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Dissonance no está disponible en España

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  Florence Foster Jenkins is known as "the worst singer of all times" and yet she is a cult figure whose recordings still outsell many contemporary singers. Opera superstar Joyce DiDonato interprets the flamboyant "queen of dissonance". The involvement of the celebrated virtuoso makes it possible to contrast two different musical perspectives and gives viewers a vivid impression of the film's key conflict between inner delusion and external reality.

  The Florence Foster Jenkins Story (2016 )

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  Película

  Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

  Bones and Names (2024 )

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  Película

  Retrato sosegado e íntimo de un legendario artista en activo, el fotógrafo estadounidense Elliott Erwit, a través de la mirada de su amiga, la fotógrafa Adriana López Sanfeliu. El trabajo realizado por Elliott a lo largo de su vida es un testimonio del poder de la imagen. Según la directora, el objetivo era llegar a un icono de la fotografía como Elliott a través de su espacio personal, desde los márgenes de sus fotografías o a través de los silencios en las conversaciones. Dichas conversaciones son espacios abiertos de intimidad compartida donde un tema, una imagen, una pregunta o un recuerdo se convierten en un paso de baile que, unas veces en armonía y otras en disonancia, darán pie a algunas respuestas y aún más preguntas.

  Elliott Erwitt. El silencio no está mal (2019 )

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  Película

  It’s hot in a ramshackle attic, full-blown fans stir the atmosphere generated by the “exercises” of a weird tenant who manipulates objects. He twists cardboard, builds object castles, admires them, talks to them, breaks them, dresses and dances with them. The ceremonies are repeated and mutated, the environments change and the objects multiply creating a kind of dissonant choreography built with remnants of amateur video. The plot gets more complicated when between those objects his memories appear and force him to fight in a duel of dances with his past.

  Contemporary Move (2018 )

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  Película

  Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.

  Satan Satie (2016 )