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Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.
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1958, ein kleines Dorf in der Toskana. Behütet und geliebt wächst Amos Bardi (Toby Sebastian) auf dem Hof seiner Eltern auf. Eines Tages entdecken Amos’ Eltern, dass ihr Sohn an einer seltenen Augenkrankheit leidet, die seine Sehfähigkeit zunehmend einschränkt. Nach zahlreichen erfolglosen Operationen steht es fest: Amos ist nahezu blind und muss auf ein Internat für sehbehinderte Kinder. Dabei werden seine Familie und die Musik zu seinen treusten Begleitern. Selbst als Amos nach einem Sportunfall komplett erblindet, gibt er nicht auf. Angetrieben von seiner unendlichen Begeisterung für die Musik und mit der Unterstützung seines Maestros (Antonio Banderas), beginnt er eine beispiellose Karriere. Bis zu dem Tag, an dem er als „Ersatz“ von Luciano Pavarotti an der Seite des italienischen Superstars Zucchero auftreten soll. Ein Tag, der alles verändern wird ...
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Featuring never-before-seen footage, concert performances and intimate interviews, filmmaker Ron Howard examines the life and career of famed opera tenor Luciano Pavarotti.
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The Three Tenors is a name given to the Spanish singers Plácido Domingo and José Carreras and the Italian singer Luciano Pavarotti who sang in concert under this banner during the 1990s and early 2000s. This is the first collaboration of the trio, with a performance at the ancient Baths of Caracalla, in Rome, Italy, on July 7, 1990 – the eve of the 1990 FIFA World Cup Final. Zubin Mehta conducted the orchestra of Maggio Musicale Fiorentino and the orchestra of Teatro dell'Opera di Roma.
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It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience.
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Mehr Infos
- Laufzeit
- 52 Minuten
- Veröffentlicht
- Ursprungsland
- Frankreich
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