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Legendary Canadian glamour-punk band "Teenage Head" is determined to enter the limelight once again some 40 years after causing the notorious punk rock riots during the summer of 1980 in Toronto. But first they need to save the band's founding member from a debilitating depression.
Picture My Face: The Story Of Teenage Head (2020 )
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Montreal of another time is reborn into screen through images from a hundred of movies and shorts produced by the National Film Board of Canada while at its first four decades of existence. Port activities, musical shows, presence of Church, labors life, hockey fever and the best years of "Red Light" are few of the chapters of this collective family album.
The Memories of Angels (2008 )
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This documentary takes you on a reflective journey into the extended family of Nova Scotia’s Mi'kmaq community. Revisiting her own roots, Mi'kmaq filmmaker and mother Catherine Anne Martin explores how the community is recovering its First Nations values, particularly through the teachings of elders and a collective approach to children-rearing. Mi'kmaq Family is an inspiring resource for both Indigenous and non-Indigenous audiences who are looking for ways to strengthen and explore their own families and traditions. We hear the Mi'kmaq language spoken and a lullaby is sung by a Mi'kmaq grandmother featured in the film.
Mi'kmaq Family (Migmaoei Otjiosog) (1994 )
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Captures the exciting movement of Spiritual Activism that is exploding around the planet, and the powerful personalities who are igniting it.
Fierce Light: When Spirit Meets Action (2008 )
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As visually mesmerizing as it is compelling, Shipbreakers takes the viewer into the heart of Alang, India, a vibrant shantytown where 40,000 people live and work in the most primitive conditions. Since the early '80s the rusting hulks of thousands of the world's largest ships have been driven onto the remote beaches of Alang, off the Arabian Sea, to be dismantled, piece by piece. Selling their ships for scrap, the owners rarely bother to abide by the UN Basel Convention, which bans shipments of transboundary waste. One worker a day, on average, dies on the job, some from explosions or falls, but many will contract cancers caused by asbestos, PCBs and other toxic substances. Shipbreakers vividly captures both the haunting beauty of the ships and the deplorable conditions of the workers - in an unforgettable portrayal where Third World ingenuity meets 21 st century global economics.
Shipbreakers (2004 )
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This documentary profiles economist and writer Marilyn Waring. In extensive interviews, Waring details her feminist approach to finances and challenges commonly accepted truths about the global economy. The filmmakers detail Waring's early rise to political prominence and her successful protests against nuclear arms. Waring also speaks candidly about wartime economies, suggesting that government policies tend to marginalize the fiscal contributions of women.
Who’s Counting? Marilyn Waring on Sex, Lies and Global Economics (1995 )
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This feature documentary follows one of the greatest Canadian baseball players of all time, Ferguson Jenkins, through the 1972-1973 season. From the hope and innocence of spring training to the dog days of an August slump, the camera gets up close and personal at the home plate and records the intimate chatter on the mound, in the dugout and in the locker room. It provides a glimpse into the rewards and pressures of sports stardom and the easy camaraderie of the quintessential summer sport.
King of the Hill (1974 )
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Subjects of Desire is a thought provoking film that examines the cultural shift in beauty standards towards embracing (or appropriating) Black aesthetics and features, deconstructing what we understand about race and the power behind beauty.
Subjects of Desire (2021 )
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To right the wrongs of his all-American sex education, 36-year-old Alex Liu goes on a quest to uncover naked truths and hard facts—no matter how awkward it gets. From neuroscience labs to church pews, A Sexplanation features provocative conversations with psychologists, sex researchers—and even a Jesuit priest. With humor and grit, Alex takes audiences on a playful, heartfelt journey from a shame-filled past to a happier, healthier future.
A Sexplanation (2021 )
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For ancient Mayans, cocoa was as good as gold. For subsistence farmer Eladio Pop, his cocoa crops are the only riches he has to support his wife and 15 children. As he wields his machete with ease, slicing a path to his cocoa trees, the small jungle plot he cultivates in southern Belize remains pristine and wild. His dreams for his children to inherit the land and the traditions of their Mayan ancestors present a familiar challenge. The kids feel their father's philosophies don't fit into a global economy, so they're charting their own course. Rohan Fernando's direction tenderly displays a generational shift, causalities of progress in modern times and a man valiantly protecting an endangered culture. Breathtaking vistas of lush rainforests contrast with the urban dystopia that pulled Pops children away from him. Will one child return to carry on a waning way of life
The Chocolate Farmer (2011 )
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At the instigation of the filmmakers, the young men of the Ile-aux-Coudres in the middle of the St-Lawrence River try as a memorial to their ancestors to revive the fishing of the belugas interrupted in 1924.
Of Whales, the Moon, and Men (1963 )
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After selecting a building at random in a Jewish neighborhood in Paris, French director Ruth Zylberman meticulously reconstructed its community of inhabitants during the German occupation. What results is the spellbinding 209 RUE SAINT-MAUR, an experimental historiography that tells the emotional story of lives uprooted and destroyed under the Nazis.
The Children of 209 Saint-Maur Street (2017 )
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The incredible odyssey of twenty-two men from China's persecuted Uyghur minority who were detained in Guantánamo as terrorists.
Uyghurs: Prisoners of the Absurd (2014 )
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Through concerts and interviews, folk-progressive group Harmonium takes Quebec culture to California. This documentary full of colour and sound, filmed in California in 1978, recounts the ups and downs of the journey of the Quebec musical group Harmonium, who came to feel the pulse of Americans and see if culture, their culture, can succeed in crossing borders.
