Où regarder Battles en France
Comment les Européens gèrent-ils leur sombre histoire récente (les guerres, les dictatures et les occupations)? Quelles traces sont gravées? Découvrez "Battles", un(e) captivant(e) film qui a fait ses débuts sur les écrans en 2015. Cette production, originaire de États-Unis met en avant des contributions de Viktor Anatolievich Volkov dans le rôle de Himself, Madara Marta Viciule dans le rôle de Herself, Nina Nikolaevna Volkova dans le rôle de Herself et Gedemins Viciulis dans le rôle de Himself.
Regardez "Battles" maintenant sur DocAlliance Films, et explorez encore plus de façons de plonger dans votre film préféré avec le guide de streaming ultime de Popcorn Time.
Battles est classé #38416 sur les classements de streaming Popcorn Time aujourd'hui en France. Le film a chuté de 7 places depuis hier.
Le système de classement de Popcorn Time calcule la popularité en combinant des données provenant de multiples sources fiables, y compris des plateformes de streaming, des tendances peer-to-peer et des bases de données mondiales.
Notre algorithme ajuste dynamiquement les classements en fonction des performances du contenu sur différentes plateformes, régions et périodes. Chaque film ou émission est noté en utilisant une combinaison de sa position mondiale, de sa popularité régionale et de ses performances historiques. Cela garantit une réflexion équitable, précise et constamment mise à jour de ce qui est tendance en France.
Explorez encore plus d'options de streaming pour Battles !
Découvrez comment regarder Battles sur plusieurs plateformes et dans différents pays ! Que vous soyez chez vous ou en voyage à l'étranger, trouver où diffuser légalement n'a jamais été aussi simple. En , Battles est disponible sur les principaux services comme . Accessible dans 9 autres pays, vous pouvez explorer des options de streaming personnalisées qui respectent les licences locales, garantissant une expérience de visionnage sans tracas et légale.
Plus d'infos
- Durée
- 87 minutes
- Sorti
- Pays d'origine
- États-Unis
- Langues
- en
Similaires à Battles
Film
A voiceless narrator rehashes details about his mother’s affair as he crosses the United States by train. “Mama has two phone numbers. We do not talk about immigration on her Obama phone. For that we use the other number with no data plan.” The linear train ride moving from Los Angeles to New York diverges into unruly directions of consciousness. A multiplicity of voices share thoughts, dreams and histories evoking images far away from the enclosed spaces of this trains interior. While capturing these landscapes and interiors through his lens, the moving images evidently illustrate an undocumented subjectivity, a site of precarious movement, migration and fugitivism in the US.
No Data Plan (2019 )
Film
In rural Azerbaijan, a mother welcomes her adult son, who left home eight years earlier. In the calm rhythm of rural life, reflective silences punctuate their personal, philosophical conversations.
Mother and Son (2019 )
Film
In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
Double Play: James Benning and Richard Linklater (2013 )
Film
A poetic portrait of people working in the state-run post office, rail station and fire headquarters in the 3rd largest city of Africa, Kinshasa.
Elephant's Dream (2014 )
Film
A man returns, after fifty years, to Chinatown to care for his dying mother. He is a librarian, a cataloguer and recorder, a gay man, a watcher, an impersonator. He passes his time collecting images - his witnesses and collaborators. Sitting in the dark, we look at them and share his cloak of invisibility, both a benefit and a curse.
Touch (2013 )
Film
Following Bellavista and Totó, Peter Schreiner completes his informal trilogy of epic, black-and-white digital-video essay-films with the utterly monumental Fata Morgana. Shot in the Libyan desert and in an abandoned building in Lausitz, Germany, it features a man (Christian Schmidt), a woman (Giuliana Pachner, from Bellavista) - and, glimpsed now and again, a guide (Awad Elkish.) They talk, they fall silent. Winds blow. The sun shines. The camera runs. What gradually takes shape is nothing less than a painstakingly concentrated attempt to understand the human condition through the lens of cinema. A lofty ambition, and one that demands a considerable leap of faith on the part of the audience: this film is sedate, "difficult", challenging, often apparently impenetrable. But anyone who has seen Schreiner's previous films will be aware that he is by any standards a major artist, one that can be trusted to find places that other directors may not even suspect exist.
Fata Morgana (2013 )
Film
From dreamy aerial opening shots, we are sent on an expedition through the storied land of our fifth most populous state, Illinois, often called a miniature version of America. Deborah Stratman’s experimental documentary explores how physical landscapes and human politics can each re-interpret historical events. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism, and resistance. Who gets to write history—physical monuments, official news accounts, or personal spoken-word memories?
The Illinois Parables (2016 )
Film
After 14 years in prison, the time has come for Gogita to return to his normal life. His wishes seem modest enough: a home of his own and then marriage to a nice woman. But who would be interested in a poor farmer and ex-con who still lives with his mother? Then he meets Maka on the internet. She's not that young anymore, and she's not the prettiest girl in the world, but she can bake delicious cakes. They're soon making grand plans without even having met.
Gogita's new life (2017 )