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Alexei is a nineteen year old recruit being flown in to perform his military service on the frontier of northern Russia. The base is one of few such remaining outposts on the Arctic Ocean. There are five other seasoned and long serving soldiers stationed here, each with their own personal story or secret that has caused them to retreat from the real world. Their training and breaking in of the new arrival is sometimes humorous, at times harsh. Gradually, they each reveal something of themselves in their daily interactions and private moments as they continue their absurd duty in this snow covered no man's land, hundreds of miles from the nearest human settlement.
At the Edge of Russia (2010 )
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A journey from the harbor town of Jaffa to the Jaffa orange, a fruit through which the Israeli filmmaker examines the Israeli-Palestinian conflict.
Jaffa: The Orange's Clockwork (2010 )
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Zelal is a documentary that's an invitation to delve into the world of psychiatry and "madness" in Egypt. It meets the ordinary madmen and women banished to mental institutions by Egyptian society and offers more than just a journey into their world of shadows. The hospitals end up becoming the only place patients can conceive, not because they are truly "crazy", but because they fear the outside world. The film forces viewers to put their own preconceptions and interpretations to the test, reminding us that freedom is precarious in a society that does not tolerate any differences.
Zelal (2010 )
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Greta is forced to accompany her newly separated mother to a party. For the first time, she will see her as a lonely woman, rather than just a mother.
Secondo me (2020 )
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The older marriage sails out on a cruise on the lakes, where they have spent the entire one’s life. The enclosed space of the yacht provokes reflection on the future as well on what has passed. In the evenings old melodies resound.
The End of the Season (2019 )
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A grieving father grapples with the seedy, manipulative world of high stakes debt collection while struggling to shed the tragedies of his past. He find's himself pitted against his best friend with troubling consequences.
Collection (2021 )
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Paris, North Station, anything comes by, even trains. One would like to stay, but they have to hurry up... Like other thousands lives crossing, Ismael, Mathilde, Sacha and Joan are going to meet here...
Gare du Nord (2013 )
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A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.
Bobbi Jene (2017 )
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Rain on a window pane, a fire truck, a tomcat with innumerable offspring: it is an intentionally unintentional gaze that allows for chance encounters, for stories and memories - leads that Ruth Beckermann follows across Europe and the Mediterranean. Nigerian asylum seekers in Sicily, an Arab musician in Galilee, nationalists drunk on beer in Vienna, the Capitoline Wolf, and three veiled young women trying for minutes to cross a busy road in Alexandria. Threads, cloth and textiles pop up like book marks in a fabric of movement, of traveling or seeking refuge.
Those Who Go Those Who Stay (2013 )
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In addition to demonstrating the unexpected complexities of individual life paths, THE WILD establishes the possibility of “cinematic space” becoming a type of “third space”. Two seemingly contrasting spaces merge to construct a new space. The first space is the living room of a retired couple. The second space is embodied in Super 8 recordings filmed by the old man during his numerous trips to Africa and Asia during the 60s, 70s, 80s and 90s. The pictures show exotic animals which are projected directly onto the walls and furniture of the house. The assembly of these differing spaces does not create a more succinct boundary between them, but rather assists in the mingling of the two spaces. In this fleeting moment of third space, as it is limited by time, a new cinematic reality is formed.
The Wild (2013 )
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The women in this documentary have a lot of cleaning to do. They work in motel El Pasajero, where the guests generally don't stay longer than a few hours. The rooms don't have to be particularly beautiful, either; as long as there's a bed on which the couples can indulge their carnal passions, sometimes under the influence of alcohol and drugs. We don't see or hear much of these visitors, other than the odd leg, disembodied voices and - increasingly as the film progresses - moaning. They are filmed nonchalantly, from a strange, accidental-looking angle, as if they are not important. The visitors are in fact just extras in this love story. How else could you get a positive view of love in a place like this? We follow four female cleaners during their daily rounds. They change the beds, polish the mirrors and energetically wipe down a clinical-looking sex chair.
The Women and the Passenger (2013 )
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Two acclaimed documentary film-makers - father and son - drive from Poland to Paris to see the place where the ashes of the father's mother are buried. What accompanies them on the way are resentments, quarrels and sincere confessions.
Father and Son (2013 )
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Max "Adlersson" Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees - Max is a YouTube creator and makes a decent living off of it. Most of Max's friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.
Lord of the Toys (2019 )
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Theres and Kenneth are both young when they first meet whilst on holiday. They fall in love but are unable to prevent themselves from losing each other. Thirty years later, in another country, another couple: Ariane leaves her husband David because she no longer loves him. The paths they both take lead them to Kenneth and Theres.
The Dreamed Path (2017 )
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Lena is a 17-year-old girl from a middle-class family who is experiencing her first love: secret night adventures and magical morning walks along the Danube. However, her dream world is shattered when she is raped. Withdrawing, she ultimately attempts to slit her wrists. Her family, helpless, entrusts her to a psychiatric institute.