Harmonium in California (1980 )
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This feature-length documentary from Bill Mason imparts his affection for the big northern timber wolves and the pure-white Arctic wolves. Filmed over three years in the Northwest Territories, British Columbia, the High Arctic and his home near the Gatineau Hills in Quebec, Mason sets out to dispel the myth of the bloodthirsty wolf. Going beyond the wolf's natural habitat, Mason relocated three young wolves to his own property and was able to film tribal customs, mating and birth. As a result, Cry of the Wild offers viewers access to moments in wildlife never before seen on film.
Cry of the Wild (1973 )
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This documentary profiles the tiny Ojibway community of Hollow Water on the shores of Lake Winnipeg as they deal with an epidemic of sexual abuse in their midst.
Hollow Water (2000 )
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Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.
Very Nice, Very Nice (1961 )
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The Fruit Hunters explores the little known subculture and history of rare fruit hunters who travel the globe in an obsessive search for the exotic, in this stylish and sometimes erotic documentary.
The Fruit Hunters (2012 )
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Devil at Your Heels, traces the trials of stuntman Ken Carter who attempts a death-defying aerial jump in a car. Not content with a normal jump, Ken Carter attempts a jump from Canada to the USA. This feature-length documentary shines a light on the intense preparation that led to Carter’s first attempt to jump a car across a mile-wide stretch of the St. Lawrence River – a 5-year period during which the dare-devil raised a million dollars, erected a 10-storey take-off ramp and built a rocket-powered car. Winner of the Canadian Screen Award for Best Feature Length Documentary at the 4th Genie Awards in 1983.
The Devil at Your Heels (1981 )
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Dancing Around the Table: Part One provides a fascinating look at the crucial role Indigenous people played in shaping the Canadian Constitution. The 1984 Federal Provincial Conference of First Ministers on Aboriginal Constitutional Matters was a tumultuous and antagonistic process that pitted Prime Minister Pierre Elliot Trudeau and the First Ministers—who refused to include Indigenous inherent rights to self-government in the Constitution—against First Nations, Inuit and Métis leaders, who would not back down from this historic opportunity to enshrine Indigenous rights. The conference was Pierre Elliott Trudeau’s last constitutional meeting before he resigned and the process was handed over to his successor, Brian Mulroney.
Dancing Around the Table, Part One (1987 )
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An exploration of Burroughs’ life story, as told by Burroughs himself along with many of his contemporaries, including Allen Ginsberg, Brion Gysin, Francis Bacon, Herbert Huncke, Patti Smith, Terry Southern, and William Burroughs Jr.
Burroughs: The Movie (1984 )
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This is the remarkable story of an American icon who changed the sport of big wave surfing forever. Transcending the surf genre, this in-depth portrait of a hard-charging athlete explores the fear, courage and ambition that push a man to greatness—and the cost that comes with it.
Take Every Wave: The Life of Laird Hamilton (2017 )
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The transformation from small-town Canadian boy to international superstar happened almost overnight for recording artist, Justin Bieber. With the help of his mother, Bieber started a You Tube craze fueled by his baby-faced good looks and impressive musical talent. After being discovered by manager Scooter Braun, and then being signed to Usher s record label, it was evident that "Bieber Fever" was just getting started. Now a media fixture and a household name, Bieber lights up the stage with his Top 40 hits and winning smile. Justin Bieber: Rise to Fame delves into not only the musical life of the heartthrob, but also how the young star copes with fame and spends his limited free time. Packed with previously unseen footage and exclusive interviews with the teen idol himself, Rise to Fame chronicles the life of the worldwide pop phenomenon who is tearing up the charts and melting young hearts.
Justin Bieber: Rise to Fame (2011 )
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Combining archival photos with new and found footage, this short film presents a personal, impressionistic rendering of what it's like growing up Mi'kmaq in Newfoundland, while living in a culture of denial. Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.
Vistas: Red Ochre (2009 )
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MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.
Manufactured Landscapes (2006 )
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Mark Patton sets the records straight about the controversial 1985 sequel to A Nightmare on Elm Street, which ended his acting career, just as it was about to begin.
Scream, Queen! My Nightmare on Elm Street (2019 )
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This feature-length documentary traces the journey of the Haisla people to reclaim the G'psgolox totem pole that went missing from their British Columbia village in 1929. The fate of the 19th century traditional mortuary pole remained unknown for over 60 years until it was discovered in a Stockholm museum where it is considered state property by the Swedish government. Director Gil Cardinal combines interviews, striking imagery and rare footage of master carvers to raise questions about ownership and the meaning of Aboriginal objects held in museums.
Totem: The Return of the G'psgolox Pole (2003 )
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A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Naqoyqatsi (2002 )
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Toronto-born Norman Jewison first gained prominence producing for Canadian television, then went on to greater success making Hollywood theatrical features. In this film he is seen directing a large international cast and crew in the film version of the musical hit 'Fiddler on the Roof'. Between scenes, Jewison talks freely about many aspects of the film industry and some of his experiences in it. A candid study of a director in action.
Norman Jewison, Film Maker (1971 )
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Richard Kuklinski was a devoted husband, a loving father...and a ruthless killer. A decade after HBO last visited him in prison, the convicted murderer, who freely admits having whacked more than 100 people in cold blood, takes viewers back inside his cold, calculating mind. In this follow-up to America Undercover's 1992 film The Iceman Tapes: Conversations with a Killer, Kuklinski provides all-new insights about his exploits as one of the Mafia's most notorious assassins...and reveals some shocking confessions for a number of previously unsolved murders.
The Iceman Confesses: Secrets of a Mafia Hitman (2001 )
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This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Cape Dorset. This film was nominated for the 1963 Documentary Short Subject Oscar.
Eskimo Artist: Kenojuak (1964 )
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As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
Cameraperson (2016 )