איפה אפשר לצפות ב-The Matador ב-בישראל
Growing up in Granada, Spain, young David Fandila always dreamed of being a matador. This documentary captures the rise of "El Fandi," one of Spain's most renowned bullfighters, who first entered the ring at age 14. While it's never in doubt that Fandila is at the top of his game, filmmakers Stephen Higgins and Nina Gilden Seavey weigh the significance of bullfighting as a cultural tradition against its inherent danger and cruelty.
צפו The Matador בחינם ב-Plexצפו ב"The Matador" עכשיו ב-MUBI ו-Plex, וגלו דרכים נוספות לצלול לתוך סֶרֶט האהוב עליכם עם המדריך האולטימטיבי לצפייה של Popcorn Time.
יש עוד 1 ספקים חיצוניים. ניתן לראות את הרשימה המלאה איפה לצפות The Matador.
חקור עוד אפשרויות סטרימינג עבור The Matador!
גלה כיצד לצפות ב-The Matador במגוון פלטפורמות ומדינות! בין אם אתה בבית או נוסע לחו"ל, מציאת מקום לצפייה חוקית מעולם לא הייתה קלה יותר. מ-, The Matador זמין בשירותים מובילים כמו . זמין ב-18 מדינות נוספות, תוכל לחקור אפשרויות סטרימינג מותאמות אישית שמתאימות לרישוי המקומי, ולהבטיח חוויית צפייה חוקית וללא טרחה.
מידע נוסף
- משך זמן
- 74 דקות
- שוחרר
- ארץ מקור
- סְפָרַד
- שפות
- es, en
- כתוביות
- en, fr, pt, tr
דומים ל-The Matador
סֶרֶט
Pablo needs to stop smoking. Why? Because his wife, family and doctor say he should. But Pablo is a stubborn man. He has worked in the mercury mines of Almadén, Spain, risking his life daily. He has had five severe heart attacks and smoked 20 Winston's a day since he was 12. Now in his seventies, Pablo spends most of his day in front of the TV, surrounded by a cloud of smoke, with his back turned firmly towards a village that has lived through better times. Pablo represents the last generation of Almadén mercury miners, an age-old profession with over 2,000 years of history. Through a straightforward depiction of life's everyday moments, Pablo's Winter explores the decay of the local mining culture, but above all, pays homage to its real protagonists: the miners and their families.
Pablo's Winter (2012 )
סֶרֶט
From archival photographs that testify to years of political violence in Peru, the film builds an analytical narrative that combines the artist’s memory and that of José Pablo Baraybar, head of the Peruvian team of forensic medicine.
The Imprint (2012 )
סֶרֶט
María lives with her mother May, in the Canary Islands, 3,000 km from Barcelona, where Miguel Gallardo has his home. Sometimes Miguel and María go on holiday together, spending a week at a resort in southern Gran Canaria, a rather unusual setting where the guests don't normally include a single father and his fourteen year-old autistic daughter. This is the story of one of their journeys, but above all it's an original tale, full of humor, irony and sincerity, about how to live with a disability.
Maria and I (2010 )
סֶרֶט
"Mudanza" (Removal) came to be made after the curator Hans Ulrich Obrist was asked for involvement in a project in the Huerta de San Vicente, the home and museum of the García-Lorca family in Granada. The film records the removal of furniture and objects from the building, leaving visitors able to move freely amongst its empty spaces and a silence charged with feeling and resonance and the take from the experience whatever they demand from it - thus making poet Federico García Lorca's emotive and historic absence even more powerful, evident and heartfelt.
Mudanza (2008 )