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Lotte Schreiber undertook a journey through Greece in winter to film anonymous architectures, the frequently found concrete skeletons.
Domino (2005 )
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In Russian, "Svyato" means "happy". But it is also a nickname for Svyatoslav, the son of director Kossakovsky, who for two years covered mirrors from Svyato. For the first time in his life, Svyato is going to watch himself on a mirror.
Sacredly (2005 )
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María Fux spends her life training dancers, particularly those with disabilities. But now, at 90, she finds her toughest student may be herself.
Dancing with Maria (2014 )
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Three brothers wish to surf waves no one has surfed before them. The answer is to go to Bjørnøya, the island next to the better known Spitsbergen. For two months they live on the island, self sufficient in food and equipment.
Bear Island (2014 )
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A poetic portrait of people working in the state-run post office, rail station and fire headquarters in the 3rd largest city of Africa, Kinshasa.
Elephant's Dream (2014 )
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An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.
A World Not Ours (2014 )
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A transgender Native Hawaiian teacher inspires a young girl to fulfill her destiny of leading the school's male hula troupe, even as she struggles to find love and a committed relationship in her own life.
Kumu Hina (2014 )
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One in four women experience violence in their homes. Have you ever asked, “Why doesn't she just leave?” Private Violence shatters the brutality of our logic and intimately reveals the stories of two women: Deanna Walters, who transforms from victim to survivor, and Kit Gruelle, who advocates for justice.
Private Violence (2014 )
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Each night in Silicon Valley, the Line 22 transforms from a public city bus into an unofficial shelter for the homeless in one of the richest parts of the world.
Hotel 22 (2014 )
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Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.
The Iron Ministry (2014 )
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Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
What Now? Remind Me (2014 )
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Brussels, La Monnaie Opera House. Three people near the end of their lives meet with choreographers, actors and musicians. They take part in a unique experience which involves music, dance and silence. Their journey becomes a tribute to the fragility of the human condition, between reality and representation, tragedy of the body and freedom of the spirit. Together they question their own relationship with death.
Before We Go (2014 )
Olga (2014 )
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A close-up portrait of a rebellious racecar-driving teen coping with the twists and turns of life in rural Hungary.
Drifter (2014 )
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“In the land of the blind, I am the one-eyed king.”, says Wilfried. This country is in prison Merksplas and the blind, they are the internees. The only thing they have in common is their date of release: 31/12/9999. This film tells the story of some mentally ill criminals not being held responsible for their actions but still locked down. Without treatment and without an end date. ‘9999’ descends into the limbo of Belgium and looks some internees who are pining away in a prison, straight in the eye. The film disappears under lock and key, where time loses all common sense, and tells us of an unreal injustice. We end up in a narrow world where imagination is obliged to transcend reality and we wander through landscapes of senses of men on the edge of society.
9999 (2014 )
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The Way Out tells a story of a young Romani couple, Zaneta and David, the parents of little Janicka. Their efforts to live a decent and dignified life run up against the "Romani social trap," which is racism, the society's prejudices, exclusion from opportunities to obtain legal work, the lack of necessary qualifications, difficult communication with officials, debts and the miserable life conditions connected with the environment, lifestyle and traditional values of their ethnicity. David wants to protect his family, even at the expense of committing a crime. But Zaneta finds inner strength to defy the unfavorable situation in a different way. Will they overcome the existential problems that start to take apart their relationship? Is it worthwhile for them to continue to Honor their own values and family traditions? And will their "way out" be only another "escape" for them, or a promise to change their lives?
The Way Out (2014 )
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A portrayal of a hidden enclave of auto shops and junkyards fated for demolition in the shadow of a new baseball stadium in Queens. The film observes this vibrant community of immigrants – where wrecks, refuse, and recycling form a thriving commerce – as it struggles for daily survival and contests New York City's development scheme.
Foreign Parts (2010 )
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They are everywhere without us observing them. These ‘invisibles’ can only be seen on camera and only heard thanks to a microphone. Footage shot in public spaces shows people who seem non-existent to everyone else in the frame.
Nobody Meets Your Eyes (2023 )
Trieste Shines at Night (2023 )
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Trans women face extreme violence in Mexico City, and sex workers are even more vulnerable. This raw and deeply affecting portrait of Kenya gives an insider’s view of the impact that violence has on the community, and how complex life is for them. The film begins shortly after Kenya witnesses her friend Paola being murdered by a client. The film follows Kenya closely. Will the family accept burying Paola as she was: a flamboyant trans woman? Kenya approaches Paola’s loved ones with great respect and understanding—something she rarely experiences herself. When the murderer is released, she embarks on a lengthy battle for justice, backed up by her “sisters.”
