Kus vaadata And Then We Marched Eestis
Lynne shoots Super 8mm film of the Jan. 21 Women’s March in Washington, D.C. and intercuts this recent footage with archival material of early 20th Century Suffragists marching for the right to vote, 1960s antiwar activists and 1970s advocates for the Equal Rights Amendment.
Vaata "And Then We Marched" kohe DocAlliance Films ja avasta veelgi rohkem viise, kuidas Popcorn Time'i ülimat voogedastusjuhendit kasutades oma lemmik film sukelduda.
And Then We Marched on täna Popcorn Time'i voogedastustabelis #32129 kohal Eestis. film on alates eilsest tõusnud 4 kohta.
Popcorn Time'i järjestussüsteem arvutab populaarsust, kombineerides andmeid mitmest usaldusväärsest allikast, sealhulgas voogedastusplatvormidest, peer-to-peer suundumustest ja globaalsetest andmebaasidest.
Meie algoritm kohandab järjestusi dünaamiliselt, lähtudes sellest, kuidas sisu erinevatel platvormidel, piirkondades ja ajavahemikel esineb. Iga filmi või saadet hinnatakse, kasutades kombinatsiooni tema globaalsest positsioonist, piirkondlikust populaarsusest ja ajaloolisest esitusest. See tagab õiglase, täpse ja pidevalt ajakohastatud ülevaate sellest, mis Eestis trendib.
Avasta veel rohkem voogesitusvõimalusi And Then We Marched jaoks!
Avasta, kuidas vaadata And Then We Marched mitmel platvormil ja erinevates riikides! Olgu sa kodus või välismaal, legaalsete voogedastusvõimaluste leidmine pole kunagi olnud lihtsam. Alates , on And Then We Marched kättesaadav juhtivatel teenustel nagu . Ligipääsetav 3 teises riigis, saad uurida kohandatud voogedastusvõimalusi, mis vastavad kohalikele litsentsinõuetele, tagades muretult ja legaalselt vaatamiskogemuse.
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Sarnased filmile And Then We Marched
Film
A discussion of infidelity told through confessional interviews of sex, marriage, and adultery. The film explores our hunger to find fulfillment through acts of committing to—and straying from—our partners and how the secrets we keep--and the lies we tell--in our search for love and desire reveal who we are. It is also the story of the director’s unexpected transformation, as she discovers her future partner through the process of making the film.
Talking About Adultery (2019 )
Film
A voiceless narrator rehashes details about his mother’s affair as he crosses the United States by train. “Mama has two phone numbers. We do not talk about immigration on her Obama phone. For that we use the other number with no data plan.” The linear train ride moving from Los Angeles to New York diverges into unruly directions of consciousness. A multiplicity of voices share thoughts, dreams and histories evoking images far away from the enclosed spaces of this trains interior. While capturing these landscapes and interiors through his lens, the moving images evidently illustrate an undocumented subjectivity, a site of precarious movement, migration and fugitivism in the US.
No Data Plan (2019 )
Film
In rural Azerbaijan, a mother welcomes her adult son, who left home eight years earlier. In the calm rhythm of rural life, reflective silences punctuate their personal, philosophical conversations.
Mother and Son (2019 )
Film
Sara is a young girl raised in a family of goat farmers. Her parents homeschool their twelve children, rigorously following the precepts of the Bible. Like her sisters, Sara is taught to be a devout woman, subservient to men while keeping her emotional and physical purity intact until marriage. When Sara meets Colby, a young amateur bull rider, she is thrown into crisis, questioning the only way of life she has ever known.
Stop the Pounding Heart (2013 )
Film
19 year old Bert sits in the shade of a tree in Yo Park. Cassandra Warrior feeds her daughter Diamond Rose. Daniel Runs Close sweats under the sun at Wounded Knee Memorial site. Kassel Sky Little puts his boots on at the Waters Rodeo. Vanessa Piper is alone in the middle of Badlands. Lance Red Cloud hangs out behind the gas station at night. It is summer and they all live here, at the Pine Ridge Reservation in South Dakota, USA.
Pine Ridge (2013 )
Film
In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
Double Play: James Benning and Richard Linklater (2013 )
Film
The Swedish artist Måns Månsson has placed a fictional character in a real environment to explore the fascinating new relationship that has arisen between Africa and China, where democracy is one commodity among many others. No dialogue was written in advance, and the minimal story about the worthless t-shirts is just a pretext to conduct a cinematic experiment set in the Chinese city, where tens of thousands of African migrants are in the process of establishing themselves and creating a new life, in a historical parallel to the exchange that has always taken place between East and West. But this time, the West is not invited to the party. However, the reference to the lost souls in the American photographer William Eggleston's film of the same name suggests a tragicomic and existential absurdity independent of time and place.
Stranded in Canton (2014 )
Film
A poetic portrait of people working in the state-run post office, rail station and fire headquarters in the 3rd largest city of Africa, Kinshasa.
Elephant's Dream (2014 )