Kus vaadata In Transit: Report for Posterity Eestis
Revolution and resignation within the changes at the end of the GDR. Avasta "In Transit: Report for Posterity", kaasahaarav dokumentaalfilm film mis esmakordselt jõudis ekraanidele aastal 1990. See toodang, mis pärineb Saksamaa.
Vaata "In Transit: Report for Posterity" kohe GuideDoc ja avasta veelgi rohkem viise, kuidas Popcorn Time'i ülimat voogedastusjuhendit kasutades oma lemmik film sukelduda.
In Transit: Report for Posterity on täna Popcorn Time'i voogedastustabelis #24078 kohal Eestis. film on alates eilsest tõusnud 10 kohta.
Popcorn Time'i järjestussüsteem arvutab populaarsust, kombineerides andmeid mitmest usaldusväärsest allikast, sealhulgas voogedastusplatvormidest, peer-to-peer suundumustest ja globaalsetest andmebaasidest.
Meie algoritm kohandab järjestusi dünaamiliselt, lähtudes sellest, kuidas sisu erinevatel platvormidel, piirkondades ja ajavahemikel esineb. Iga filmi või saadet hinnatakse, kasutades kombinatsiooni tema globaalsest positsioonist, piirkondlikust populaarsusest ja ajaloolisest esitusest. See tagab õiglase, täpse ja pidevalt ajakohastatud ülevaate sellest, mis Eestis trendib.
Avasta veel rohkem voogesitusvõimalusi In Transit: Report for Posterity jaoks!
Avasta, kuidas vaadata In Transit: Report for Posterity mitmel platvormil ja erinevates riikides! Olgu sa kodus või välismaal, legaalsete voogedastusvõimaluste leidmine pole kunagi olnud lihtsam. Alates , on In Transit: Report for Posterity kättesaadav juhtivatel teenustel nagu . Ligipääsetav 6 teises riigis, saad uurida kohandatud voogedastusvõimalusi, mis vastavad kohalikele litsentsinõuetele, tagades muretult ja legaalselt vaatamiskogemuse.
Rohkem infot
- Kestus
- 90 minutit
- Välja antud
- Päritoluriik
- Saksamaa
- Keeled
- de
- Subtiitrid
- en
Sarnased filmile In Transit: Report for Posterity
Film
In early summer 1989, Helke Misselwitz portrays young musicians in a band who produce their music on other people’s waste items. The four boys call themselves "Bulk Rubbish" and they drum out their resentment, having grown up on the new housing estates of East Berlin. A straight-up picture of the GDR youth is presented here, which in no way conforms to the official image. The film crew concentrates on the observation of the boy Enrico and his mother Erika: when the mother marries in the West, her son decides to stay in East Berlin, bidding her farewell at the border-crossing. Only shortly after, the tables are turned again: as the events in Berlin leading up to the fall of the Wall are practically captured live from the film crew, Enrico insists on maintaining his cultural identity, even after the fall of the Wall. The "Bulk Rubbish" musicians want to remain citizens of their own state and perceive the looming reunification with scepticism.
Bulky Trash (1991 )
Film
The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
Time of the Gods (1992 )
Film
Despite seeing his film project HERCULES rejected by DEFA Studios in 1983-84, Dammbeck remained fascinated by the Hercules story. He started experimenting with different media combinations, using overpainting, photography, film clips, collage, painting, and movement. These experiments resulted in groundbreaking multimedia collaborations, as well as the film THE CAVE OF HERCULES, in which Dammbeck explores a series of questions inspired by this classical figure. Who was the legendary hero Hercules? Is there a new Hercules today? How are heroes created in a totalitarian society? What are the virtues of heroes? This multi-layered experimental film combines projections of collected film clips, quotations from “The Willful Child” by the Brothers Grimm, and “Hercules 2 or the Hydra” by Heiner Müller, as well as dance scenes with Eva Schmale that were performed – at Kampnagel in Hamburg – specifically for the film.
The Cave of Hercules (1990 )