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DocAlliance Films पर नवीनतम और सर्वोत्तम फिल्में और टीवी शो देखें।
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Forty five years of marriage is an impressive anniversary. Barbara and Zdzisław could be proud of themselves if not for the fact that the husband left the wife for his lover eight years ago. But now they are together again, although Barbara claims that if it were not for his infirm legs, Zdzisław would still be chasing skirts around Kraków. Despite the past resentment, everyday problems with paying bills, an occupied bathroom and rearranging furniture, they have a hard to define bond.
Close Ties (2016 )
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In Bolivia, the glaciers are melting. Samuel, an old ski lift operator, is looking out of a window on the rooftop of the world. Through generations his family lived and worked in the snowy mountains, but now snow fails. While scientists are discussing and measuring ominous changes Samuel honors the ancient mountain spirits. Clouds continue to drift by.
Samuel in the Clouds (2016 )
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Landslide represents post-revolutionary Ukraine through a community of people who ‘try to build a new society’ in the cracks and pores of a collapsing social system. The film unfolds in central Kyiv, in a space that has been reclaimed from the city by forces of nature. As a result of a series of landslides, the area of Petrivska street has become untenable and was subsequently occupied by the outcasts and outsiders of all kinds. A secretive graffiti team, a group of tech geeks and an avant-garde gay theatre that fled the war in Luhansk all struggle to create a place where they could coexist outside the pressure of dysfunctional social structures. - DAfilms
Landslide (2016 )
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The Lithuanian scientist Ausra Revutaite has spent 30 years in the Tian Shan mountain range in Central Asia, straddling the borders between Kazakhstan, Kyrgyzstan and the autonomous Chinese region of Xinjiang. Some 3,500 meters above sea level with only her faithful dog and gray cat for company, she studies climate change on the Tuyuksu Glacier at an old Soviet-era research station. She loves the solitude and silence that her painstaking work brings her. Magnificent shots of her surroundings and everyday work are interspersed with archive footage of the people who preceded her by a century. Not much seems to have changed.
Woman and the Glacier (2016 )
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Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time.
The Belovs (1992 )
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Reflecting on Mao's famous saying, "Let a hundred flowers blossom and a hundred schools of thought contend," Trinh T. Minh-ha's film — whose title refers in part to a Chinese guessing game — is a unique excursion into the maze of allegorical naming and storytelling in China.
Shoot for the Contents (1992 )
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Interkosmos is a musical documentary-style film about the East German space program-a program with the energy and creativity of the Soviet arts scene of the 1920s and a bit of the hippie sensibility from West Germany of the early 1970s. The story is about a failed space colonization mission called "wundertüte" and is told through narration, dialogue, letters, and period songs.
Interkosmos (2006 )
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The Hijacker lands the plane at the Rīga Airport. 7 year-old Tom, travelling on his own, voluntarily becomes a hostage. Along with the traditional demands, the Hijacker adds the demands of the little hostage – beginning with some local chocolate and a self-instruction tape for learning the native language, and ending with organizing a Song Festival and a special biathletes’ performance – all ideas originating from a CD on Latvia.
The Hostage (2006 )
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Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebrated film Megacities (1997), a visually refined essay on the hidden faces of several world "megacities" by leading Austrian documentarist Michael Glawogger. Novotny complements 30 % of material taken straight from the film (and re-edited) with 70 % as yet unseen footage in which he blends original shots unused by Glawogger with his own sequences (shot by Megacities cameraman Wolfgang Thaler) from Tokyo. Alongside the Japanese metropolis, Life in Loops takes us right into the atmosphere of Mexico City, New York, Moscow and Bombay. This electrifying combination of fascinating film images and an equally compelling soundtrack from Sofa Surfers sets us off on a stunning audiovisual adventure across the continents. The film also makes an original contribution to the discussion on new trends in documentary filmmaking. Written by KARLOVY VARY IFF 2006
Life in Loops (A Megacities RMX) (2006 )
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A drunk couple spend their summer-holiday at sea. Their life is not everything they hoped for, and abuse is part of their relationship. At sea they dream about love and understanding, and we observe their fellow countrymen spending their holidays on the same beach. Tragedy, comedy, love, hate, sex : it is all there.
Tender's Heat: Wild Wild Beach (2006 )
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Every day, come rain or shine, Theodore used to bike the seven kilometres from his house to the centre of the village to sit and drink beer in the bus stop. For him, no doubt, this place was the centre of the Universe. With his death, the centre has moved elsewhere, and the bus stop is just a bus stop again.
Theodore (2006 )
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Hapon is an 8-year-old survivor in the slums of modern Manila, scratching out an improvised existence at the margins of society. This rawly shot documentary follows Hapon and his mates as they swagger around their dilapidated universe. Featuring a punk-rock score by director Khavn's band the Brockas, the film captures a carefree spirit in the children that completely belies the squalid conditions in which they live.
Squatterpunk (2007 )
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A 1971–72 documentary film by Jonas Mekas. It revolves around Mekas' trip back to Semeniškiai, the village of his birth.
Reminiscences of a Journey to Lithuania (1996 )
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White-tiled rooms, neon lighting; on the walls black and white photographs documenting the atrocities committed by the german Wehrmacht on the Eastern Front in WW2. Against this background former soldiers talk about their experiences beyond the bounds of "normal" warfare. An uncompromising film on remembrance and oblivion.
