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Somi is pregnant with her second child. A girl, she hopes. Together with her husband she prepares for this new phase of their parenthood. It means that their son has to go to school, but as an ex-Naxalite that is tough to achieve in contemporary India, where people like them are third-rate citizens. They lack the certificates and an opaque bureaucratic process doesn't help. Directors Isabella Rinaldi, Cristina Hanes and Arya Rothe of the NoCut Film Collective concentrate on Somi's close family ties, painting a portrait of ex-Naxalites in India. Once, Somi and her husband were communist rebels fighting for the rights of Indian tribes. However, to safeguard their family's welfare, they surrendered to the government in exchange for marginal compensation and simple accommodation.
A Rifle and a Bag (2020 )
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For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.
Downstream to Kinshasa (2020 )
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Escaping a refugee life from war-torn Syria sparks hope for a family looking to adapt to an American life.
Crossing Borders (2018 )
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A psychiatric centre in Tehran is implementing a revolutionary project: allowing marriage between patients. These women and men in search of love will have to face the prejudices of a traditionalist society. A sensitive and delicate film on personal relationships and the complex notion of madness.
The Marriage Project (2020 )
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Desperately building against the inevitability of time, a restless young woman is awaiting another upcoming loss. But maybe more important things never seem to be told. Soon after the director moves into her 22nd house, she gets a phone call that her Grandma, who lives far away, is in a critical condition. Elsewhere, a huge apartment made of sand is being constructed as the tide rolls in, while she belatedly tries to build a relationship with her Gran. As the camera sensitively observes how we wait for the upcoming days, the film embraces the fragility of life, full of uncertainty.
The Way We Wait (2020 )
Living Water (2020 )
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Set against the backdrop of one of Russia's most industrially brutal and polluted cities, Harmony explores social and gender dynamics of Russian youth through the paradigms and preconceptions of the country’s most prominent sports: ice hockey and rhythmic gymnastics. The two respectively embody Russia’s nationalistic interpretation of hyper-masculine and feminine ideals. Here, sport and everyday life gather broader meaning — reflecting the traits and obsessions of society as a whole.
Harmony (2018 )
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A young Belarusian artist leaves her husband behind in Minsk to visit her friend, the elderly painter Andrzej Strumillo, in his idyllic manor house in Poland. It’s a fairy-tale place, surrounded by marshland and a river. There are horses, for which the two artists share a passion, as well as dogs. It has been two years since her last visit. For her, the trip offers a welcome diversion from city life; for him, it’s a break from a lonely existence marked by old age: a curved spine, painful knees. “It’s sad life’s so short,” he says.
Summa (2018 )
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A film about Leonie Brandt, an actress who used her talent to become a brilliant double agent, living a life shrouded in intrigues and mysteries.
Leonie, Actress and Spy (2020 )
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Camille became a peasant, as they say of someone that lives off the land. She chose the Creuse region, a rough and supple land, laborious yet luminous, but experiences a growing rejection of the agricultural standards that govern her production. Raising her three children, caring for her animals and plants, will always be more important to her than yield. In parallel, her children learn to make choices in the face of the standards imposed on them by the school system.
Middle Earth (2020 )
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In 2019 Mississippi spring flooding hits record highs. Residents of Pierre-Part, Louisiana, prepare for the worst, as authorities are expected to open the floodgates of the Morganza Spillway to save the cities of New Orleans and Bâton Rouge from flooding. Faith and resilience are their only defense.
Belle River (2022 )
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Using their bare hands, married couple Htwe Tin and Thein Shwe draw oil from a pit they drilled themselves on the land next to their house. There are lots of these “artisanal” oilfields dotted around Myanmar, where people have swapped crop cultivation for selling the oil they pump from the ground by hand.
A Thousand Fires (2021 )
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With fine watercolour strokes, Daniela de Felice paints the portrait of a young woman in love and with a true passion for politics. The film takes us back to the Italy of the 1990s, between Berlusconi’s rise to power and the final reverberations of the 20th century. Ardenza is unexpected and moving, with riveting sensitivity and sensuality.
Ardenza (2022 )
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"Finding Farideh" is about an Iranian girl named Farideh, who has been adopted by a Dutch couple 40 years ago, and now overcomes her fears and travels to her motherland Iran for the first time to meet three families who claim to be her real family and have a DNA test with them, and to find out about her Iranian Identity and culture...
Finding Farideh (2018 )
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Director Jeanie Finlay charts a transgender man's path to parenthood after he decides to carry his child himself. The pregnancy prompts an unexpected and profound reckoning with conventions of masculinity, self-definition and biology.
Seahorse: The Dad Who Gave Birth (2020 )
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She is on the way out of the house when she sees an envelope. Jamila’s family has received a rejection of their asylum application. She acts as if she doesn’t see it, takes her younger sister to school, and meets up with her friends. But everywhere she turns she sees them – the police.
Jamila (2019 )
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Umbrella drinks and genocide. More than 24.000 Rohingyas have been killed. Over 900.000 Rohingyas have fled their homes. Rapes and beatings are unaccounted for. Myanmar’s sivil leader Aung San Suu Kyi was awarded the Nobel Peace Prize. She is calling it an «internal conflict».
