. It is estimated that the mudflow will not end for another decade. Shot over the course of six years, GRIT bears witness to Dian's transformation from young girl to a politically active teenager as she and her mother launch a resistance campaign against the drilling company.

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  Jorge is a peaceful hard-working man who seeks a simple, quiet life for himself and his family. One day, he is mugged and humiliated by a gang of thugs led by Kalule, a delinquent from his neighborhood. This event infuriates his son as much for Jorge’s meek acceptance as for the act itself. The son, looking for retribution, ends up getting himself shot. Kalule is sent to jail and when he gets out 18 months later, begins a campaign of terror against Jorge and his family. The authorities do nothing, so Jorge decides to take matters into his own hands.

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  It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.

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