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A distinctive, delicate yet powerful documentary depicting Hydebank Wood Facility in the Northern Irish countryside, which currently houses 104 young male offenders. From the periphery, we observe Ryan who after four years is still coming to terms with the cause of his imprisonment. The unlikely catharsis to his inner demons? A flock of sheep living inside the prison walls.
Hydebank (2019 )
Workhorse (2019 )
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About the new generation of Russian protest. Milena, Kolya and their associates are twenty years old. They grew up during the presidency of Vladimir Putin and do not know other rulers. At a time when their parents might be afraid to go to a protest rally, these young activists are ready to take risks and fight for their ideals. The year before the presidential election in 2018, the characters in the film were inspired by the calls of Alexei Navalny and took on the task of convincing Muscovites not to vote for Putin.
We Are Russia (2019 )
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A hybrid documentary about the decommissioning of a nuclear plant in Scotland. Concerned with landscape and time, myth and technology, the film explores the nature of ruins, and asks what environmental scars our generation will leave behind for the future.
Beyond the North Winds: A Post Nuclear Reverie (2019 )
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This documentary interweaves fantastical re-imaginings of buried secrets with the Deathless Woman’s ghostly narration and testimony from survivors and witnesses of historic and contemporary crimes against the Roma in Poland and Hungary.
The Deathless Woman (2019 )
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Almost two decades ago, the Itoiz dam flooded seven villages and three natural reserves on the Pyrenean hillside in Navarra. The ecologist group Solidari@s con Itoiz registered the fight against its construction. Today, those who were there dream of the land lying beneath the water on video. Their voices and gestures come together to tell the tale of an individual and collective mourning still suffered today.
Land Underwater (2019 )
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Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.
Village of Women (2019 )
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Bircan has decided to learn Kurdish, her once-forbidden mothertongue, with all the words her grandmother has forgotten and all the stories that have remained unspoken.
My Name is Anik (2022 )
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While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.
Fadia’s Tree (2022 )
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An immersive initiation into the life of a Maroon community in the former Dutch colony of Suriname. Combining stories of African ancestral traditions and escaped slavery with enacted contemporary rituals, the film explores how the community’s powerful ties to the land have become endangered as industries threaten to devastate the region through deforestation and mining.
Stones Have Laws (2019 )
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This film tries to make a silent record of the arrival of an economy of scale, its flows, and its effects upon the transformation of an island’s physical and human landscape.
Trading Cities (2014 )
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Every day, the Carlingford ferry takes travelers from Northern Ireland to Ireland, a short sea voyage across an invisible border that invites reflection on the consequences of Brexit.
Four Seasons in a Day (2021 )
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In the spring of 2018, the filmmaker Maria Petschnig befriended Marc who at that time was living in his car in Brooklyn for more than a year, while also holding a day job. Petschnig started to record his life and struggle, his thoughts, routines, etc. over the course of two years.
Uncomfortably Comfortable (2021 )
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White-tiled rooms, neon lighting; on the walls black and white photographs documenting the atrocities committed by the german Wehrmacht on the Eastern Front in WW2. Against this background former soldiers talk about their experiences beyond the bounds of "normal" warfare. An uncompromising film on remembrance and oblivion.
East of War (1996 )
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A portrait of the last surviving vinyl record shop in Teesside, North East England, at a time when independent record shops were closing in the UK at a rate of one every three days. A distinctive, funny and intimate film about men, the North and the irreplaceable role music plays in our lives. High Fidelity with a Northern Accent.
Sound It Out (2011 )
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A summer day in Italy. The camera follows the deaf-mute Giacomo and a childhood girlfriend Stefi closely – in the woods, by the river – without wanting to disrupt the mystery of their relationship, between restrained sensuality and childhood games.
Summer of Giacomo (2011 )
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The film follows Agustina as she finds the videotapes that her father Jaime recorded before the accident that took his life. The family secrets surrounding Jaime push Agustina to get involved. Her search will reveal a story marked by sexuality and political activism.
