איפה אפשר לצפות ב-Buried Child ב-בישראל
Sam Shepard's Pulitzer Prize-winning play in a production by The New Group, directed by Scott Elliott. Dodge (Ed Harris) and Halie (Amy Madigan) try to hang on to their farmland and their sanity while caring for their two wayward grown sons (Rich Sommer and Paul Sparks). When their grandson (Nat Wolff) arrives no one seems to recognize him and a secret must be kept.
צפה Buried Child ב-BroadwayHDצפו ב"Buried Child" עכשיו ב-BroadwayHD, וגלו דרכים נוספות לצלול לתוך סֶרֶט האהוב עליכם עם המדריך האולטימטיבי לצפייה של Popcorn Time.
חקור עוד אפשרויות סטרימינג עבור Buried Child!
גלה כיצד לצפות ב-Buried Child במגוון פלטפורמות ומדינות! בין אם אתה בבית או נוסע לחו"ל, מציאת מקום לצפייה חוקית מעולם לא הייתה קלה יותר. מ-, Buried Child זמין בשירותים מובילים כמו . זמין ב-13 מדינות נוספות, תוכל לחקור אפשרויות סטרימינג מותאמות אישית שמתאימות לרישוי המקומי, ולהבטיח חוויית צפייה חוקית וללא טרחה.
מידע נוסף
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- 114 דקות
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דומים ל-Buried Child
סֶרֶט
Based on the 1980 phenomenal pop culture film, Fame The Musical is the international smash hit sensation following the lives of students at New York's High School For The Performing Arts as they navigate their way through the highs and lows, the romances and the heartbreaks and the ultimate elation of life.
Fame: The Musical (2020 )
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In November of 1918 as World War I was ending, a unit of American soldiers goes behind enemy lines to find a lost platoon of African American soldiers.
The Great War (2019 )
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Matthew Bourne’s Swan Lake comes to cinemas with a fresh look for the 21st century and is ‘as bold and beautiful as ever’ (★★★★★ Telegraph). This thrilling, audacious and witty production is perhaps still best known for replacing the female corps-de-ballet with a menacing male ensemble, which shattered convention, turned tradition upside down and took the dance world by storm. Filmed Live at Sadler's Wells in January 2019.
Matthew Bourne's Swan Lake (2019 )
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Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).
Coriolanus (2019 )
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The first installment of Phyllida Lloyd’s groundbreaking all-female Shakespeare Trilogy sees Harriet Walter take on the role of Brutus, who wrestles with his moral conscience over the murder of Julius Caesar.
Julius Caesar (2018 )
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Harriet Walter takes the lead in the second installment of the Donmar Shakespeare Trilogy directed by Phyllida Lloyd. Featuring a diverse company of women, this unique interpretation combines both parts of Shakespeare’s history plays about King Henry IV and his son Prince Hal.
Henry IV (2018 )
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Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
Macbeth (2018 )
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Renowned for his extreme generosity, the Athenian nobleman Timon has fallen prey to flatterers and false friends, on whom he showers lavish gifts and extravagant hospitality. His loyal steward, Flavius, tries to warn him of the financial consequences of such reckless expenditure, while the cynical philosopher Apemantus mocks his naivety, but Timon ignores them both. When his money runs out and his creditors demand payment, Timon sends confidently to his "friends" for help. When all refuse him, he throws one last party - one that heralds a dramatic change in his attitude to the world.
Timon of Athens (2018 )