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An Irish filmmaker grapples with the legacy of his estranged father, the late documentarian Arthur MacCaig, through MacCaig's decades-spanning archive of the conflict in Northern Ireland. Drawing on over 30 years of unique and never-seen-before footage, 'The Image You Missed' is an experimental essay film that weaves together a history of the Northern Irish 'Troubles' with the story of a son's search for his father. In the process, the film creates a candid encounter between two filmmakers born into different political moments, revealing their contrasting experiences of Irish nationalism, the role of images in social struggle, and the competing claims of personal and political responsibility.
The Image You Missed (2018 )
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A lonely 55-year-old street artist from Poland lives in London. His parents decide to visit their son after many years of separation. A man wants to take advantage of the chance to resolve an old conflict with his father, not realizing that the real problem is much deeper.
Time Machine (2018 )
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Julia Katharine, a Japanese-Brazilian trans woman, opens her door to the filmmaker. Before day breaks, she evokes her relationship with her parents, a young love that never was, her sleepless nights and her passion for cinema.
I Remember the Crows (2018 )
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Exploration of the internet and our current era through YouTube videos. Dominic Gagnon reconstructs the south as seen through vlogs, found footage, video games, raging storms and burning palm trees.
Going South (2018 )
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The end of the Cold War did not bring about a definitive thaw in the former republics of the Soviet Union, so that today there are several frozen conflicts, unresolved for decades, in that vast territory. As in Transnistria, an unrecognized state, seceded from Moldova since 1990. Kolja is a silent witness of how borders and bureaucracy shape the lives of citizens, finally forced to lose their identity.
Extinction (2018 )
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Charlie Soukup is a Czech underground songwriter and Charter 77 signatory. He emigrated in the early 1980s, and has spent the last several decades living on his own in the Australian outback as a hermit and Buddhist. Documentary filmmaker Jiří Holba sought Soukup out on his large property in the bush, where he builds secret shelters and lives away from civilization. The film, which Holba shot entirely alone on location, presents spontaneous conversations and situations that fully capture Soukup’s distinctive charisma. The film’s series of monologues are a kind of stream of thoughts that are part mad rambling and part insightful observations on life.
Feral (2018 )
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With this new film, Felipe Monroy, a Colombian director living in Geneva, continues his work on the memory of his country. Back in Bogota after many years of absence, he starts revisiting his family’s past, tinged with a violence that echoes that of an entire nation. So, as the peace process then ongoing between FARC and government is perhaps about to turn the page after more than 50 years of war, the director starts his own effort at reconciliation, of which the film is both the instrument and the result. What can be done with poorly healed wounds? And what place can film take in this perilous exercise in forgiveness? It is simultaneously as son, brother, Colombian and filmmaker that Felipe Monroy tackles these questions and there lies the beauty of the film. It manages to look at the ghosts of the past straight in the eyes, adopting the contradictory sentiments that it provokes in its author and that it invites us to share.
Los Fantasmas del Caribe (2018 )
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Behind the mighty eighteenth-century wall of the oldest enclosed convent in Poland - Benedictine convent in Staniatki, near Krakow - the life of twelve nuns in their 70s goes on. Despite their age and the world of rapid change, they try to comply with the rule set over ten centuries ago ‘ORA et LABORA’ each day. Our protagonists – nuns Anuncjata and Benedykta (40 years in convent) – introduce us to the world behind the wall telling us about their lives and decisions in a specific way. They show us the world of convent in true colours, without stereotypes, often touching and amusing at the same time. This is the film about silence said aloud.
The Sisters (2018 )
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The doors of the abandoned Raverdy coffee and chicory factory remain closed, just like everything around it. The director – herself a descendant of the Raverdy family (and expecting her first child) – goes in search of the stories behind this sealed-off part of the city. She moves in with her 91-year-old grandmother, who lives over the road. Piece by piece, she is able to reconstruct events leading up to the factory’s closure, using old photos, advertising brochures, myths, language games, conversations with her grandmother and former female factory workers. These memories unfold through different storylines. The factory’s surroundings are explored through a poetic film style, and the history of the nunnery next to the factory is also revealed. This sensitive film is a reflection on the invisible and the forgotten, revolving around women and the changing body.