Kenya (2022 )
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Iván Bilbao has just spent 5 years in prison. Upon his release, he is reunited with his wife Yamila, his daughter Luz, and Chascomùs, his hometown, where his reputation is notorious. Eager to settle down, he resumes boxing and pawnbroking. Pedro Speroni films this chaotic return up close, underscored by tight, uppercut-like editing work.
The Bilbaos (2023 )
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Oscillating between present day and decades-old home videos, Charm Circle is a cinéma vérité portrait of an eccentric New York family navigating the chaos that divides them.
Charm Circle (2023 )
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Conceptual visual artist Ján Mančuška died in 2011. However, in his short 39 years of existence, he managed to create a number of remarkable works, many of which have been exhibited in renowned galleries around the world – including the Centre Pompidou in Paris and MoMA in New York. In his homeland, however, his work reflecting everyday life, social reality or the meaning of language has never achieved comparable fame. Together with the children of an artist who was not afraid to confront the public with the question of the meaning of art, the director embarks on a journey that aims not only to get closer to Mančuška, but also to reveal him in hitherto unrecognised shades, thus filling in the gaps that are increasingly appearing in the context of the fading memory of his personality.
You Will Never See It All (2023 )
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Miko is a truck driver, his father is Romani, and above all he is a man who wanted to help those in need. When the Czech government was looking for reasons not to take in a few dozen children from Greek refugee camps after the chemical attacks on Syrian civilians in 2018, Miko took justice into his own hands and, together with the Czechs Helping initiative, prepared facilities for child refugees. However, government officials gave priority to political interests. Will parliamentary elections and a change of ministries save the situation? An unflattering but accurately portrayal of the Czech Republic as a country that will only offer a helping hand when it is worthwhile.
Citizen Miko (2023 )
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Rotterdam regular John Gianvito (Vapor Trail (Clark), IFFR 2010) checks in with a sensitive, homebound film diary recorded in the pandemic years 2020-2022. The watchful, wary stance of deer outside his house triggers a series of fragments associated with death, burial, mourning and care: Gianvito calls it 'a requiem'. Snatches of classic soundtracks (including Renoir's Partiede campagne, 1936) and glimpses of news broadcasts expand the private, intimate context.
The Grave's Sky (2023 )
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A man hikes through late-winter woods. Russia invades Ukraine. It’s difficult to reconcile the scales of action described by those sentences, but this difficulty is what John Gianvito dwells on in his new video. It may simply be that this is a diary, movingly plain and provisional in construction, which recounts what its author did for a few months last year: he watched a war on the internet and went outside. Even if that’s true, such a description makes Gianvito’s images seem less strange than they are
Fugue (2023 )
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A psychedelic portrait of the founding theorist of Christianity, Paul the Apostle. His life, ideology and influence are reconstructed by piecing together 16mm footage, cassettes, animation, and Catholic liturgical music.
The Apocalyptic Is the Mother of All Christian Theology (2023 )
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While studying in Bruxelles, Daryna Mamaisur is caught up in the conflict tearing through her country. She questions the way in which to speak about it, at a distance, while cinema seems the “least appropriate” means.
I Stumble Every Time I Hear From Kyiv (2023 )
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When Russia annexed Crimea in 2014 it became clear to anyone that the aggressor was conducting a hybrid war against Ukraine. It conquered Crimea with a combination of disinformation, propaganda, and secret military support for rebel groups, and covert military operations. The only surprise is that many people were surprised when Russia deployed this military strategy, because it has a long history of doing so.
Limitation (2023 )
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Unarchiving a territory. On the verge of disappearing due to industrial extractivism, we begin to glimpse what still subsists in the forest of Hornopirén, in the south of Chile. Not only do we observe it, but it also looks back at us.
Muestrario (2023 )
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Can someone become a mother without giving birth to a child? Twenty-nine-year-old filmmaker Santwana, who is not yet ready to become a mother, and forty-five-year-old doula Kata, who, though childless herself, helps many couples bring their children into the world, are searching for the answer to this question together. This highly intimate documentary empathetically introduces us to the most beautiful and vulnerable moments of life surrounding childbirth.
Kata's Motherhood (2023 )
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Art, auctions, huge valuations of individual works, a market full of enigmas. The inaccessibility of the art world and its business mechanisms, incomprehensible to many, have always worked on the imagination. However, the incredible growth of interest in buying art in Poland over the past few means that the curtain of mysticism must be slowly falling. “How Much for Art?” is a look at the Polish art market, which with the political transformation has changed from a marginal and obscure curio to a modern, professional machine, opening for some artists of the youngest generation the gates of success inaccessible to their predecessors.
How Much for Art? (2023 )