איפה אפשר לצפות ב-The Pretty Ones ב-בישראל
From her own personal experience and from talking with her lifelong friends, Melisa (24) wonders about the mandates and prohibitions that mold the cultural construction of the female gender, especially in relation to the image. With humor and candidness, the film portraits a feminine world seen from the inside, from conversations, personal photos and home movies.
צפו ב"The Pretty Ones" עכשיו ב-MUBI, וגלו דרכים נוספות לצלול לתוך סֶרֶט האהוב עליכם עם המדריך האולטימטיבי לצפייה של Popcorn Time.
חקור עוד אפשרויות סטרימינג עבור The Pretty Ones!
גלה כיצד לצפות ב-The Pretty Ones במגוון פלטפורמות ומדינות! בין אם אתה בבית או נוסע לחו"ל, מציאת מקום לצפייה חוקית מעולם לא הייתה קלה יותר. מ-, The Pretty Ones זמין בשירותים מובילים כמו . זמין ב-7 מדינות נוספות, תוכל לחקור אפשרויות סטרימינג מותאמות אישית שמתאימות לרישוי המקומי, ולהבטיח חוויית צפייה חוקית וללא טרחה.
מידע נוסף
- משך זמן
- 77 דקות
- שוחרר
- ארץ מקור
- סְפָרַד
- שפות
- es
- כתוביות
- de, en, fr, pt, tr
דומים ל-The Pretty Ones
סֶרֶט
Ësáasi Eweera, one of the last kings of the Bubi people of Equatorial Guinea and a threat to Spanish colonial rule, died in suspicious circumstances. A century later, the case is reopened: a formalist detective story and an indictment of colonialism.
A Storm Was Coming (2020 )
סֶרֶט
Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.
Corporate Responsibility (2020 )
סֶרֶט
Pedro Lemebel, the writer and visual artist, defeated a marginal childhood to become one of the first to shake up Chile’s conservative society during Pinochet’s dictatorship. Dressed in feather boas, stilettos and a sharp tongue, he staged revolutionary performances that defied the era’s terror, he said what no one wanted to hear in a homophobic, repressed and militarized country.
Lemebel (2019 )
סֶרֶט
Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.
The Endless Film (2018 )
סֶרֶט
Ciro Galindo was born on August 29th, 1952 in Colombia. Wherever he's gone, war has found him. After twenty years of friendship, I understood Ciro 's life sums up Colombia's history. As so many Colombians he is a survivor, who has run away from war for more than sixty years, and now dreams of living in peace. "Ciro and Me" is a journey to memory, seeking to give sorrow words; a journey, similar to that of Colombia in times of peace, in search to recover its dignity.
Ciro and Me (2018 )
סֶרֶט
Produced out of Harvard's Sensory Ethnography Lab, Laura Huertas Millán's quietly masterful La Libertad follows a group of matriarchal weavers in Mexico, formally mimicking the examination of an object through subtle shifts in scale and space.
La Libertad (2017 )
סֶרֶט
María Fux spends her life training dancers, particularly those with disabilities. But now, at 90, she finds her toughest student may be herself.
Dancing with Maria (2014 )
סֶרֶט
From archival photographs that testify to years of political violence in Peru, the film builds an analytical narrative that combines the artist’s memory and that of José Pablo Baraybar, head of the Peruvian team of forensic medicine.
The Imprint (2012 )