Descubre dónde ver Nothing But the Wind en España

Nothing But the Wind no está disponible en España

Por el momento, Nothing But the Wind no está disponible en Popcorn Time. Sin embargo, estamos trabajando constantemente para expandir nuestra biblioteca y ofrecerte nuevos títulos cada día. Agradecemos tu paciencia y te animamos a que vuelvas pronto, ya que seguimos actualizando nuestro contenido.

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  La Dra. Anna Fox, que pateix d'agorafòbia, passa els seus dies tancada a casa seva a Nova York, bevent vi mentre veu velles pel·lícules i espia els seus veïns. Un dia, mentre mira per la finestra, veu una cosa que passa davant de casa seva, a la llar dels Russell, una família que acaba d'arribar al barri.

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  “Mr. Brown” is a middle-aged handicapped black man, former athlet, in a wheel chair. He endlessly listens to music, reads books and looks out the window to oversee the roofs of neighboring houses in Harlem. Nothing breaks his monotonous loneliness except for the visits of two helpers - a young Russian woman-social worker and a young black man-home attendant – who merely do their duties. But in Mr. Brown’s imagination they all have a passionate affair. He feels that the home attendant loves the social worker but is very jealous of her because she is madly in love with her subject - Mr. Brown, and Mr. Brown himself is in love with the home attendant-boy. These “relationships” develop gradually over continuous visits of two helpers. And in Mr. Brown’s world their passion is expressed through the dance. Unable to withstand the energy of love and possession Mr. Brown “kills” the home attendant and sinks into a prison of his loneliness and wheel chair.

  Mr. Brown (2006 )

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  At the end of civilization, zombies greatly outnumber humans and everyday is a fight to see tomorrow. Just when he is about to give up that fight, rugged wanderer John Knox winds up being saved by a ragtag group of survivors lead by a man named Moses. After initial suspicion, Knox proves his worth and slips into his new family in the wasteland, but one day a war party of maniacal raiders assaults the camp, killing or kidnapping everybody in sight. It's up to Knox and the few who escaped the attack to gather what resources they can (including zombies!) and launch an all-or-nothing attack on the raiders' home fortress.

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  La vida sentimental de una joven de Nueva York se complica, cuando recibe equivocadamente de su novio un anillo de compromiso comprado en Tiffany por otra persona y destinado a otra mujer.

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  Peralejos, a quiet village in Upper Aragon, is a place where nothing ever happens. One day Angelino returns home to spend the holidays, an immigrant who drives a Mercedes and tells great wonders of Germany and their women. Pepe, fascinated by the stories of his friend, decides to immigrate, but his dream begins at five o'clock, cleaning windows, and ends at twelve o'clock pasting posters.

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  Following Bellavista and Totó, Peter Schreiner completes his informal trilogy of epic, black-and-white digital-video essay-films with the utterly monumental Fata Morgana. Shot in the Libyan desert and in an abandoned building in Lausitz, Germany, it features a man (Christian Schmidt), a woman (Giuliana Pachner, from Bellavista) - and, glimpsed now and again, a guide (Awad Elkish.) They talk, they fall silent. Winds blow. The sun shines. The camera runs. What gradually takes shape is nothing less than a painstakingly concentrated attempt to understand the human condition through the lens of cinema. A lofty ambition, and one that demands a considerable leap of faith on the part of the audience: this film is sedate, "difficult", challenging, often apparently impenetrable. But anyone who has seen Schreiner's previous films will be aware that he is by any standards a major artist, one that can be trusted to find places that other directors may not even suspect exist.

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  Facing the consequences of a violent uprooting, Mateo Sobode Chiqueno has been recording stories, songs, and testimonies of his Ayoreo people since the seventies. In an attempt to preserve fragments of a disappearing culture, Mateo walks across communities in the arid and desolate Paraguayan Chaco region, and registers on cassettes the experiences of other Ayoreo who, like him, were born in the vast forest, free and nomadic, without any contact with white civilization, until religious missionaries forced them to abandon their ancestral territory, their means of subsistence, their beliefs and their home.

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  A Washington, una periodista s'enfronta a una pena de presó per revelar el nom d'un agent de la CIA i ocultar les seves fonts d'informació. Basada en el cas real de Judith Miller, periodista del New York Times que va passar 85 dies a la presó per negar-se a revelar les seves fonts. Pre-estrenada al Festival de Toronto, per problemes econòmics de la distribuïdora no va arribar a estrenar-se a cinemes, passant directament a la primavera del 2009 al mercat de DVD.

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