East of War (1996 )
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There's a film subtitler. There's a film she must urgently subtitle. There's the plot of that film, with which she relates on a level that will remain enigmatic to us. And in that film within the film there's a main character, whose dreams are being devoured, and other characters, interested in dreams as well, but far more practical. And there¹s music, and a promise of music. Timelessly wandering through the world.
Paul (2016 )
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Five young Ukrainians discuss life following the Maidan Revolution of 2014. Not all fought in the Russian-Ukrainian war, but it, regardless, shattered their life plans. Representing 'Generation Maidan', they face the question of how to cope with experiences of violence, how to go on. A local theatre director produces Hamlet, wherein they can use Shakespeare’s tragic character as a mirror and face their traumas onstage. For them, 'to be or not to be' is not simply text but an existential dilemma with no clear answer.
The Hamlet Syndrome (2022 )
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Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi's visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.
The Lifeguard (2011 )
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In 2019, the Brazilian government coordinates the largest and riskiest expedition of the last decades into the Amazon rainforest to search for a group of isolated indigenous people in vulnerability and promote their first contact with non-indigenous. Bruno Pereira, who would later be murdered in the same region and turned into an international symbol in favor of the indigenous and the forest, leads the expedition.
The Invention of the Other (2022 )
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The film depicts the lives of the two sole residents of an abandoned company town while unfolding a complex labour history and revealing the vestiges of environmental degradation. Combining large format cinematography and an inquiry into the archival record, it interlaces past and present.
Anyox (2022 )
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Ida, the grandniece of Simona Kossak, travels to the Bialowieza Forest at the Polish-Belarussian border. Sorting through the photos left by Lech Wilczek, Ida uncovers the life he had with Simona, captured in the photographs, footage and memories. A moving and powerful documentary about the life of Simona Kossak, a biologist, ecologist and activist known for her efforts to preserve the remnants of natural ecosystems in Poland and for living among the animals in the Białowieża Forest for over 30 years.
Simona (2022 )
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Georgia’s former prime minister has found a unique hobby. He collects century-old trees, some as tall as 15-story buildings, from communities along the Georgian coast. At a great expense and inconvenience, these ancient giants are uprooted from their lands to be transplanted in his private garden.
Taming the Garden (2022 )
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A portrait of the disenchanted youth of the city of Tolyatti, once a symbol of Soviet progress and the automobile, now devastated by economic decline. Laura Sistero encounters an aimless young generation, who express their dreams of escape through crazy races in old patched-up Ladas. A cinematic object is propelled by spectacular skids to the rhythm of an electro-rock soundtrack.
Tolyatti Adrift (2022 )
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90-year-old architect Florian Yuriev is facing the destruction of his magnum opus: an avant-garde concert hall set to be repurposed as a shopping mall. Florian confronts the powerful real estate developer behind this investment project, and uses his visionary ideas to capture an unlikely victory. This is an architectural documentary with infusions of science fiction and horror film.
Infinity According to Florian (2022 )
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Adina Camhy investigates the phenomenon of a crater as a metaphor, as well as a concrete physical shape, resulting in a meditation on ‘dynamic memorials’ around the Ramon Crater in the Negev desert and its counterpart with the same name on the Moon.
Crater (2022 )
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Three radically different protagonists, with polar opposite political views, try to define their identities against the background of contemporary Poland. They are at turning points of their lives. The woman has an abortion. One man is getting more politically radical and joins a right-wing party. The other man breaks his ties with the Church and chooses apostasy. Even though they could not be more different in terms of their worldviews, they have one thing in common – each of them is trying to embrace their own uniqueness and understand who they are.
Identity (2022 )
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The story follows veteran police officer Dave Brown, the last of the renegade cops, as he struggles to take care of his family, and fights for his own survival.
Rampart (2011 )
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The oak tree in Seja is roughly 700 years old. Around this monumental tree, the peaceful and repetitive life goes on in the village, a group of houses in the middle of the forest. It is an almost unworldly existence in a condition of absolute simplicity where people are grateful for a hot cup of coffee and a good potato harvest.
The Oak (1997 )
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In the heart of Portugal, amid the mountains, the month of August is abuzz with people and activity...
Our Beloved Month of August (2008 )
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A visual essay about the progressive tradition of the United States as seen through grave markers and monuments.
Profit Motive and the Whispering Wind (2008 )
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Seldom has Egypt's capital been so evocatively captured. A fly-on-the-wall doc exploring the mysterious and hard-knock reality of a typical Egyptian belly dancer clan in working-class Cairo. Unparalleled access to this hidden world leaves the viewer fascinated and surprised that at night they dance. Such frankness among Arabic women is all too rare in films.
At Night, They Dance (2011 )
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Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
The Beaches of Agnès (2008 )
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"If the old doesn't go, the new never comes" recites a teenager hanging out near a demolition site in the center of Chengdu, the Sichuan capital in western China. In Demolition, filmmaker J.P. Sniadecki deconstructs the transforming cityscape by befriending the migrant laborers on the site and documenting the honest, often unobserved, human interactions, yielding a wonderfully patient and revealing portrait of work and life in the shadow of progress and economic development.
Demolition (2008 )