Kus vaadata Ashes, An Essay on Fire Eestis
Gerês, Portugal. Days are born with fire and die with it. Men renew the earth with ancient practices. All beings inhabit the same place. Avasta "Ashes, An Essay on Fire", kaasahaarav dokumentaalfilm film mis esmakordselt jõudis ekraanidele aastal 2012. See toodang, mis pärineb Portugal.
Vaata "Ashes, An Essay on Fire" kohe DocAlliance Films ja avasta veelgi rohkem viise, kuidas Popcorn Time'i ülimat voogedastusjuhendit kasutades oma lemmik film sukelduda.
Ashes, An Essay on Fire on täna Popcorn Time'i voogedastustabelis #34134 kohal Eestis. film on alates eilsest langenud 2 kohta.
Popcorn Time'i järjestussüsteem arvutab populaarsust, kombineerides andmeid mitmest usaldusväärsest allikast, sealhulgas voogedastusplatvormidest, peer-to-peer suundumustest ja globaalsetest andmebaasidest.
Meie algoritm kohandab järjestusi dünaamiliselt, lähtudes sellest, kuidas sisu erinevatel platvormidel, piirkondades ja ajavahemikel esineb. Iga filmi või saadet hinnatakse, kasutades kombinatsiooni tema globaalsest positsioonist, piirkondlikust populaarsusest ja ajaloolisest esitusest. See tagab õiglase, täpse ja pidevalt ajakohastatud ülevaate sellest, mis Eestis trendib.
Avasta veel rohkem voogesitusvõimalusi Ashes, An Essay on Fire jaoks!
Avasta, kuidas vaadata Ashes, An Essay on Fire mitmel platvormil ja erinevates riikides! Olgu sa kodus või välismaal, legaalsete voogedastusvõimaluste leidmine pole kunagi olnud lihtsam. Alates , on Ashes, An Essay on Fire kättesaadav juhtivatel teenustel nagu . Ligipääsetav 4 teises riigis, saad uurida kohandatud voogedastusvõimalusi, mis vastavad kohalikele litsentsinõuetele, tagades muretult ja legaalselt vaatamiskogemuse.
Rohkem infot
- Kestus
- 18 minutit
- Välja antud
- Päritoluriik
- Portugal
- Keeled
- en
Sarnased filmile Ashes, An Essay on Fire
Film
Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
What Now? Remind Me (2014 )
Film
Fragments of spaces, buildings and structures, memories and remains of past eras, places of work or leisure now inhabited by our memories alone, or really forgotten. Dead things or living proof of time, natural elements, and human predators themselves.
Ruins (2009 )
Film
Jorge de Sena was forced to leave his country. First he moved to Brazil, and later to the USA. He never returned to Portugal. During his 20-year-long exile, he kept an epistolary correspondence with Sophia de Mello Breyner Andresen. These letters are a testimony of the profound friendship between the two poets, letters of longing and of desire to “fill years of distance with hours of conversation”. Through excerpts and verses, a dialog is established, revealing their divergent opinions but mostly their strong bond, and their efforts to preserve it until their last breaths.
Correspondences (2016 )
Film
The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.
In the Darkness of the Theater I Take Off My Shoes (2016 )
Film
A cameraman and a soundman arrive in Corvo in 2007, the smallest island in the archipelago of the Azores. Right in the middle of the Atlantic Ocean, Corvo is a large rock, 6km high and 4km long, with the crater of a volcano and a single tiny village of 440 people. Gradually, this small filming crew is accepted by the island’s population as its new inhabitants, two people to add to a civilization almost 500 years old, whose history is hardly discernible, such is the lack of records and written memories. Shot at a vertiginous pace throughout a few years, self‐produced between arrivals, departures and coming‐backs, “It’s the Earth not the Moon” develops as the logbook of a ship, and turns out as a patchwork of discoveries and experiences, which follow the contemporary life of a civilization isolated in the middle of the sea. A long atlantic film‐odissey, divided in 14 chapters, that combines anthropological records, literature, lost archives, mythological and autobiographical stories.
It's the Earth Not the Moon (2012 )
Film
How would it look like, the body of Dom Afonso Henriques, first king of Portugal, tutelary figure, subject to successive mythifications throughout Portuguese history?
The King's Body (2012 )
Film
With Reconversão (Reconversion), Thom Andersen opens another fascinating chapter of his ongoing investigation of architectural landscapes, their filmic representation, and their relation to history, by focusing on 17 buildings and projects by the often-controversial Portuguese architect Eduardo Souto de Moura—winner of the 2011 Pritzker Prize. Echoing Dziga Vertov’s concepts and Eadweard Muybridge’s techniques (shooting only one or two frames per second), Andersen masterfully brings forward what makes Souto de Moura an original: the incorporation of the passing of time into architectural designs, positing them within a history fraught with class struggle and societal changes, in a continuum with ruins—from which they may originate, and to which they will return—and with nature—which they frame, and by which they are framed.
Reconversion (2012 )
Film
A Comunidade is a short documentary focused on CCL, the oldest camping park in Portugal.
The Community (2012 )