Behind the Shutters (2018 )
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A workout on the sun deck, a conga line in the dining hall, a photo shoot with the captain, or a beauty contest for all ages: fun around-the-clock is guaranteed on a cruise, while you float along with your hotel room. The sea-faring holiday fortresses have come into vogue and business is booming. In the towering ship’s wake, we are left behind with a hoard of digital memories and a cloud of exhaust fumes on the horizon.
All Inclusive (2018 )
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For Susan explores the idea of dignity. Inspired by the director’s grandmother’s notebooks, it finds pleasure in activities hidden or forgotten.
For Susan (2018 )
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An avant-garde documentary film on English guitarist, composer and improviser Fred Frith.
Step Across the Border (1990 )
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"A radiant, energetic girl is shouting and punching the empty space in front of her. She is roughly cut out from her surroundings by a computer algorithm struggling to contain her. Her enemies are rubbed off the frame, sound is removed and music added, emphasising her anguish and anger. Is she real? Is she a dream? Gradually, more fragments of the scene are revealed, and the context is made clearer. The video-processing highlights the documented scene as image, both of a fight for freedom, and a media event." (Guli Silberstein)
Cut Out (2014 )
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A feature documentary about the world of South-Korean professional gamers. Every year thousands of South-Koreans flock to the game stadiums in Seoul to watch the Pro League, a live sports event where professional gamers compete to be the best at one single video game: Starcraft. It’s a title many young South Koreans dream of. The game itself is more than a decade old, almost ancient in the fast developing world of video games, but in South Korea it has become a national past-time. Like most specator sports, this world of eSports rapidly evolved in a multi-million dollar business. In this story, we follow 3 boys in different stages of their career as a Pro-Gamer in South Korea. For some it will be a struggle to stay on top of their game, for others it might be the turning point of their lives
State of Play (2013 )
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In the aftermath of Stalin’s death, three Italian communists engage in a trip to the Soviet Union to challenge their utopia with an 8mm camera. In 1957, Sauro, Luigi and Enzo all live in Alfonsine, a small town in Italy ruled like a miniature Soviet Union by the Italian Communist Party. As many communists in the West, they dream of the Soviet Union, and hope for the great Revolution. But with the wind of reform and self-criticism blowing through the Eastern Bloc after the death of Stalin the image of the Soviet Union as the workers’ paradise begins to crumble. They therefore decide to travel to the USSR to find out what is true and what is false in this supposed land of milk and honey. They film their entire journey with their 8mm camera. Through this invaluable personal archive, our film tells the hopes, disappointments and challenges of three young men faced with the reality of what seemed to be a utopia come true.
The Train to Moscow (2013 )
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The Palace is a documentary that follows the everyday life of seventeen women who live together, sharing a large house for emotional and financial reasons. They help each other to train for various jobs. Most become nannies, domestic workers and private nurses for elderly patients.
The Palace (2013 )
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Filmed from the artist’s window during the first English lockdown, ‘Citadel’ combines short fragments from British Prime Minister Boris Johnson’s speeches relating to coronavirus with views of the London skyline.
Citadel (2021 )
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The untold story about wild rabbits which lived between the Berlin Walls. For 28 years Death Zone was their safest home. Full of grass, no predators, guards protecting them from human disturbance. They were closed but happy. When their population grew up to thousands, guards started to remove them. But rabbits survived and stayed there. Unfortunately one day the wall fell down. Rabbits had to abandon comfortable system. They moved to West Berlin and have been living there in a few colonies since then. They are still learning how to live in the free world, same as we - the citizens of Eastern Europe.
Rabbit à la Berlin (2009 )
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An ethnographic film exploring the legend of Mahadeo Koli Goddess Kalsu, whose presence remains impregnated in the consciousness of the women of the tribe today.
