Dónde ver Petropolis: Aerial Perspectives on the Alberta Tar Sands en España
The huge tar sands in Alberta are a potentially profitable resource, but the environmental impact could be heavy and long-term. Descubre "Petropolis: Aerial Perspectives on the Alberta Tar Sands" una documental película que debutó en las pantallas en 2009. Esta producción, originaria de Canadá.
Mira "Petropolis: Aerial Perspectives on the Alberta Tar Sands" ahora en DocAlliance Films, y explora aún más formas de sumergirte en tu película favorito con la guía de streaming definitiva de Popcorn Time.
¡Explora aún más opciones de streaming para Petropolis: Aerial Perspectives on the Alberta Tar Sands!
Descubre cómo ver Petropolis: Aerial Perspectives on the Alberta Tar Sands en múltiples plataformas y países. Ya sea que estés en casa o viajando al extranjero, encontrar dónde transmitir legalmente nunca ha sido más fácil. Desde , Petropolis: Aerial Perspectives on the Alberta Tar Sands está disponible en los principales servicios como . Accesible en 6 otros países, puedes explorar opciones de transmisión adaptadas que cumplen con las licencias locales, asegurando una experiencia de visualización sin complicaciones y legal.
Más información
- Duración
- 43 minutos
- Estrenado
- País de origen
- Canadá
- Idiomas
- en
Similares a Petropolis: Aerial Perspectives on the Alberta Tar Sands
Película
In the minutes that it takes for a day to lose itself to darkness, we see a house that has suddenly become empty. It is the home of Maria, who has recently passed, and who has left her mark in every corner of every room. A portrait of absence is also an attempt to resurrect the dead, perhaps even a moment of magical thinking. The winter outside is well settled, snow accompanies each thought. Based on a poem by Zofia Bohdanowiczowa.
An Evening (2013 )
Película
Laced with black humor, The Patron Saints is an unorthodox documentary about a home for the aged and disabled. By turns lyrical and unsettling, the directors eschew more traditional approaches to the subject, opting for a mesmerizing atmospheric treatment and turning narration over to the home's youngest patient and his candid confessions.
The Patron Saints (2013 )
Película
Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.
The End of Time (2012 )
Película
The youngest of 17 children, the filmmaker presents us with an intimate family portrait in 17 rolls of Super 8. Through original films and carefully constructed archives, the members of one family recount the events surrounding the death of the oldest brother and share their beliefs on life after death, into which is woven a parallel experience just as haunting to the director.
My Family in 17 Takes (2011 )
Película
The life of a family of fishermen, in the inland delta of the Niger river in Mali, is stricken by the effects of globalization: the rise of the price of oil and basic goods, the collapse of fish stocks and the signs of global warming. The film reflects the passage of traditions, a relation to history and memory in a region where persist traces of the origins of things.
Into the Delta (2009 )
Película
In the spring of 2008, car wash workers throughout Los Angeles formed the Carwash Workers Organizing Committee of the United Steelworkers (USW), a precursor to eventual plans to unionize the informal workers of a multi-million dollar industry rampant with exploitation. Most of these workers are undocumented migrants from Central America whose aspirations have led them to washing cars in the city of angels. This experimental documentary, shot on Super 8 film, journeys into a city defined by as much by cars as it is immigrant labor to offer a quiet commentary on the relationship between class, place, and work.
Car Wash (2008 )
Un fleuve humain (2006 )