Greetings from Myanmar (2020 )
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Ayouni follows two high profile figures of the Syrian revolution and asks how do you rebuild country when its civil society has been disappeared, killed and scattered across continents?
Ayouni (2020 )
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An Irish filmmaker grapples with the legacy of his estranged father, the late documentarian Arthur MacCaig, through MacCaig's decades-spanning archive of the conflict in Northern Ireland. Drawing on over 30 years of unique and never-seen-before footage, 'The Image You Missed' is an experimental essay film that weaves together a history of the Northern Irish 'Troubles' with the story of a son's search for his father. In the process, the film creates a candid encounter between two filmmakers born into different political moments, revealing their contrasting experiences of Irish nationalism, the role of images in social struggle, and the competing claims of personal and political responsibility.
The Image You Missed (2018 )
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A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.
I Don’t Feel at Home Anywhere Anymore (2020 )
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Under Paris’ Eiffel Tower, undocumented Senegalese migrants sell souvenirs of the monument to support their families back home. Each day is a struggle through darkness in the City of Lights.
Difficult (2020 )
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The everyday life of a Belo Horizonte lower class neighborhood.
Baronesa (2018 )
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Mario Lorenzini was a working class man, a hiker, a hunter, and a member of the Italian Walser community. In the 70s, he bought a super8 camera and started shooting home-movies with it. Through his lens we experience the seasons passing by in Priami, a small village on the Swiss-Italian border. With his cinematic eye, he explores the people around him, while a second point of view emerges, giving an interpretation of his world, his life and his sense of cinema. His relationship with masculinity and the missed relationship with the "other sex" is often highlighted, enhancing the conflict between the expectations of his community and the reality of not fitting in.
Le Grand Viveur (2020 )
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In a village in West Africa where dreams play a key role, the hosts of local radio interpret the oniric visions of their listeners. The language of dreams is spoken here. The limits between the real and the fantastic blur, and time is suspended.
Talking Dreams (2020 )
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The stories, music and rituals of Tinku culture in the north of Potosí in Bolivia, are the perfect excuse for director Nina Wara Carrasco to return to the idyllic place of her childhood, where she faces the uneasiness of the passage of time and uprooting. In the Whisper of the Wind explores rituals where music is a balm and a link with the mystic.
In the Whisper of the Wind (2018 )
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Filmed over a year in Ambedkar Nagar, a dense, largely working class area in South Delhi. It moves between the two very different worlds of its protagonists, Sachi and Parveen, and tries to keep up with the currents and swings of their respective loves. Sachi works at a local beauty parlor, Parveen runs the family’s small cigarette counter at a crowded intersection. They are surrounded by a cacophonous city; they are both in love with other women. The film accompanies them through their desire to find and live, according to Sachi, their ‘freedom lives’—lives that are outside society and family’s constant scrutiny and sanction. But this ‘freedom life’ also leaves them vulnerable to the precariousness of love, when it refuses such constraints.
Yeh Freedom Life (2018 )
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Documentary about people on the coast of Morocco hoping to make it to Spain.
Barzakh (2018 )
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Endphase tells the story of one the last WWII massacres which was not spoken about for 75 years. In the night of 2 May 1945, 228 Jewish women, children and old men were murdered in Hofamt Priel, a small village in Austria. The perpetrators were never found. The film is a journey into the past of the neighbouring communities Persenbeug and Hofamt Priel, where the brothers Hans and Tobias Hochstöger grew up. In search of an explanation they speak with the last local eyewitnesses and find Yakov Schwarz, the last survivor, and his family in Israel.
Endphase (2021 )
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Landscapes of Resistance traces a journey through the memories of antifascist fighter Sonja (97), the first Partisan woman in Serbia, who was also one of the leaders of the Resistance movement at Auschwitz. We make her story travel through time towards the bodies of the new generation of antifascists, bespeaking that it is always possible to think and practice resistance.
Landscapes of Resistance (2021 )
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Through his dreams, José received a gift given by the gods. Now that he is at a mature age in life, José would like to rest, but he is not allowed.
Vaychiletik (2021 )
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If there was an award for the most stylish opening scene, it would go to Álvaro Pulpeiro for ‘So Foul a Sky’. A road movie and a immersive report from a Venezuela on the verge of collapse. Inspired by Joseph Conrad’s classic novel ‘Nostromo’, we are led into a twilight world where allegiances change among the travellers under the enormous dome of the sky. Pirates and pilgrims cross tracks, and oil is traded on the black market in the middle of nowhere. Crackling car radios relay an ideological battle of words. Has the oil cast a curse on Venezuela? The country is in the midst of the worst political and humanitarian crisis that South America has experienced in the 21st century. Instead of trying to explain the chaotic situation, Pulpeiro places us in the middle of it. A sensory and cinematic film, where the oil runs like thick, black blood through the arteries of the road network and connects us with some of the people who are trying to make life work beyond law and order.
So Foul a Sky (2021 )
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Liberland tells the unusual history of a territory located in the Balkans, a micronation proclaimed by the Czech Vít Jedlička. Does this fanciful gesture conceal the willingness to construct a communitarian ideal, or the desire to build an empire of pernicious interests with impenetrable contours? This film skilfully combines geopolitical questioning and spirited satire.
Liberland (2021 )