איפה אפשר לצפות ב-Those Who Go Those Who Stay ב-בישראל
Rain on a window pane, a fire truck, a tomcat with innumerable offspring: it is an intentionally unintentional gaze that allows for chance encounters, for stories and memories - leads that Ruth Beckermann follows across Europe and the Mediterranean. Nigerian asylum seekers in Sicily, an Arab musician in Galilee, nationalists drunk on beer in Vienna, the Capitoline Wolf, and three veiled young women trying for minutes to cross a busy road in Alexandria. Threads, cloth and textiles pop up like book marks in a fabric of movement, of traveling or seeking refuge.
צפו ב"Those Who Go Those Who Stay" עכשיו ב-True Story, וגלו דרכים נוספות לצלול לתוך סֶרֶט האהוב עליכם עם המדריך האולטימטיבי לצפייה של Popcorn Time.
חקור עוד אפשרויות סטרימינג עבור Those Who Go Those Who Stay!
גלה כיצד לצפות ב-Those Who Go Those Who Stay במגוון פלטפורמות ומדינות! בין אם אתה בבית או נוסע לחו"ל, מציאת מקום לצפייה חוקית מעולם לא הייתה קלה יותר. מ-, Those Who Go Those Who Stay זמין בשירותים מובילים כמו . זמין ב-12 מדינות נוספות, תוכל לחקור אפשרויות סטרימינג מותאמות אישית שמתאימות לרישוי המקומי, ולהבטיח חוויית צפייה חוקית וללא טרחה.
מידע נוסף
- משך זמן
- 75 דקות
- שוחרר
- ארץ מקור
- גֶרמָנִיָה
- שפות
- en
דומים ל-Those Who Go Those Who Stay
סֶרֶט
It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus.
The Dreamed Ones (2016 )
סֶרֶט
The daily workins of Austria's Danube Hospital.
Donauspital (2012 )
סֶרֶט
Some things can be seen more clearly at night.. . A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semi-darkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.
Abendland (2011 )
סֶרֶט
This portrait of Allentsteig, a military training area and nature reserve, presents various aspects of life. Without comment but with a keen eye for humorous details.
Allentsteig (2010 )