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The 60-year-old Nils has turned his back on society and has taken his refuge in a small wooden cabin in the mountains of Norway. Despite his attempt to distance himself from the world, Nils brought his cellphone and is confronted with his urge to have contact with others. This documentary describes and observes how Nils is trying to find the balance between being in touch with nature, himself and his family. This film explores the question of durable contact, and how and with whom you can manage it.
Drømmeland (2019 )
فيلم
Plants such as Dracaena, Ficus, and Philodendron were integral parts of the socialist modernist architecture in the seventies and eighties. Today, they remain strong visual reminders of the socialist state. In "Currents", the movement of plants, the only remaining residents of the building, may be read as a part of a wider context, the change of currents. One paradigm of understanding space is being replaced with another one, the concept of the welfare state, and its undertakings are treated with contempt. Absurdity is a feature of this situation, in which that which was once of great importance becomes completely irrelevant.
Currents (2019 )
فيلم
As the sun rises above a forgotten pyramid, Mahmoud saddles his horse Asefa besides a desert race track. This is how they prepare for their daily training. Friday, all eyes will be on them. Mahmoud senses the fear inside him. Will he be able to win the race one more time?
I Feel Your Eyes (2019 )
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Dennis and his filmmaker friend decide to join his parents in Tuscany where they are spending the summer holiday. Dennis is not in the best of moods. His past and his choices seem to loom over him, to haunt him even in the golden and warm sun of Tuscany. His friend tries to unlock his silences, unsuccessfully. Dennis seems to be hurting. Only skating feels a bit like a momentary peace of mind. His parents do not ask, and Dennis does not tell.
Summerloch (2019 )
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An experimental documentary about the architecture of Buffalo, New York, using intertitles quoting famous books about architecture, interviews with Buffalo residents and many crisply shot images of the city taken from a camera which never moves.
Learning From Buffalo (2018 )
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At 63 years old and almost retired, Joaquim is forced to follow job centre rules so he can collect unemployment benefits. Despite knowing that he will never return to active life, he must go from company to company asking for stamps to attest that he is looking for work. In these trips he reminisces about his life as an immigrant to the U.S., where he worked as a cab driver in New York and witnessed numerous Wall Street crashes.
Jack’s Ride (2021 )
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Every day, the Carlingford ferry takes travelers from Northern Ireland to Ireland, a short sea voyage across an invisible border that invites reflection on the consequences of Brexit.
Four Seasons in a Day (2021 )
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In the spring of 2018, the filmmaker Maria Petschnig befriended Marc who at that time was living in his car in Brooklyn for more than a year, while also holding a day job. Petschnig started to record his life and struggle, his thoughts, routines, etc. over the course of two years.
Uncomfortably Comfortable (2021 )
فيلم
They arrive, they smoke, they wait - armed robbers seeking redemption, life-long thieves, addicts and anxious fathers of wayward children. Hard exteriors hide soft centres, old lives exist in young bodies - ordinary people awaiting judgement on an unlovely stretch of pavement outside a London magistrates' court. Whilst waiting for their cases to be heard they reveal their lives, and the complexities of the human soul are laid bare. Tense and intimate conversations with the filmmaker illuminate stories that the magistrates hear daily. Director Marc Isaacs spent three months outside Highbury Magistrates Court and, in doing so, demonstrates how the eye of the camera has the ability to delve much deeper into character and motivation than the eye of the law. Consequently, the more we get to know the characters in this film, the harder it is to make easy judgements. Whilst the court must judge, the filmmaker need not.
Outside the Court (2011 )
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An old downtown hotel had been visited by people with secrets. Each of them was assigned a number, and it was guaranteed that all the secrets would be forever kept in the hotel. No. 287 is quite a unique case. She hides her secrets in this hotel as well as a grand palace where her memories with her lover remain intact. Years later, the old hotel was relocated, and the palace was devoured by fire. All the secrets have thereby disappeared.
Broca's Aphasia (2022 )
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Simon Chambers is shooting a film in India when his uncle David calls him with a message of doom: “I think I may be dying.” What the viewer doesn’t yet know is that David, an eccentric gay actor, is a total drama queen, and a Shakespeare-lover who has grown old on a diet of attention and applause. Chambers returns to London to look after his uncle and capture his final stages of life on camera.
Much Ado About Dying (2024 )
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Vilnius is a city of notable historical heritage and unique character currently undergoing considerable changes. Some of the life fragments our camera has recorded are no more. The film, therefore, is a testimony to that which has faded into oblivion, and a glimpse into what is to come.
Once Upon a Vilnius (2022 )
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A wind strike, a splash of water and an accomplice look. Will they be enough to change the life of a child?
Blu (2019 )
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How is it like to be forced to wait while people are drowning just a few miles away? "No News" gives an insight into the absurdity of European migration policy.
No News (2021 )
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Ismael Loutfi discusses getting married right before the coronavirus lockdown, compares Donald Trump’s and Joe Biden’s personalities, and questions why Floridians aren’t considered Southern.
Ismael Loutfi: Sound It Out (2022 )