Kus vaadata Fugazi. The Centre of the Universe Eestis
Avasta "Fugazi. The Centre of the Universe", kaasahaarav animatsioon film mis esmakordselt jõudis ekraanidele aastal 2017. See toodang, mis pärineb Poola sisaldab kaastöid Jarek Frankowski rollis Self, Robert Brylewski rollis Self, Piotr Więcławski rollis Self, Alex Kłoś rollis Self ja Dariusz Malejonek rollis Self.
Vaata "Fugazi. The Centre of the Universe" kohe DocAlliance Films ja avasta veelgi rohkem viise, kuidas Popcorn Time'i ülimat voogedastusjuhendit kasutades oma lemmik film sukelduda.
Fugazi. The Centre of the Universe on täna Popcorn Time'i voogedastustabelis #33419 kohal Eestis. film on alates eilsest langenud 3 kohta.
Popcorn Time'i järjestussüsteem arvutab populaarsust, kombineerides andmeid mitmest usaldusväärsest allikast, sealhulgas voogedastusplatvormidest, peer-to-peer suundumustest ja globaalsetest andmebaasidest.
Meie algoritm kohandab järjestusi dünaamiliselt, lähtudes sellest, kuidas sisu erinevatel platvormidel, piirkondades ja ajavahemikel esineb. Iga filmi või saadet hinnatakse, kasutades kombinatsiooni tema globaalsest positsioonist, piirkondlikust populaarsusest ja ajaloolisest esitusest. See tagab õiglase, täpse ja pidevalt ajakohastatud ülevaate sellest, mis Eestis trendib.
Avasta veel rohkem voogesitusvõimalusi Fugazi. The Centre of the Universe jaoks!
Avasta, kuidas vaadata Fugazi. The Centre of the Universe mitmel platvormil ja erinevates riikides! Olgu sa kodus või välismaal, legaalsete voogedastusvõimaluste leidmine pole kunagi olnud lihtsam. Alates , on Fugazi. The Centre of the Universe kättesaadav juhtivatel teenustel nagu . Ligipääsetav 3 teises riigis, saad uurida kohandatud voogedastusvõimalusi, mis vastavad kohalikele litsentsinõuetele, tagades muretult ja legaalselt vaatamiskogemuse.
Rohkem infot
- Välja antud
- Päritoluriik
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Sarnased filmile Fugazi. The Centre of the Universe
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The older marriage sails out on a cruise on the lakes, where they have spent the entire one’s life. The enclosed space of the yacht provokes reflection on the future as well on what has passed. In the evenings old melodies resound.
The End of the Season (2019 )
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Two acclaimed documentary film-makers - father and son - drive from Poland to Paris to see the place where the ashes of the father's mother are buried. What accompanies them on the way are resentments, quarrels and sincere confessions.
Father and Son (2013 )
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In the Californian part of the Sonoran desert, in the close vicinity of military bases, there is a “wild” town called Slab City inhabited by the refugees from the American Dream. Of different age, they brought with them various stories, but all chose freedom, even for the price of the most basic comforts. The only place equipped with electricity is a makeshift Internet café run by Rob which serves “the best coffee in the neighbourhood”.
Desert Coffee (2017 )
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The Ursus factory once covered 170 hectares and employed 20,000 workers, producing 100 tractors a day. Now, its buildings stand derelict and empty; half have already been demolished by investors with new plans. The symphony of mechanical sounds and gestures that is gradually built up throughout the film is produced by former factory employees. Proud of their factory, they reminisce about the huge numbers of people and the parties they had. They were a community, passionate about supporting agriculture through their factory. The Ursus tractor was well-known, not only in Poland but throughout the world.
Symphony of the Ursus Factory (2019 )
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The communal memory of killings which took place following World War II in the Dębrzyna forest in south-east Poland, featuring accounts from those who witnessed the atrocities as children. It was a time when many people were returning from forced labour in Germany, with no idea that they might become victims of the attacks being perpetrated by the marauding bandits who had overrun the area. The residents of the nearby villages knew what was going on in the forest, yet never intervened because they were “living in fear” themselves.
The Fear (2020 )
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Although they look almost identical in black balaclavas, they have arrived at extremely right-wing views along very different paths. For six months Michał Edelman documented the activity of the National-Radical Camp brigade from Łódź ranging from propaganda events including an obligatory barbecue through attempts to disrupt the Gay Parade in Radomsko to the culmination on the Independence Day in 2019 when they marched along the streets of Warsaw. Are the nationalists really a group of friends with clear-cut views only?
Last Knights of the Right Side (2020 )
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The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.
End of the World (2015 )