איפה אפשר לצפות ב-In Mansourah You Separated Us ב-בישראל
Originally there was a silence. That of Malek, the filmmaker’s father, who for years said nothing of his childhood in Algeria. And then, the need to break the silence, with a script that he gives to his children, to start telling his story. Several years later, the father and daughter finally make the journey to Mansourah, his native village: seeing his house, meeting other men who experienced the same heartbreak. Little by little, the film reveals what Malek, like many others, has long kept quiet about.
צפה In Mansourah You Separated Us ב-True Storyצפו ב"In Mansourah You Separated Us" עכשיו ב-True Story, וגלו דרכים נוספות לצלול לתוך סֶרֶט האהוב עליכם עם המדריך האולטימטיבי לצפייה של Popcorn Time.
חקור עוד אפשרויות סטרימינג עבור In Mansourah You Separated Us!
גלה כיצד לצפות ב-In Mansourah You Separated Us במגוון פלטפורמות ומדינות! בין אם אתה בבית או נוסע לחו"ל, מציאת מקום לצפייה חוקית מעולם לא הייתה קלה יותר. מ-, In Mansourah You Separated Us זמין בשירותים מובילים כמו . זמין ב-6 מדינות נוספות, תוכל לחקור אפשרויות סטרימינג מותאמות אישית שמתאימות לרישוי המקומי, ולהבטיח חוויית צפייה חוקית וללא טרחה.
מידע נוסף
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- 62 דקות
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דומים ל-In Mansourah You Separated Us
סֶרֶט
45,000 patients died in French psychiatric hospitals between 1939 and 1945. A single site escaped this carnage: the asylum in Saint-Alban, an isolated village in Lozère. What happened there for it to be an exception? Retracing several decades in the history of this important site of psychiatry, using precious archival films and the accounts of those who worked there, Martine Deyres answers this question and, in doing so, shows how the political courage and poetic audacity that were practised there contributed to changing medicine and society’s perception on madness. Intersecting in the crucible of this movement called “institutional psychotherapy” were members of the Resistance, artists, doctors and philosophers—including Paul Eluard, Tristan Tzara and Georges Canguilhem.
Our Lucky Hours (2022 )
סֶרֶט
In their small village in the Cuban countryside, Leonel (9) and Antuán (13) have been friends for their entire lives. But Antuán will move to Habana at the end of the summer and these holidays might be the last they ever spend together.
Baracoa (2021 )
סֶרֶט
In her debut feature, Alexandra Pianelli captures the unique world in and around her family’s Paris newsstand, presenting a film diary that lovingly documents her time working there. Sequestered behind the cramped counter, Pianelli films the world as it passes before her with a boundless sense of curiosity and compassion. iPhone or GoPro strategically set up before her, she records idiosyncratic interactions with charming regulars who drop by for their newspapers and a chat, or the lost passers-by simply looking for directions. Le Kiosque is a tender study of humanity, as well as a bittersweet sketch of physical media’s dying days as the newsstand’s future becomes increasingly unclear.
The Kiosk (2021 )
סֶרֶט
Camille became a peasant, as they say of someone that lives off the land. She chose the Creuse region, a rough and supple land, laborious yet luminous, but experiences a growing rejection of the agricultural standards that govern her production. Raising her three children, caring for her animals and plants, will always be more important to her than yield. In parallel, her children learn to make choices in the face of the standards imposed on them by the school system.
Middle Earth (2020 )
סֶרֶט
Shenzhen at night, copyist painters recount their daily lives and their craft. Their acts shift alternately between an artistic and blue-collar imagery, from new technology to classical techniques. Here, another history of painting is being drawn.
Shānzhài Screens (2020 )
סֶרֶט
Cows With No Name is almost a diary, filmed one day at a time, of each stage of this process, documenting the operation of the farm with critical and incisive humour. But it is also an intimate documentary. By filming scenes of daily life on the family farm, around the kitchen table during meals, or in front of the TV in the evening while everyone falls asleep on the sofa, more personal questions are raised: the farmer’s connection to his herd, or even the handover that Hubert has chosen not to ensure.
Cows With No Name (2020 )
סֶרֶט
Portrait of Marceline Loridan-Ivens, a writer and filmmaker who survived the Holocaust.
Marceline. A Woman. A Century (2019 )
סֶרֶט
Fifty years ago, the entire Creole population of the Chagos Islands was expelled by the British authorities. This secret operation took place to facilitate the leasing of the main island, Diego Garcia, to the US government so that it could build one of its largest and most secretive military bases overseas. As the military lease is about to expire, Chagossian exiles are attempting to recover their home in the middle of the Indian Ocean from Great Britain. The charismatic woman leading their fight in the UK is Sabrina Jean. Through unrelenting activism, including the exile community's improbable participation in the World Football Cup for Stateless People, she strives to keep the flame of hope alive in her community with one single goal: to return home. But as the elders disappear and memory fades, time is running out.
Another Paradise (2019 )