Beste Möglichkeiten, anzusehen Architecture 101 in der Schweiz
Can he meet her again?
When Seung-min was on his first year at the Academy of Architecture, he met Seo-yeon. She was a musician student, and Seung-min totally fell in love with her. Years have passed, and now he meets Seo-yeon again - she asks him to rebuild her father's old house.
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How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.
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Architecture is often seen from the outside, as an inanimate object represented in still imagery. ‘REM’ exposes the human experience of architecture through dynamic film.
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Based on Michael O’Neill’s book of the same name, this documentary tells the story of the ten years the author spent photographing yoga’s great masters. Created as a deep extension of the original book, the film poses very human questions from our current perspective, mixing it with elements of movement and experiential sound, resulting in a new view of the Art of Yoga.
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When a renowned architecture scholar falls suddenly ill during a speaking tour, his son Jin finds himself stranded in Columbus, Indiana - a small Midwestern city celebrated for its many significant modernist buildings. Jin strikes up a friendship with Casey, a young architecture enthusiast who works at the local library.
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“Congratulations, you’re pregnant!” Lara can hardly believe what the doctor has just told her. The 25-year-old spends her nights hanging around Berlin with best friend Nora, having lost interest in her architectural studies long ago. She has no idea what to do with her life – she does a lot, but nothing properly. She now finds herself pregnant after a night of passion with a charming barman she met at a party. Nora is thrilled by the news though, proclaiming: “we’re having a baby!” After some initial doubts, Lara too begins to see her pregnancy as a chance. Together with Nora, she sets about painting the nursery and goes in search of the baby’s father. Then the gynaecologist gives Lara some bad news…
Breaking Horizons (2012 )
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A spirited artist with a mysterious bucket list gets a commission to paint a mural on a new hospital wing in a charming community. When she finds herself falling for the handsome architect designing the addition, she must decide if she can trust him with her list, and the painful memory behind it, or if he’ll break her heart and prove that it’s better to be alone than to be close to someone who will leave.
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Lichtdurchflutete organische Bauten, hohe Decken, schwungvolle Sessel aus Holz und Leder sowie formschöne Messinglampen: All dies war Teil des Werkes des finnischen Star-Architekten und Designers Alvar Aalto. Der Baumeister gilt als der Vater des Modernismus. Doch wer der Mann namens Alvar Aalto – und wer die beiden Frauen, mit denen er sein Leben und sein Schaffen teilte?
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The third autobiography in the series deals with modern architecture. For the grand finale, he covers a broad historical spectrum: Parabeton tells of the great Roman concrete buildings from the start of the Common Era and compares them with Pier Luigi Nervi’s work, the Italian master of concrete construction. As concrete can be made into many different shapes, the buildings and the domes, slopes and spiral staircases they contain have an innovative, seminal quality. Those familiar with Emigholz's work will note that the skewed camera angles used in the past are replaced by straight-on views. Moreover, the ancient constructions seem more dynamic than those of the last century. Almost devoid of people, the images we know from his preceding films make the ruins from the 1930s to the 70s, the familiar cement constructions of daily life with their play of light and shadow or even the Pope’s Audience Hall appear more ghostly than the famous sights of the ancient world.
Parabeton: Pier Luigi Nervi and Roman Concrete (2012 )
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- Laufzeit
- 118 Minuten
- Veröffentlicht
- Ursprungsland
- Südkorea
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