Silence Is a Falling Body (2017 )
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Slavery has never ended. It has just assumed other names and ways to conceal itself. Roser Corella’s film zooms in on Beirut, where the upper class on a large scale hires maids from countries such as Ethiopia, Kenya and the Philippines through agencies that advise people how to cheat and manipulate the young women to work full-time (literally) for meagre wages. An upsetting revelation, but Corella keeps a cool head and tears the inhuman ‘kafala’ system apart piece by piece. She analyses the situation in both words and images, but it is the underpaid maids themselves who provide the conclusion in the form of demonstrations, protests and demands for proper working conditions. ‘Room without a View’, the title of which describes the rooms made available to the women, combines an artistic and an investigative approach to its exposition of the abominable monster that is modern slavery. A film that is highly topical in all parts of the world - unfortunately.
Room Without a View (2021 )
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Restricted by her lifelong agoraphobia, Kaye has spent most of her life within the four walls of her parents’ house. Finding relief from her fears in the faces and lives of old film stars, she pastes their images alongside those of her deceased family on the walls of her house, creating a kaleidoscopic collage that mixes personal history with Hollywood fantasy. Told first-hand via freewheeling monologues, Portrait of Kaye is a bittersweet portrait of a woman forming her own unique identity while navigating the conflicting influences of her mother’s bawdy humour and her father’s anxieties. Now 74 and recently widowed, her infatuation with a younger neighbour gives her an opportunity to explore personal and sexual freedoms that have always been hidden away. Shot over two years, former next-door neighbour and music video director Ben Reed has assembled a unique and touching meditation on family, film and the meaning of freedom.
Portrait of Kaye (2021 )
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In northern Scandinavia, a seemingly never-ending border conflict is going on between the indigenous Sami people and the Norwegian and Swedish authorities.
Radji (2021 )
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In Homework (1989), Abbas Kiarostami put questions to students at a public school: questions about homework, punishments, and dreams of the future. The result was a portrait of the generation that grew up during the Iran-Iraq war, trapped by uncertainty and a rigid upbringing. Now, some 30 years later, directors Ashkan Nejati and Mehran Nematollahi repeat Kiarostami’s questions and come to the conclusion that the school system and society itself have changed dramatically. The gulf between rich and poor has grown far wider, and that has become evident in the schools. Parents, many of whom are illiterate, are unable to help their young ones, or otherwise too busy with their careers to supervise homework. Any sense of interest or guidance is absent.
Tonight’s Homework (2021 )
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When a VHS-tape proves the existence of a rumored doorway to paradise, a young man abandons his decaying hometown in pursuit of the door to salvation, evading vengeful pursuers along the way.
Exodus (2021 )
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Up to 50 percent of the world’s manganese, a vital metal across the globe, used to be mined in Chiatura, in western Georgia. Today, it resembles an apocalyptic ghost town. Mzis qalaqi portrays a few of the remaining inhabitants. Music teacher Zurab dismantles ramshackle concrete buildings and sells the iron girders to make some money on the side. Archil still works in the mine but his real passion is the local amateur theatre group. Despite being malnourished, two young female athletes still train stoically for the next Olympic Games.
City of the Sun (2017 )
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The first feature from Alison McAlpine is a dialogue with the heavens—in this case, the heavens above the Andes and the Atacama Desert in northern Chile, where she alights on the desert- and mountain-dwelling astronomers, fishermen, miners, and cowboys who live their lives with reverence and awe for the skies.
Cielo (2017 )
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Heloisa receives a gift: a collection of super-8 films with images of enormous cataracts that once comprised the Seven Falls (Sete Quedas), a natural paradise destroyed by the construction of the world's largest hydroelectric plant, in the early 1980s. The construction of the plant, at the height of the Brazilian military regime, awakens memories of a past immersed in a political authoritarianism. The film starts from the relationship between Heloisa, the filmmaker, and her father, Alvaro, an engineer who had his moment of glory during the Brazilian military dictatorship. They question the political trajectory of Brazil.Projections and maps become the first bridges to connect with the past. However, it is the inescapable present that really strikes Alvaro and Heloisa as they position themselves on opposite sides.