Kalsubai (2021 )
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Russian-born director Aleksey Lapin travels back to his relatives’ home village near the Ukrainian border, where he himself used to spend every summer. The film crew introduce themselves at a specially organized musical event, claiming that they have come to cast a historical film that is to be set in the village. What follows is a charming, semi-fictional documentary by and with the village community.
Krai (2021 )
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The account of a journey through an imaginary city, filmed along China’s new trade routes. Like the fictionalized Marco Polo from Italo Calvino’s “Invisible Cities”, the traveller in this film talks of worlds that resemble familiar places but follow their own, sometimes seemingly incredible rules. The observations condense into a meditation about the nature of cities and the transformation of the concept of globalization.
A Million (2021 )
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Documentary.In its catalogue, a Czech travel agency offers a "journey into the unknown", a tour of North Korea. That spring was the second time since 1990 that a group of Czech tourists set foot in the DPRK. The film follows twenty-seven Czechs who have decided to spend approximately 2,600 Euros on a sightseeing tour of a country which cultivates a cult of personality, maintains concentration camps for its citizens and doesn't hide its development of nuclear weapons. Foreign visitors are only allowed a view of a carefully prepared illusion, thoroughly supervised by "guides". What is more, the North Korean system is starkly reminiscent of our own past. Which emotions do our travellers experience: sympathy, nostalgia or, in contrast, happiness that "we already have this behind us"? How does a Czech person, after being accustomed to eighteen years of freedom and democracy, come to terms with the directives and restrictions of a totalitarian system?
Welcome to North Korea! (2009 )
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A short documentary that captures the longest total solar eclipse of the 21st century, The Yellow Bank takes you on a contemplative boat ride across the Huangpu River in Shanghai, China. Filmmaker J.P. Sniadecki, who lived and worked in Shanghai nine years earlier, uses the eclipse as a catalyst to explore the way weather, light, and sound affect the urban architectural environment during this extremely rare phenomenon.
The Yellow Bank (2010 )
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This essay film tells of the ocean as a place of yearning, of the world of giant container ships and their crews, and the women that wait for them in ports and drinking holes. The protagonists' thoughts are rendered as inner monologues in voiceover, all set to striking documentary images.
Exotica, Erotica, Etc. (2015 )
Once Upon a Time in Poland (2021 )
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On returning from class, a teacher is questioned by his wife, who distrusts his pedagogic project: an “Academy of the Muses” inspired by classical references, which is supposed to contribute to regenerating the world through poetry. The controversial project triggers a series of situations dominated by words and desire.
The Academy of Muses (2015 )
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Blanka is a woman in her 50s, alone in her apartment and in her life. Matuš, a young and motivated activist, hopes to become a councillor of his municipality despite his lack of marketing savvy. A cool real estate agent sells the notion of a happy life through Bratislava apartments. Two collegial road workers paint road markings and when their shift is over, they drink beer in their boarding room and ponder the indifference of the city inhabitants. Danko, a queer music composer, lives in the city centre with his mother in a modest flat. He takes long walks, listening to urban sounds, trying to capture the rhythm around him. Lines is a visual essay, a tangle of stories and observations, set in the exemplary post-socialist city of Bratislava, a place experiencing dynamic transformation.
Lines (2021 )
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Lithuanian photographer, the legend of Soviet Sixties' generation Vitas Luckus tragically passed away in 1987. Yet the life and times of the talented rebel still impassion and lead us to a journey questioning why, at all times, we are wary of those who are really free.
Master and Tatyana (2015 )
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Her ex-wife won’t meet her. Her daughter rejects her. Her mother still calls her “son.” As Marianna transitions from male to female, she is abandoned by her loved ones, alone in a world unwilling to accept her true self. This multi-award-winning documentary is an intensely sympathetic and powerful account of one individual’s struggle to gain acceptance—even in the midst of profound physical hardship.
Call Me Marianna (2015 )
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Journey to Rome (2015 )
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In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today's America.
The Other Side (2015 )
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How do Europeans deal with their recent dark history (the wars, dictatorships and occupations)? What traces are etched?
Battles (2015 )