Kus vaadata A So-Called Archive Eestis
With a forensic lens, Onyeka Igwe's A So-Called Archive interrogate the decomposing repositories of Empire. Blending footage shot over the past year in two separate colonial archive buildings - one in Lagos, Nigeria, and the other in Bristol, United Kingdom - this double portrait considers the 'sonic shadows' that colonial images continue to generate, despite the disintegration of the memory and their materials. It mixes the genres of the radio play, the corporate video tour and detective noir, with a haunting and critical approach to the horror of discovery.
Vaata "A So-Called Archive" kohe DocAlliance Films ja avasta veelgi rohkem viise, kuidas Popcorn Time'i ülimat voogedastusjuhendit kasutades oma lemmik film sukelduda.
A So-Called Archive on täna Popcorn Time'i voogedastustabelis #28795 kohal Eestis. film on alates eilsest tõusnud 9 kohta.
Popcorn Time'i järjestussüsteem arvutab populaarsust, kombineerides andmeid mitmest usaldusväärsest allikast, sealhulgas voogedastusplatvormidest, peer-to-peer suundumustest ja globaalsetest andmebaasidest.
Meie algoritm kohandab järjestusi dünaamiliselt, lähtudes sellest, kuidas sisu erinevatel platvormidel, piirkondades ja ajavahemikel esineb. Iga filmi või saadet hinnatakse, kasutades kombinatsiooni tema globaalsest positsioonist, piirkondlikust populaarsusest ja ajaloolisest esitusest. See tagab õiglase, täpse ja pidevalt ajakohastatud ülevaate sellest, mis Eestis trendib.
Avasta veel rohkem voogesitusvõimalusi A So-Called Archive jaoks!
Avasta, kuidas vaadata A So-Called Archive mitmel platvormil ja erinevates riikides! Olgu sa kodus või välismaal, legaalsete voogedastusvõimaluste leidmine pole kunagi olnud lihtsam. Alates , on A So-Called Archive kättesaadav juhtivatel teenustel nagu . Ligipääsetav 4 teises riigis, saad uurida kohandatud voogedastusvõimalusi, mis vastavad kohalikele litsentsinõuetele, tagades muretult ja legaalselt vaatamiskogemuse.
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- Kestus
- 20 minutit
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- Päritoluriik
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Sarnased filmile A So-Called Archive
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A discussion of infidelity told through confessional interviews of sex, marriage, and adultery. The film explores our hunger to find fulfillment through acts of committing to—and straying from—our partners and how the secrets we keep--and the lies we tell--in our search for love and desire reveal who we are. It is also the story of the director’s unexpected transformation, as she discovers her future partner through the process of making the film.
Talking About Adultery (2019 )
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A voiceless narrator rehashes details about his mother’s affair as he crosses the United States by train. “Mama has two phone numbers. We do not talk about immigration on her Obama phone. For that we use the other number with no data plan.” The linear train ride moving from Los Angeles to New York diverges into unruly directions of consciousness. A multiplicity of voices share thoughts, dreams and histories evoking images far away from the enclosed spaces of this trains interior. While capturing these landscapes and interiors through his lens, the moving images evidently illustrate an undocumented subjectivity, a site of precarious movement, migration and fugitivism in the US.
No Data Plan (2019 )
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In rural Azerbaijan, a mother welcomes her adult son, who left home eight years earlier. In the calm rhythm of rural life, reflective silences punctuate their personal, philosophical conversations.
Mother and Son (2019 )
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Oscillating between present day and decades-old home videos, Charm Circle is a cinéma vérité portrait of an eccentric New York family navigating the chaos that divides them.
Charm Circle (2023 )
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Rotterdam regular John Gianvito (Vapor Trail (Clark), IFFR 2010) checks in with a sensitive, homebound film diary recorded in the pandemic years 2020-2022. The watchful, wary stance of deer outside his house triggers a series of fragments associated with death, burial, mourning and care: Gianvito calls it 'a requiem'. Snatches of classic soundtracks (including Renoir's Partiede campagne, 1936) and glimpses of news broadcasts expand the private, intimate context.
The Grave's Sky (2023 )
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A man hikes through late-winter woods. Russia invades Ukraine. It’s difficult to reconcile the scales of action described by those sentences, but this difficulty is what John Gianvito dwells on in his new video. It may simply be that this is a diary, movingly plain and provisional in construction, which recounts what its author did for a few months last year: he watched a war on the internet and went outside. Even if that’s true, such a description makes Gianvito’s images seem less strange than they are
Fugue (2023 )
Film
A psychedelic portrait of the founding theorist of Christianity, Paul the Apostle. His life, ideology and influence are reconstructed by piecing together 16mm footage, cassettes, animation, and Catholic liturgical music.
The Apocalyptic Is the Mother of All Christian Theology (2023 )
Film
From dreamy aerial opening shots, we are sent on an expedition through the storied land of our fifth most populous state, Illinois, often called a miniature version of America. Deborah Stratman’s experimental documentary explores how physical landscapes and human politics can each re-interpret historical events. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism, and resistance. Who gets to write history—physical monuments, official news accounts, or personal spoken-word memories?
The Illinois Parables (2016 )