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Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s elegant staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.
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Renée Fleming sings one of her signature roles, the title character in Dvořák’s sumptuously melodic Rusalka. The story of the opera, which is about a water spirit’s tragic romance with a human prince, is drawn from several folktale sources including Hans Christian Andersen’s “The Little Mermaid.” Star conductor Yannick Nézet-Séguin leads a cast that also includes Piotr Beczala as the handsome Prince whom Rusalka yearns to love; Dolora Zajick as the cackling swamp witch Ježibaba; Emily Magee as the Foreign Princess, Rusalka’s rival; and John Relyea as Rusalka’s father, the Water Sprite.
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Um die Macht seiner Familie zu sichern, drängt Ashton seine Schwester Lucia in eine ungewollte Ehe. Piotr Beczala gibt Lucias Geliebten Edgardo aus der verfeindeten Familie Ravenswood, der während des Hochzeitszeremoniells erscheint und sie der Untreue beschuldigt.
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Anthony Minghella’s beautiful, atmospheric production of Puccini’s tragedy returns to cinemas this summer in a stunning performance recorded live from the Metropolitan Opera in 2009. Soprano Patricia Racette stars as Cio-Cio-San, the trusting and innocent young geisha who disastrously falls in love with American Navy lieutenant B. F. Pinkerton, sung by tenor Marcello Giordani.
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Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini’s early hit. Richard Eyre’s elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met’s 2015–16 season. Massimo Cavalletti as Manon’s brother and Brindley Sherratt as her aging admirer co-star, and Principal Conductor Fabio Luisi is on the podium.
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In der Produktion von Don Pasquale aus der Met zeigt die Sopranistin einmal mehr ihr außergewöhnliches Talent. In dieser Belcanto Komödie wiederholt Anna Netrebko ihren sensationellen Erfolg mit der Partie der Norina, die ihr zum Durchbruch an der Met verholfen hat. Ihr zur Seite steht ein exquisites Männerterzett mit Matthew Polenzani, Mariusz Kwiecien und John Del Carlo in der Titelrolle.
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Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.
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Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.
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Die Neuauflage von Verdis Meisterwerk Otello, in Starbesetzung mit Renée Fleming, gibt es jetzt auf DVD und BluRay. Fleming verbindet eine lange Geschichte mit der Rolle der Desdemona, die zu einem ihrer ersten Erfolge in ihrer 30- jährigen Karriere zählt. An der Seite einer starken Besetzung mit Johan Botha als Otello und Michael Fabiano als Cassio füllt die Sopranistin mit ihrer unverkennbaren und sanftmütigen Interpretation von The Willow Song und Ave Maria die gesamte Halle der Metropolitan Opera. Diese Aufführung, die schon 2012 aufgenommen wurde, war wohlmöglich ihre letzte auf einer der großen Bühnen, was den Mittschnitt zu einem historisch wertvollen Dokument macht. Neben der wunderschönen Umsetzung machen üppige Sets und barocke Kostüme Elijah Moshinskys Produktion von Verdis Meisterwerk zu einem einzigartigen Erlebnis.
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- Laufzeit
- 210 Minuten
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- Ursprungsland
- USA
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