Kus vaadata Tchindas Eestis
Tchinda is one of most beloved women in Cape Verde, especially after she came out as a transgender person in the local newspaper in 1998. Since then, her name has become the term used by locals to name queer Cape Verdeans.
Vaata "Tchindas" kohe GuideDoc ja avasta veelgi rohkem viise, kuidas Popcorn Time'i ülimat voogedastusjuhendit kasutades oma lemmik film sukelduda.
Avasta veel rohkem voogesitusvõimalusi Tchindas jaoks!
Avasta, kuidas vaadata Tchindas mitmel platvormil ja erinevates riikides! Olgu sa kodus või välismaal, legaalsete voogedastusvõimaluste leidmine pole kunagi olnud lihtsam. Alates , on Tchindas kättesaadav juhtivatel teenustel nagu . Ligipääsetav 11 teises riigis, saad uurida kohandatud voogedastusvõimalusi, mis vastavad kohalikele litsentsinõuetele, tagades muretult ja legaalselt vaatamiskogemuse.
Rohkem infot
- Kestus
- 94 minutit
- Välja antud
- Päritoluriik
- Portugal
- Keeled
- pt
- Subtiitrid
- ca, en, es, fr, pt
Sarnased filmile Tchindas
Film
“An old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift. Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira’s cinema, his method, his way of filming and his extraordinary cinematic inventions. He lived for over a century, over a century of cinema, cinema in its entirety. For him, and for me too now, documentary and fiction films go hand in hand; it is all about cinema. So I had the audacity to film a magnificent story that Manoel loved but never filmed, one that he left behind as if his hand and eyes were close to God, or among the gods, and he was steering me.” - João Botelho
Cinema, Manoel de Oliveira and Me (2016 )
Film
The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.
In the Darkness of the Theater I Take Off My Shoes (2016 )
Film
We wanted to make a film about a teenage mother. We met Joana in a casting that took place in Setubal, in the Bela Vista neighborhood. She appeared to us as a porcelain doll, small, fragile, pale, with a little hair bow. Little by little, she crumbled apart, revealing a charming complexity. We were conquered by the duality of strength and fragility, freedom and incarceration, joy and sorrow. The intimacy and complicity we were able to establish with her made this film possible. In Cat's Cradle, we share her with everyone else.
Cat's Cradle (2012 )
Film
Lludy was left without the apartment where she used to live in Barcelona and now depends on a storeroom to keep her infinite number of things. In the midst of a daily search for objects, from a dress to a television remote control, she revisits her life, her possessions, her immigrant status, her loneliness.
Escape (2017 )
Film
The villages of ‘Chã das Caldeiras’ lie inside the caldera of the ‘Pico do Fogo’ volcano in Cabo Verde. After losing everything they own on the last eruption, its inhabitants are forced to reconstruct their lives. A subjective visual tale on real loss, a symbiotic relationship and the possibility of the eternal return.
The Ashes Remain Warm (2017 )
Film
In a remote village called Bostofrio, a young filmmaker breaks the law of silence in order to unearth the story of his grandfather. A series of awkward and funny interviews that reveal the secrets and half truths that are the fabric of rural Portugal.
Bostofrio (2018 )
Film
The portrait of a community as they face their country's economic recession.
On The Side (2015 )
Film
Two sisters chat on internet: Fernanda had stayed in Brazil, where she had taken care of her father until his death, while Mariana had immigrated to United Kingdom and suffers for not being there.
Atlantic (2015 )