Kus vaadata Before the Deluge Eestis
Within the ancient precambrian rock of northern Canada lies one of the largest reserves of Uranium on the planet. A power that has produced the greatest destructive energy known to man, it also manifests itself in the natural glory of the region. A Gothic travelogue that calls for dialogue with the ghosts of the region; mining towns swallowed up in the pandemonium of trade, extraction and abandonment. While unknown forces that inhabit these lands speaks in somber memories.
Vaata "Before the Deluge" kohe DocAlliance Films ja avasta veelgi rohkem viise, kuidas Popcorn Time'i ülimat voogedastusjuhendit kasutades oma lemmik film sukelduda.
Avasta veel rohkem voogesitusvõimalusi Before the Deluge jaoks!
Avasta, kuidas vaadata Before the Deluge mitmel platvormil ja erinevates riikides! Olgu sa kodus või välismaal, legaalsete voogedastusvõimaluste leidmine pole kunagi olnud lihtsam. Alates , on Before the Deluge kättesaadav juhtivatel teenustel nagu . Ligipääsetav 6 teises riigis, saad uurida kohandatud voogedastusvõimalusi, mis vastavad kohalikele litsentsinõuetele, tagades muretult ja legaalselt vaatamiskogemuse.
Rohkem infot
- Kestus
- 39 minutit
- Välja antud
- Päritoluriik
- Kanada
- Keeled
- en
Sarnased filmile Before the Deluge
Film
A look at the life, work and importance of Czech filmmaker Karel Zeman (1910-89), a genius of world cinema, a wizard of special effects, revealing his sources of inspiration and his revolutionary filming techniques.
Film Adventurer Karel Zeman (2015 )
Film
The film depicts the lives of the two sole residents of an abandoned company town while unfolding a complex labour history and revealing the vestiges of environmental degradation. Combining large format cinematography and an inquiry into the archival record, it interlaces past and present.
Anyox (2022 )
Film
Tara Emory is a pioneering erotic photographer who has been active online since the early 2000s. This documentary paints a portray of her at a time when, absorbed by her epic sci-fic trans pornography project, she has to juggle being evicted from her studio, Le Wonderland, her personal and family struggles with compulsive hoarding and her hectic lifestyle. Between the gargantuan sets in her studio, the complicated dilemmas she must face, and the robots spurting a mixture of Mentos and Sprite, this first feature by Laurence Turcotte-Fraser deftly interweaves elements of her inner and outer life to introduce us to an unconventional artist with a wide variety of different interests. The End of Wonderland gives a voice to one those oft-forgotten exhilarating personalities by sensitively exploring Tara Emory’s day-to-day life. (Programming Collective)
The End of Wonderland (2021 )
Film
A bio-doc about my pal Judy Rebick: iconic second wave Canadian feminist, radical activist, journalist and writer. She is the founding publisher of rabble.ca, Canada’s irreverent progressive online news source, and a former president of the National Action Committee on the Status of Women, Canada’s largest women’s group. Shot in kinetic bursts of super 8, the only voice is Judy’s, impelling a trek through a devastated family, the struggle for women’s right to choose and the challenge of neo-liberalism. A series of six public moments (marked by speeches and TV spots) structure a life collage that arrives in six movements. A fractured movie for fractured times.
Judy Versus Capitalism (2020 )
Film
GAZA brings us into a unique place beyond the reach of television news reports to reveal a world rich with eloquent and resilient characters, offering us a cinematic and enriching portrait of a people attempting to lead meaningful lives against the rubble of perennial conflict. Throughout its entire history the Gaza Strip has been witness to conflict and upheaval. From ancient times this tiny coastal territory, located at a crossroads between continents, has been a pawn whose fate rested in the hands of powerful neighbours.
Gaza (2019 )
Film
After André Levesque missionnaire, Oksana Karpovych is back at the RIDM with her first feature, which she filmed in her native country, Ukraine. To take the pulse of the country, the filmmaker adopts one of documentary cinema’s most prolific sub-genres: the train film. Filmed entirely in the old, run-down, overcrowded passenger trains used by ordinary Ukrainians, the film captures conversations, observes the landscape, and accompanies several protagonists on their journey; they open our eyes to popular preoccupations in a country that seems perpetually anchored in its highly visible Soviet legacy. A fine lesson in listening and humanity.
Don't Worry, the Doors Will Open (2019 )
Film
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
No Crying at the Dinner Table (2019 )
Film
The Okanagan Valley in the southern interior of British Columbia is marketed as a destination of leisure, recreation, retirement and wealth. Behind this facade is a largely invisible agricultural labour force, comprised of temporary migrant workers from the Global South. These workers are placed in a system that is inherently precarious and potentially exploitative, wherein their legal status is tied directly to their employer, with no path to permanent citizenship. While the workers pay into Canadian health care and pension plans, they do not benefit from these social goods as temporary citizens. This film aims to make this labour visible, while contemplating the prescribed aesthetics imposed on the landscape within the region. Formally, the film resides at the intersection of photography and the moving image, while embracing the generative structural limitations of early cinema.
Labour/Leisure (2019 )