Wo ansehen Fata Morgana in Deutschland
Following Bellavista and Totó, Peter Schreiner completes his informal trilogy of epic, black-and-white digital-video essay-films with the utterly monumental Fata Morgana. Shot in the Libyan desert and in an abandoned building in Lausitz, Germany, it features a man (Christian Schmidt), a woman (Giuliana Pachner, from Bellavista) - and, glimpsed now and again, a guide (Awad Elkish.) They talk, they fall silent. Winds blow. The sun shines. The camera runs. What gradually takes shape is nothing less than a painstakingly concentrated attempt to understand the human condition through the lens of cinema. A lofty ambition, and one that demands a considerable leap of faith on the part of the audience: this film is sedate, "difficult", challenging, often apparently impenetrable. But anyone who has seen Schreiner's previous films will be aware that he is by any standards a major artist, one that can be trusted to find places that other directors may not even suspect exist.
Sehen Sie "Fata Morgana" jetzt auf DocAlliance Films und entdecken Sie noch mehr Möglichkeiten, in Ihre Lieblings-film mit dem ultimativen Streaming-Guide von Popcorn Time einzutauchen.
Erkunde noch mehr Streaming-Optionen für Fata Morgana!
Entdecken Sie, wie Sie Fata Morgana auf verschiedenen Plattformen und in mehreren Ländern ansehen können! Egal, ob Sie zu Hause sind oder im Ausland reisen, es war noch nie einfacher, herauszufinden, wo Sie legal streamen können. Von , Fata Morgana ist auf führenden Diensten wie verfügbar. In 8 weiteren Ländern verfügbar, können Sie maßgeschneiderte Streaming-Optionen erkunden, die den lokalen Lizenzbestimmungen entsprechen und ein problemloses und legales Seherlebnis gewährleisten.
Mehr Infos
- Laufzeit
- 140 Minuten
- Veröffentlicht
- Ursprungsland
- Vereinigte Staaten
- Sprachen
- en
Ähnlich wie Fata Morgana
Film
Zelal is a documentary that's an invitation to delve into the world of psychiatry and "madness" in Egypt. It meets the ordinary madmen and women banished to mental institutions by Egyptian society and offers more than just a journey into their world of shadows. The hospitals end up becoming the only place patients can conceive, not because they are truly "crazy", but because they fear the outside world. The film forces viewers to put their own preconceptions and interpretations to the test, reminding us that freedom is precarious in a society that does not tolerate any differences.
Zelal (2010 )
Film
After 14 years in prison, the time has come for Gogita to return to his normal life. His wishes seem modest enough: a home of his own and then marriage to a nice woman. But who would be interested in a poor farmer and ex-con who still lives with his mother? Then he meets Maka on the internet. She's not that young anymore, and she's not the prettiest girl in the world, but she can bake delicious cakes. They're soon making grand plans without even having met.
Gogita's new life (2017 )
Film
The first feature from Alison McAlpine is a dialogue with the heavens—in this case, the heavens above the Andes and the Atacama Desert in northern Chile, where she alights on the desert- and mountain-dwelling astronomers, fishermen, miners, and cowboys who live their lives with reverence and awe for the skies.
Cielo (2017 )
Film
Do Not Resist is an exploration of the rapid militarization of the police in the United States. Opening on startling on-the-scene footage in Ferguson, Missouri, the film then broadens its scope to present scenes from across the country.
Do Not Resist (2017 )
Film
Donkeys inhabit and communicate with each other - and the filmmakers - in a Sanctuary.
Sanctuary (2017 )
Film
Immediately after the Boston Marathon bombing in April 2013, amateur detectives took the Internet chat rooms to try to find the culprits, looking for details in photographs uploaded to the sites that could point to the guilt of potential suspects.
Watching the Detectives (2017 )
Film
Jamnapaar lurks on the river's edge seeking to explore how the inhabitants of the Jamuna relate to its degraded presence, the fragile nostalgia of an unknowable past and the horror of its unthinkable future.
Jamnapaar (2017 )
Film
Working conditions in the worst-paid jobs in the Czech Republic were examined by journalist Saša Uhlová during six months. She spent several weeks in a hospital laundrette, poultry house, cash register or waste sorting facility. Her experience became the basis of a lived and very personal report of invisible employees working in appalling conditions. Uhlová wrote a series of reports on her project that were published on the Alarm website. Apolena Rychlíková made them into a documentary film consisting of scenes shot at Uhlová's home and video footage taken during her work. Uhlová accompanies the picture with read commentary.
The Limits of Work (2017 )