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Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.
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Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.
The Metropolitan Opera: Akhnaten (2019 )
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Als Auftragskillerin genießt Lucrece einen geradezu legendären Ruf: Absolut zuverlässig erledigt sie ihre Missionen, mögen sie noch so exzentrisch sein. Aber Lucrece ist des Mordens überdrüssig - ein letzter Auftrag noch, dann soll Schluss sein. Ihr Ziel ist der Sänger Alexander Child, weil er sich weigert, ein Stück Land in Schottland zu verkaufen, ohne dass ein großer Ölkonzern auf eine lang geplante Pipeline verzichten muss. So wird Lucrece als Sängerin in das kleine Ensemble eingeschleust, das mit Child und anderen Musikern in einem kleinen Schweizer Schlösschen Händels "Messias" aufführen soll. Ebendort aber lässt sich auch Geheimagent Rico in das Ensemble einschleusen. Er fahndet nach einem geheimnisvollen Killer, den die Polizei seit Jahren jagt ...
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The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!
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Der betagte Apostel Johannes wird unter dem christenfeindlichen römischen Kaiser Domitian gefangen genommen und in die Strafkolonie auf der Insel Patmos verbannt. In apokalyptischen Visionen sieht er hier den Untergang des irdischen Daseins voraus. Aber auch die Herrlichkeit des Himmels und die Erlösung durch den Glauben erschließen sich ihm. Die Niederschrift seiner Visionen übergibt Johannes der jungen Christin Irene, die sich Zugang zum Straflager verschaffen kann. Seine Botschaft soll den verängstigten Christengemeinden Mut zusprechen. Doch dem Apostel und seinen Mitgefangenen droht nach einem gescheiterten Fluchtversuch der Tod.
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Florence Foster Jenkins is known as "the worst singer of all times" and yet she is a cult figure whose recordings still outsell many contemporary singers. Opera superstar Joyce DiDonato interprets the flamboyant "queen of dissonance". The involvement of the celebrated virtuoso makes it possible to contrast two different musical perspectives and gives viewers a vivid impression of the film's key conflict between inner delusion and external reality.
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Renée Fleming sings one of her signature roles, the title character in Dvořák’s sumptuously melodic Rusalka. The story of the opera, which is about a water spirit’s tragic romance with a human prince, is drawn from several folktale sources including Hans Christian Andersen’s “The Little Mermaid.” Star conductor Yannick Nézet-Séguin leads a cast that also includes Piotr Beczala as the handsome Prince whom Rusalka yearns to love; Dolora Zajick as the cackling swamp witch Ježibaba; Emily Magee as the Foreign Princess, Rusalka’s rival; and John Relyea as Rusalka’s father, the Water Sprite.
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Mehr Infos
- Laufzeit
- 41 Minuten
- Veröffentlicht
- Ursprungsland
- Polen
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