Où regarder Life in Loops (A Megacities RMX) en France
A Megacities remix.
Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebrated film Megacities (1997), a visually refined essay on the hidden faces of several world "megacities" by leading Austrian documentarist Michael Glawogger. Novotny complements 30 % of material taken straight from the film (and re-edited) with 70 % as yet unseen footage in which he blends original shots unused by Glawogger with his own sequences (shot by Megacities cameraman Wolfgang Thaler) from Tokyo. Alongside the Japanese metropolis, Life in Loops takes us right into the atmosphere of Mexico City, New York, Moscow and Bombay. This electrifying combination of fascinating film images and an equally compelling soundtrack from Sofa Surfers sets us off on a stunning audiovisual adventure across the continents. The film also makes an original contribution to the discussion on new trends in documentary filmmaking. Written by KARLOVY VARY IFF 2006
Acheter ou louer Life in Loops (A Megacities RMX) sur DocAlliance FilmsRegardez "Life in Loops (A Megacities RMX)" maintenant sur DocAlliance Films, et explorez encore plus de façons de plonger dans votre film préféré avec le guide de streaming ultime de Popcorn Time.
Explorez encore plus d'options de streaming pour Life in Loops (A Megacities RMX) !
Découvrez comment regarder Life in Loops (A Megacities RMX) sur plusieurs plateformes et dans différents pays ! Que vous soyez chez vous ou en voyage à l'étranger, trouver où diffuser légalement n'a jamais été aussi simple. En , Life in Loops (A Megacities RMX) est disponible sur les principaux services comme . Accessible dans 12 autres pays, vous pouvez explorer des options de streaming personnalisées qui respectent les licences locales, garantissant une expérience de visionnage sans tracas et légale.
Plus d'infos
- Durée
- 80 minutes
- Sorti
- Pays d'origine
- Autriche
- Langues
- en
Similaires à Life in Loops (A Megacities RMX)
Film
Depicting the biography of a corrupt banker poses a cinematic dilemma. How can the intentions of an individual systematic contexts and historical eventualities be brought into harmony? Thomas Furhapters nearly one hour film Michael Berger Eine Hysterie turns this problem outward by not covering up the moment of speculation. The subject of the film, Austrian investment banker Michael Berger, who became a dollar millionaire through a risky hedge fund, remains a chimera an absent individual who also cannot be captured through his crime.
Michael Berger: A Hysteria (2010 )
Film
A documentary about army cooks and how the everyday needs of thousands of armed stomachs affect the victories and defeats of statesmen. The film is based on eleven meals based on recipes from the Second World War till the war in Chechnya; from France through the Balkans to Russia.
Cooking History (2009 )
Film
In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many contexts, from the collective efforts of a community building a clinic in Burkina Faso, through semi industrialized moldings in India, to industrial production lines in Germany, France, Austria and Switzerland. Through its notable structure and its captivating rhythms, In Comparison presents various methods of labor production, allowing for an assessment that changes with every layer and goes well beyond a simple binary divide.
In Comparison (2009 )
Film
In 1947, two years after the end of the Second World War, Film Journal No. 1 was released in Sarajevo. Fifty years later, after the collapse of the Communist bloc, this newsreel was lost in the confusion of the fighting in Yugoslavia. In Journal No. 1 Hito Steyerl attempts to find out how the footage got lost and what was on this document from the Sutjeska studio. In the simultaneous projection of Journal No. 1 the ‘unattainability of an historical zero hour of the national identity’ takes concrete form: The lost newsreel reports on a literacy campaign as well as Muslim women confidently removing their headscarves. We listen however to eyewitnesses trying to recapture the lost content and we see the artist Arman Kulasic making a number of drawings that resemble the story-boards for the lost film. What appears to be moments of great change remain limited by subjective and uncertain memory. The film was premiered at documenta 12.
Journal No. 1 - An Artist's Impression (2007 )
Film
Twenty-eight well-known filmmakers living and working in Austria were invited by WIENER MOZARTJAHR 2006, to produce associative miniatures on Mozart. Requirement: they had to be one-minute artistic short films. The directors come from a whole range of different backgrounds, ranging from animated, experimental and short film to documentaries and feature films. The result is a multi-facetted sampler of diverse formal and contextual positions with regard to Mozart’s person and his influence on today’s society, art and culture. The contributions run the gamut from experimental-conceptual statements through socio-critical and documentary observations to pithy short feature films.
The Mozart Minute (2006 )
Film
Four 12-year-olds—Sharon, Tom, Moishy, and Sophie—prepare for their bar or bat mitzvot.
Zorro’s Bar Mitzvah (2006 )
Film
Lotte Schreiber undertook a journey through Greece in winter to film anonymous architectures, the frequently found concrete skeletons.
Domino (2005 )
Film
The Lovers is the second part of a small trilogy, dealing with the extinction of memories. In the first part, The Bathers, the two protagonists were subject to the chemical decomposition of the film material. The Lovers, on the other hand, transforms an old Super8 porn film into both a tragic love story and a horror movie, and finally into a memory, that is being destroyed in the inner world. (Viennale 04)
The Lovers (2004 )