Kus vaadata In Our Paradise Eestis
In Bosnia-Herzegovina, Indira dreams of elsewhere. In France, Mehdina strives to find her place. Whilst the adults seem to be fighting windmills, the kids grow up in a world of their own with ten-year-old Hasan blissfully wandering on the path of Armstrong and travelling into space.
Vaata "In Our Paradise" kohe GuideDoc ja True Story ja avasta veelgi rohkem viise, kuidas Popcorn Time'i ülimat voogedastusjuhendit kasutades oma lemmik film sukelduda.
Veel on 1 välist pakkujat. Täielikku nimekirja saate vaadata kust vaadata In Our Paradise.
In Our Paradise on täna Popcorn Time'i voogedastustabelis #30659 kohal Eestis. film on alates eilsest tõusnud 9 kohta.
Popcorn Time'i järjestussüsteem arvutab populaarsust, kombineerides andmeid mitmest usaldusväärsest allikast, sealhulgas voogedastusplatvormidest, peer-to-peer suundumustest ja globaalsetest andmebaasidest.
Meie algoritm kohandab järjestusi dünaamiliselt, lähtudes sellest, kuidas sisu erinevatel platvormidel, piirkondades ja ajavahemikel esineb. Iga filmi või saadet hinnatakse, kasutades kombinatsiooni tema globaalsest positsioonist, piirkondlikust populaarsusest ja ajaloolisest esitusest. See tagab õiglase, täpse ja pidevalt ajakohastatud ülevaate sellest, mis Eestis trendib.
Avasta veel rohkem voogesitusvõimalusi In Our Paradise jaoks!
Avasta, kuidas vaadata In Our Paradise mitmel platvormil ja erinevates riikides! Olgu sa kodus või välismaal, legaalsete voogedastusvõimaluste leidmine pole kunagi olnud lihtsam. Alates , on In Our Paradise kättesaadav juhtivatel teenustel nagu . Ligipääsetav 10 teises riigis, saad uurida kohandatud voogedastusvõimalusi, mis vastavad kohalikele litsentsinõuetele, tagades muretult ja legaalselt vaatamiskogemuse.
Rohkem infot
- Kestus
- 76 minutit
- Välja antud
- Päritoluriik
- Prantsusmaa
- Keeled
- bs, fr, en
- Subtiitrid
- ca, en
Sarnased filmile In Our Paradise
Film
The intimate journey of Caroline, a flamboyant grandmother, and Stéphane, her filmmaker grandson, exploring the development and transmission of gender identity.
Madame (2019 )
Film
The story of a young woman who will never fit in but whom the cinema, because it is able to appreciate her extraordinary existence, helps her to find her own special place in the world.
Penelope My Love (2022 )
Film
Ada is 19. She agrees to have dinner at the home of a boy she knows. It all happens very quickly, she does not defend herself. It is in 2013, after a screening of her first film, that Alexe Poukine meets her: a woman of her age who shares with her something that happened nine years before and that she does not know what to do with.
That Which Does Not Kill (2022 )
Film
Marusya is 16 and, like many Russian teenagers, is determined to end her life. Then she meets her soulmate in another millennial, Kimi. They spend a decade filming the euphoria and anxiety, the happiness and misery of their youth, muzzled by a violent and autocratic regime in the midst of a “depressed Russia”. This film is a cry from the heart, a tribute to an entire silenced generation.
How to Save a Dead Friend (2023 )
Film
Portrait of Marceline Loridan-Ivens, a writer and filmmaker who survived the Holocaust.
Marceline. A Woman. A Century (2019 )
Film
After five years studying in Paris, Arash has not adjusted to life there and has decided to return to Iran to live. Hoping to change his mind, his two friends Hossein and Ashkan convince him to take a last trip through France.
Before Summer Ends (2017 )
Film
This film does not deal with Chernobyl, but rather with the world of Chernobyl, about which we know very little. Eyewitness reports have survived: scientists, teachers, journalists, couples, children... They tell of their old daily lives, then of the catastrophe. Their voices form a long, terrible but necessary supplication which traverses borders and stimulates us to question our status quo.
Voices from Chernobyl (2016 )
Film
Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
Mama Colonel (2017 )