Kus vaadata Evangelium podle Brabence Eestis
Avasta "Evangelium podle Brabence", kaasahaarav dokumentaalfilm film mis esmakordselt jõudis ekraanidele aastal 2015. See toodang, mis pärineb Tšehhi Vabariik sisaldab kaastöid Vratislav Brabenec rollis Himself ja Renata Kalenská rollis Herself.
Vaata "Evangelium podle Brabence" kohe DocAlliance Films ja avasta veelgi rohkem viise, kuidas Popcorn Time'i ülimat voogedastusjuhendit kasutades oma lemmik film sukelduda.
Avasta veel rohkem voogesitusvõimalusi Evangelium podle Brabence jaoks!
Avasta, kuidas vaadata Evangelium podle Brabence mitmel platvormil ja erinevates riikides! Olgu sa kodus või välismaal, legaalsete voogedastusvõimaluste leidmine pole kunagi olnud lihtsam. Alates , on Evangelium podle Brabence kättesaadav juhtivatel teenustel nagu . Ligipääsetav 4 teises riigis, saad uurida kohandatud voogedastusvõimalusi, mis vastavad kohalikele litsentsinõuetele, tagades muretult ja legaalselt vaatamiskogemuse.
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Sarnased filmile Evangelium podle Brabence
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Girl Power is a documentary that presents female graffiti writers from fifteen cities – from Prague to Moscow, Cape Town, Sydney, Biel, Madrid, Berlin, Toulouse, Barcelona and all the way to New York. The graffiti community is predominantly a man's world, and men often share the view that graffiti – namely the illegal kind – is not for girls. And yet women have become increasingly more emancipated in recent years; there are female graffiti shows, magazines and websites. Girl Power captures the stories of ladies who have succeeded in the male graffiti world.
Girl Power (2016 )
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When the junior ice hockey team from the small town of Náchod, in the Czech Republic, sets off in a bus to Morocco to play the away game in an exchange programme, the players and their coach expect an easy victory and a cultural shock: “bring ear plugs”, the coach suggests them with a touch of undisguised condescendence, so as not to hear the call to prayer early in the morning. Both on and off the ice, Rozálie Kohoutová and Tomáš Bojar’s camera focuses on a few teenagers and their exchanges, simultaneously funny and cruel, in a clumsy English.
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Passengers (2019 )
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Mosquitos, freezing cold, mysterious taiga. Inhospitable places where thousands of prisoners have suffered. To document abandoned Gulags in Siberia, you have to walk miles in their shoes. This film follows the Gulag.cz team and their third expedition to the remains of an abandoned railway and Gulags in Northern Siberia, where data for virtual museum were gathered.
A Journey to the Gulag (2019 )
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In a small village in the south of the Bohemian-Moravian Highlands, filmmaker Kateřina Turečková meets 16-year-old Ben, interested in learning about their newly discovered trans identity in person. Ben seeks refuge for their true feelings in cyberspace, finding moments of happiness by using green-screen technology to imagine their possible future. The film indirectly captures the (mis)understanding and (non-)acceptance Ben faces at school, its focused insight rounded out by the filmmaker’s interviews with Ben’s mother and sister, who inadvertently embody everything Ben hates about themself.
Why Do I Feel like a Boy? (2019 )
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A carefully composed observation of two newsrooms which, in March 2017, were avidly chasing after information about the Czech president’s decision whether or not to run for re-election. Two teams of reporters, one extraordinary event, and two takes on one "objective" piece of news.
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H*ART ON dives off the deep end of modern art. A film about the yearning to create, to mould everyday emotions into a meaningful life and, most of all, to live beyond one's death. A struggle that gets to the existential core of each of us. How do you find meaning in everyday fear, love, sex and loneliness?
H*art On (2017 )