גלה היכן ניתן לצפות ב-We Heard the Bells: The Influenza of 1918 בישראל
We meet individuals from marginalized communities who describe what it was like to live through the 1918 flu pandemic. Their experiences raise questions about the pandemic: why did it kill so many people? Why were so many of the dead young adults? Where did this lethal flu come from? How can we keep a pandemic like that from occurring again? The film follows the search for answers from an expedition to Alaska in 1951 to collect tissue from bodies buried in the permafrost, to the scientists and epidemiologists working on the same questions today. It explains the relevance of research into the 1918 pandemic to the threat of current and future flu pandemics.
We Heard the Bells: The Influenza of 1918 אינו זמין בישראל
נכון לעכשיו, We Heard the Bells: The Influenza of 1918 אינו זמין ב-Popcorn Time. עם זאת, אנחנו עובדים כל הזמן על הרחבת הספרייה שלנו ולהביא לכם כותרים חדשים מדי יום. אנו מעריכים את סבלנותכם וממליצים לחזור לבדוק בקרוב כשאנחנו ממשיכים לעדכן את תוכן ההיצע שלנו.
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They arrive, they smoke, they wait - armed robbers seeking redemption, life-long thieves, addicts and anxious fathers of wayward children. Hard exteriors hide soft centres, old lives exist in young bodies - ordinary people awaiting judgement on an unlovely stretch of pavement outside a London magistrates' court. Whilst waiting for their cases to be heard they reveal their lives, and the complexities of the human soul are laid bare. Tense and intimate conversations with the filmmaker illuminate stories that the magistrates hear daily. Director Marc Isaacs spent three months outside Highbury Magistrates Court and, in doing so, demonstrates how the eye of the camera has the ability to delve much deeper into character and motivation than the eye of the law. Consequently, the more we get to know the characters in this film, the harder it is to make easy judgements. Whilst the court must judge, the filmmaker need not.
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The life and work of Alice Neel (1900-1984), American portrait painter. Part of the narration is chronological, part consists of interviews with friends, other artists, scholars, and family members, particularly two sons, Richard and Hartley, who are none too sanguine about their childhood and their mother's Bohemian life, and the filmmaker himself, a grandson whose querulous voice is heard from time to time. The film also includes footage of Neel, later in life, painting, talking, appearing on television, and giving lectures. Throughout, we see her paintings, bold, frank, and direct. After years of poverty and obscurity, fame comes as she nears 70.
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In a recycling factory in the north of France the machines dance, the workers join in song, and the truckdrivers almost do a ballet. The film shows the process of recycling by impressive machines and by hand. We hear the noise that accompagnies this process. Slowly the factory noise be- comes a rhythm and a truckdriver starts to sing a song for his love. He wants to build an island with the materials at hand, where they can be together to ‘sort things out ‘. In this crossover between documentary and musical it is the filmmakers aim to merge image and sound in such a way that the one cannot exist without the other. Inspired by the recordings of Alan Lomax and the films of Jacques Tati, the result is a sculptural and informative documentary and at the same time a musical film with a sticky song .
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חקור עוד אפשרויות סטרימינג עבור We Heard the Bells: The Influenza of 1918!
חקור כיצד לצפות ב-We Heard the Bells: The Influenza of 1918 בישראל דרך שירותים מורשים שונים. בין אם אתה בבית או בנסיעה, קל למצוא סטרים חוקי ב- . זמין גם בעוד 4 אזורים, כך שתוכל לצפות ללא טרחה בכל מקום שבו אתה נמצא.
מידע נוסף
- משך זמן
- 56 דקות
- שוחרר
- ארץ מקור
- אַרצוֹת הַבְּרִית
דומים ל-We Heard the Bells: The Influenza of 1918
צפו בחינם ב-סרטים או סדרות כמו We Heard the Bells: The Influenza of 1918, שנוצרו ב-בישראל
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A dark and twisted journey deep in the mind and soul of a young man sitting on a bench, wanting to talk to the woman sitting on the other side. He is filled with dread and falls into a dark place where ha faces his desires and fears.
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