Scopri dove guardare Donizetti: Anna Bolena in Italia
Anna Bolena (2011) Wiener Staatsoper
Gaetano Donizetti and his librettist Felice Romani kept the focus of their opera ANNA BOLENA on the personal rather than the political in this fictionalized Tudor tale: Henry VIII of England wants to get rid of his second wife, Anne Boleyn, so that he can marry her lady-in-waiting, Jane Seymour. He brings Lord Richard Percy, Anne's first love, back from exile so that he can find an excuse to accuse her of adultery. With the unwitting aid of Smeaton, a court musician, and Lord Rochefort, Anne's brother, the trap is easily sprung. This 2011 live recording from the Wiener Staatsoper showcases Anna Netrebko as she "scored a personal triumph" in her debut as the hapless Tudor Queen, while her stage partners - notably Elīna Garanča as Jane Seymour and Ildebrando D'Arcangelo as Henry VIII - were likewise showered with critical acclaim.
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L'elisir d'amore è un'opera lirica di Gaetano Donizetti, su libretto di Felice Romani. Si compone di due atti, il primo composto da dieci scene e il secondo da nove. Andò in scena per la prima volta il 12 maggio del 1832 al Teatro della Cannobiana di Milano. Romani derivò il libretto dal testo Le Philtre (Il filtro), scritto l'anno prima da Eugène Scribe per il compositore Daniel Auber. Alla prima cantarono Sabina Heinefetter (nel ruolo di Adina), Giuseppe Frezzolini (Dulcamara), Henry Bernard Dabadie (Belcore), Giovan Battista Genero (Nemorino) e Marietta Sacchi (Giannetta) diretti da Alessandro Rolla. Donizetti ebbe a disposizione solo quattordici giorni per consegnare il lavoro, sette dei quali servirono a Romani per adattare il testo di Scribe. Nonostante la gravosissima pressione, riuscì a confezionare uno degli esempi più alti dell'opera comica ottocentesca.
L'elisir d'amore (2002 )
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Donizetti's French masterpiece was in the hands of Italian conductor Antonello Allemandi. This maestro, a bel canto specialist, captured the fire and intensity of the passions from the get-go, making the overture a superbly eloquent transition to a musical world based on beautiful lines and colors that elaborate distress and make it compellingly elegant. Allemandi demonstrated a full authority over the stage for the musically complex scenes, and in the arias and duets he demonstrated his confidence in the artistry of distraught singers by establishing ample tempos to support their soaring vocal lines while he concentrated on pulling every possible nuance from the pit players.
Donizetti - La Favorite (2015 )
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Members of an opera company performing Donizetti's "Lucia di Lammermoor" find their lives parallel those of the characters.
Lucia (1999 )
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First seen in Naples in 1827, this farce of a “theatre within a theatre” narrates the mishaps of a second-rate opera company as it stages the great serious drama Romolo ed Ersilia in a provincial theatre. The unbearable tensions between the two lead singers are finally resolved with the decisive intervention of one of their mothers. The co-production by Ópera de Lyon along with the Grand Theâtre de Genève and Teatro Real is brought to life by Laurent Pelly, a tireless champion of Donizetti's comedies.
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Part of Tutto Verdi series 'I vespri siciliani' ('The Sicilian Vespers') is a five-act Italian opera originally written in French for the Paris Opéra and translated into Italian shortly after its premiere in June 1855. Under its original title, 'Les vêpres siciliennes', the libretto was prepared by Eugène Scribe and Charles Duveyrier from their work 'Le duc d'Albe', which was written in 1838 and offered to Halévy and Donizetti before Verdi agreed to set it to music in 1854. The story is loosely based on a historical event, the Sicilian Vespers of 1282, using material drawn from the medieval Sicilian tract 'Lu rebellamentu di Sichilia'.
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Maggiori informazioni
- Durata
- 194 minuti
- Rilasciato
- Paese d'origine
- Italia
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