Kus vaadata Journey's End Eestis
Deep in the Quebec countryside, a once prosperous motel had fallen into disrepair before being turned into a retirement home. This thoughtful documentary explores the lives of its residents and how aging has altered the meaning of time for them. Quietly and without comment, director Jean-François Caissy follows 24 seniors over the course of five seasons, showing how their daily routines have become both very fixed and incredibly meaningful.
Vaata "Journey's End" kohe GuideDoc ja avasta veelgi rohkem viise, kuidas Popcorn Time'i ülimat voogedastusjuhendit kasutades oma lemmik film sukelduda.
Journey's End on täna Popcorn Time'i voogedastustabelis #25563 kohal Eestis. film on alates eilsest tõusnud 5 kohta.
Popcorn Time'i järjestussüsteem arvutab populaarsust, kombineerides andmeid mitmest usaldusväärsest allikast, sealhulgas voogedastusplatvormidest, peer-to-peer suundumustest ja globaalsetest andmebaasidest.
Meie algoritm kohandab järjestusi dünaamiliselt, lähtudes sellest, kuidas sisu erinevatel platvormidel, piirkondades ja ajavahemikel esineb. Iga filmi või saadet hinnatakse, kasutades kombinatsiooni tema globaalsest positsioonist, piirkondlikust populaarsusest ja ajaloolisest esitusest. See tagab õiglase, täpse ja pidevalt ajakohastatud ülevaate sellest, mis Eestis trendib.
Avasta veel rohkem voogesitusvõimalusi Journey's End jaoks!
Avasta, kuidas vaadata Journey's End mitmel platvormil ja erinevates riikides! Olgu sa kodus või välismaal, legaalsete voogedastusvõimaluste leidmine pole kunagi olnud lihtsam. Alates , on Journey's End kättesaadav juhtivatel teenustel nagu . Ligipääsetav 8 teises riigis, saad uurida kohandatud voogedastusvõimalusi, mis vastavad kohalikele litsentsinõuetele, tagades muretult ja legaalselt vaatamiskogemuse.
Rohkem infot
- Kestus
- 80 minutit
- Välja antud
- Päritoluriik
- Kanada
- Keeled
- fr
- Subtiitrid
- ca, en
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Every winter in a cemetery near Stockholm, activists gather to keep the memory of Fadime Sahindal alive. A Kurdish immigrant to Sweden who was murdered by her father in 2002, Fadime has become an international symbol of the debate over cultural traditions that accept the use of violence to control women's behaviour. In Crimes Without Honour, four extraordinary activists risk everything to publicly challenge these traditions and tell their own stories of physical and emotional violence. While they practice different faiths, hail from different parts of the world and have immigrated to different countries, all make it crystal clear that the justification for these crimes is an entrenched family power structure of male supremacy—one that crosses borders, cultures and religions. Raymonde Provencher has crafted a vital addition to a growing body of films about crimes related to patriarchal traditions of family honour.
Crimes Without Honour (2012 )