Building Bridges (2017 )
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Like all Israeli youth, Atalya is obligated to become a soldier. Unlike most, she questions the practices of her country's military, and becomes determined to challenge this rite of passage. Despite her family's political disagreements and personal concerns, she refuses military duty and is imprisoned for her dissent. Her courage moves those around her to reconsider their own moral positions and personal power. OBJECTOR follows Atalya to prison and beyond, offering a unique window into the Israeli-Palestinian conflict from the perspective of a young woman who seeks truth and takes a stand for justice.
Objector (2019 )
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August 16, 1977. All of America was stunned by the news of Elvis Presley's untimely passing. Some went so far as to believe that it couldn't be true. Somehow he had faked his death. For the executives at Sun Records that fantasy became an opportunity in the form of Orion, a mysterious masked performer with the voice of The King. First appearing in 1979, Orion recorded 11 albums and performed live to packed houses and rapturous fans around the nation. But who was the man behind the mask? In this stranger-than-fiction true story, Jeanie Finlay exposes the incredible life of an unknown singer plucked from obscurity and thrust into the spotlight with the complicity of a manipulative music industry and a public fan base unwilling to let The King go. Resonant in its themes of identity, fate, and the double-edged nature of fame, Orion is a stylish mystery story that finally gives a name and a face to a gifted artist who had been unjustly deprived of both.
Orion: The Man Who Would Be King (2015 )
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What would happen if everything stopped? If the engine gears of the economy jammed for good? The Japanese island of Ikeshima is a place that seems to be ahead of its time, showing us a possible future. The few remaining inhabitants live in a surreal setting, clinging firmly to a normality that seems however to escape them. A dreamlike journey, which forces us to think about our relationship with the planet but also about social isolation and loneliness.
Dreaming an Island (2021 )
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"Looking for Horses" is a film about a friendship between the filmmaker and a fisherman, who lost his hearing during the Bosnian civil war and retreated to a lake to live in solitude. The filmmaker, son of Bosnian parents, struggles to communicate as he lost his mother-tongue due to a heavy stutter. Despite their speech and hearing limitations, a bond develops between the young man and the veteran, as he shares his world of the lake: full of large catfish, wild horses, wide silences, and dangerous thunderstorms. Where for the fisherman the lake stands for a withdrawal from a fractured country, a land of war; for the filmmaker it precisely means the return to that broken place, the land of his parents. They look for ways to communicate, while the camera mediates their growing bond. Taking the shape of a gentle western, "Looking for Horses" is a poetic documentary on trauma, survival, and connection.
Looking for Horses (2021 )
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Arabella and her boyfriend David have just broken up. Not yet grounded in the decision, they take on the next question: how should they tell their classmates about it to avoid awkward situations at school? Instead, the discussion leads them into whether the breakup really is a mutual decision.
Let it Burn (2021 )
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At 82 years old, Lula is every inch the rebel. An openly gay man in communist Poland, he organized underground parties and after-curfew salons of men inside private apartments. He enthusiastically took up drag, despite a fiercely homophobic culture, to free himself from the stifling correctness of the 80s. But now, he's an old, single man in a youth-obsessed world. His friend was crushed by depression and killed himself, but somehow Lula, now Poland's oldest drag queen, remains buoyant. Is he escaping loneliness with his constant clubbing, looking for love yet again to insulate himself against what he knows is coming? Lula isn't waiting for approval. Filmmaker Bogna Kowalczyk's energetic portrait pairs with her subject's kinetic drive, right down to the stellar soundtrack and nimble camerawork. Whether it's meeting fans at Pride or selecting an artist to sculpt his specialty crematorium urn, try to keep up with a man who knows life is to be lived out loud.
Boylesque (2023 )
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In this documentary road movie, Austrian filmmaker Ruth Beckermann records the diverse views and activities of Israelis and Arabs as she travels along the route from Tel Aviv to Jerusalem.
Toward Jerusalem (1991 )