Filthy (2017 )
George the Dog, Refugee (2019 )
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Juan “Accidentes” Dominguez is on his biggest case ever. On behalf of twelve Nicaraguan banana workers he is tackling Dole Food in a ground-breaking legal battle for their use of a banned pesticide that was known by the company to cause sterility. Can he beat the giant, or will the corporation get away with it?
Bananas!* (2009 )
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On the western-most point of Brittany, in the lighthouse, at night, Damien is busily building a mysterious something out of pieces of mirror. The more the storm makes itself known, the more he hurries. When Isabelle arrives in the village, suddenly he is seized by a sense of urgency.
Hurry (2019 )
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Interpersonal relationships in a dysfunctional family under the microscope of the camera.
The Family (2017 )
Loli paradička (2019 )
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A journey through the times and spaces of the Hotel Jugoslavija.
Hotel Yugoslavia (2017 )
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In the Californian part of the Sonoran desert, in the close vicinity of military bases, there is a “wild” town called Slab City inhabited by the refugees from the American Dream. Of different age, they brought with them various stories, but all chose freedom, even for the price of the most basic comforts. The only place equipped with electricity is a makeshift Internet café run by Rob which serves “the best coffee in the neighbourhood”.
Desert Coffee (2017 )
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The incredible story of how the mummified corpse of a 40-year-old man was discovered by a hunter in one of the most remote parts of the country. The dead man's detailed notes reveal that he actually committed suicide through self-imposed starvation only the summer before. Liechti's film is a stunning rapprochement of a fictional text, which itself is based upon a true event: a cinematic manifesto for life, challenged by the main character's radical renunciation of life itself.
The Sound of Insects: Record of a Mummy (2009 )
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Why did Milos Forman have to make certain films the way he did? Where does his inner strength come from? What is the story of his life?
Miloš Forman: What Doesn't Kill You… (2009 )
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After Mobutu, King of Zaire and Congo River, the Belgian director Thierry Michel pursues his exploration of Central Africa. His new documentary, entitled Katanga Business, is a kind of political economic thriller, which takes place in this south-eastern province of the Democratic Republic of the Congo, one of the world’s richest regions in mining resources. While the inhabitants of Katanga continue to live in extreme poverty, multinationals are rivalled by China, newly arrived with its billions of dollars.
Katanga Business (2009 )
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Fragments of spaces, buildings and structures, memories and remains of past eras, places of work or leisure now inhabited by our memories alone, or really forgotten. Dead things or living proof of time, natural elements, and human predators themselves.
Ruins (2009 )
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Rachel Corrie, a young American woman and her friends attempt to stop a bulldozer from clearing out some homes and other buildings. Corrie was run over and killed. Witnesses claim it was deliberate.
Rachel (2009 )
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We enter the film, like we access Gorgona, by the sea. A rock bristling with greenery, surrounded by the dark blue waves of the Mediterranean. On this small island between Tuscany and Corsica, there is an agricultural penal colony. The prisoners held there are free to move around, working the vines, the small pig farm or the vegetable garden surrounding the prison buildings. Here, the relationship to nature is particular and undoubtedly redeeming.
Isola (2019 )
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The Amazon flows lazily through the goldmine-gashed landscape of northern Peru. Using real eyewitness accounts, directors Bénédicte Liénard and Mary Jiménez tell the story of a young woman who winds up in the clutches of forced prostitution when her initially hopeful attempt to escape the constrictions of her village goes wrong. Step by step, she is robbed of her moral and physical integrity. The film reconstitutes a space of dignity and returns voice and identity to a fate formally made nameless. With its powerful imagery, the girl’s traumatic odyssey embodies the destruction of life in a capitalist world in connection with horrific natural devastation.
By the Name of Tania (2019 )
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It's nighttime in Prague, 21 August 1968. Soviet troops and tanks are occupying the city - random attacks, soldiers shooting, bodies lying dead on the sidewalk. With an impromptu crew, the director (Karel Roden) captures some unique evidence - material which is, however, worthless in occupied Prague; it has to be shown to the rest of the world. So, while the Soviets are concocting false reports of heartfelt receptions without military resistance for propaganda purposes, the director sets off on a risky trip across the closed Czech-Austrian border to Vienna.
The Ferrari Dino Girl (2009 )
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Diana is not the only one for whom the monthly period is no fun at all. Headaches, nausea, depression -- why is it so widely accepted that women all over the world should feel so lousy on a regular basis? And why is the subject still not openly discussed? With a keen sense of perspective, humor, and self-mockery, Diana goes in search of answers in this documentary.
The Moon Inside You (2009 )
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The war in Congo has caused more than six million deaths over the last twenty years. The population is suffering, but the offenders stay with impunity. Many people see this conflict as one of globalisation's crucial econimic distribution battles because the country has major deposits of many high-tech raw materials. Milo Rau, one of Europe's most acclaimed theatre directors, succeeds in gathering victims, perpetrators, observes and analysts of the conflict for a unique civil tribunal in eastern Congo. The documentary film brings these spectacular court trials to life on the big screen and creates an unvarnished portrait of the largest and bloodiest economic wars in human history.
The Congo Tribunal (2017 )