Kus vaadata The Rise of the Salt Mountains Eestis
Each year the salt pans are harvested to receive salt mountains. Water, mud, wind, sun and man are the elements that produce the emerging salt. Avasta "The Rise of the Salt Mountains", kaasahaarav dokumentaalfilm film mis esmakordselt jõudis ekraanidele aastal 2010. See toodang, mis pärineb Portugal.
Vaata "The Rise of the Salt Mountains" kohe DocAlliance Films ja avasta veelgi rohkem viise, kuidas Popcorn Time'i ülimat voogedastusjuhendit kasutades oma lemmik film sukelduda.
The Rise of the Salt Mountains on täna Popcorn Time'i voogedastustabelis #31247 kohal Eestis. film on alates eilsest langenud 4 kohta.
Popcorn Time'i järjestussüsteem arvutab populaarsust, kombineerides andmeid mitmest usaldusväärsest allikast, sealhulgas voogedastusplatvormidest, peer-to-peer suundumustest ja globaalsetest andmebaasidest.
Meie algoritm kohandab järjestusi dünaamiliselt, lähtudes sellest, kuidas sisu erinevatel platvormidel, piirkondades ja ajavahemikel esineb. Iga filmi või saadet hinnatakse, kasutades kombinatsiooni tema globaalsest positsioonist, piirkondlikust populaarsusest ja ajaloolisest esitusest. See tagab õiglase, täpse ja pidevalt ajakohastatud ülevaate sellest, mis Eestis trendib.
Avasta veel rohkem voogesitusvõimalusi The Rise of the Salt Mountains jaoks!
Avasta, kuidas vaadata The Rise of the Salt Mountains mitmel platvormil ja erinevates riikides! Olgu sa kodus või välismaal, legaalsete voogedastusvõimaluste leidmine pole kunagi olnud lihtsam. Alates , on The Rise of the Salt Mountains kättesaadav juhtivatel teenustel nagu . Ligipääsetav 3 teises riigis, saad uurida kohandatud voogedastusvõimalusi, mis vastavad kohalikele litsentsinõuetele, tagades muretult ja legaalselt vaatamiskogemuse.
Rohkem infot
- Kestus
- 28 minutit
- Välja antud
- Päritoluriik
- Portugal
- Keeled
- en
Sarnased filmile The Rise of the Salt Mountains
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Fragments of spaces, buildings and structures, memories and remains of past eras, places of work or leisure now inhabited by our memories alone, or really forgotten. Dead things or living proof of time, natural elements, and human predators themselves.
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A cameraman and a soundman arrive in Corvo in 2007, the smallest island in the archipelago of the Azores. Right in the middle of the Atlantic Ocean, Corvo is a large rock, 6km high and 4km long, with the crater of a volcano and a single tiny village of 440 people. Gradually, this small filming crew is accepted by the island’s population as its new inhabitants, two people to add to a civilization almost 500 years old, whose history is hardly discernible, such is the lack of records and written memories. Shot at a vertiginous pace throughout a few years, self‐produced between arrivals, departures and coming‐backs, “It’s the Earth not the Moon” develops as the logbook of a ship, and turns out as a patchwork of discoveries and experiences, which follow the contemporary life of a civilization isolated in the middle of the sea. A long atlantic film‐odissey, divided in 14 chapters, that combines anthropological records, literature, lost archives, mythological and autobiographical stories.
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How would it look like, the body of Dom Afonso Henriques, first king of Portugal, tutelary figure, subject to successive mythifications throughout Portuguese history?
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With Reconversão (Reconversion), Thom Andersen opens another fascinating chapter of his ongoing investigation of architectural landscapes, their filmic representation, and their relation to history, by focusing on 17 buildings and projects by the often-controversial Portuguese architect Eduardo Souto de Moura—winner of the 2011 Pritzker Prize. Echoing Dziga Vertov’s concepts and Eadweard Muybridge’s techniques (shooting only one or two frames per second), Andersen masterfully brings forward what makes Souto de Moura an original: the incorporation of the passing of time into architectural designs, positing them within a history fraught with class struggle and societal changes, in a continuum with ruins—from which they may originate, and to which they will return—and with nature—which they frame, and by which they are framed.
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A Comunidade is a short documentary focused on CCL, the oldest camping park in Portugal.
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Year after year, Portuguese students, from North and South alike, subject themselves to initiation rites when they start university. Hazings, organized by older students, include several challenges and ceremonies, which take place throughout the whole of the first year, day and night, and sometimes interfere with classes. Based upon ancient traditions and following a rigid hierarchy, hazings have thrived once again in the last decade. Despite protests, they gather more and more supporters, thrilled with its explicit sexual language, power games and levels of humiliation.
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The story of Miguel Moreira and Ruben Furtado, two Cape Verdean immigrant descendants who live in Portugal but have no legal documents. They are torn between the desire to be a full Portuguese citizen and the obstacles they find in their day to day. Proud of being who they are they keep on dreaming of their future reflecting their wishes for a better life. Above all, Michael and Ruben lead us to one question: What kind of identity has a stateless person?
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