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Some things can be seen more clearly at night.. . A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semi-darkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.
Abendland (2011 )
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Initially, there's that moment of happiness: an African-American celebrating in Harlem cheers "We're free!" as if Barack Obama's victory meant the ultimate end of slavery. AMERICAN PASSAGES is an associative journey through the United States: a disillusioned Iraq veteran, gay adoptive fathers, black judges, white party animals and a pimp at a casino table in Las Vegas. The extreme contrasts of black and white, rich and poor, winners and losers are often as surprising as the meaning of the constitutional right to the pursuit of happiness in these times of crisis. An epic panorama of America.
American Passages (2011 )
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Of all my uncles, Rodolfo was the only one who didn't want to be a blacksmith like my grandfather: He wanted to be a dancer. The search for the traces of his life leads to the discovery that in the eighties in Paraguay, under Stroessner's dictatorship, Rodolfo was included in one of the "108 lists of homosexuals", arrested and tortured. Rodolfo's story reveals a part of the hidden and silenced history of my country. In "Cuchillo de palo" two generations come face to face in a confrontation that ultimately allows each of us to understand our place in the world.
108 (2011 )
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The simplified black-and-white documentary challenges the viewer to hear the story of the Sahrawi people.
Lost Land (2011 )
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Wong Kei is a 25 year old boy who quited his job and spends his days wandering around the streets taking pictures of people. One day he takes a photo that will change his monotonous life and take him through a journey to the past of his hometown, the small old fishing village of Macao.
Time Travel (2011 )
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Libor, a former teacher, enjoys a well-paid position as a bank manager, living in a luxurious villa outside Prague. His business partners are taken into custody and the authorities have a few questions for him to answer. Rather than wait around, he decides to take off to Moravia with his wife and two children. In the process, he pretends that everything is normal, rediscovers the value of family life, meets up with a former colleague lost in provincial obscurity, and becomes the object of a manhunt. Libor is not a criminal type, merely someone who signs cheques and is drawn into a business world failing to recognise its own criminality (he doesn’t even flee the country).
Long Live the Family! (2011 )
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An audiovisual allegory on communication – this film follows cable technicians in four different countries (Ukraine, Romania, Bulgaria, Moldova) as they visit their customers. Each client they call on provides a glimpse into their own individual universe. With so many tools for communication, we still inhabit a modern-day Tower of Babel; an ordered discordance of personalities and perspectives.
Please Hold The Line (2020 )
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The film takes on a walk alongside parasites, symbionts and decomposers offering ideas of both interconnectedness and collaboration. Driven by a vision of resistance, the encounters seek possibilities of renewal and question what connects us when the world seems to be falling apart. With mushrooms and their allies the film invites to imagine a myco-cultural (r)evolution. What if the fungus could help us address and radically change our relationship to this world?
The Mushroom Speaks (2021 )
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I Am The Tigress is an observational style documentary that follows the journey of protagonist Tischa “The Tigress” Thomas during the last year of her career as an African American female bodybuilder. Philipp Fussenegger and Dino Osmanović worked for over 2.5 years on creating this unique piece. They traveled with her from Harlem to Bucharest as she strived towards her goal to place number one in the world in female bodybuilding.
I Am the Tigress (2021 )
- 無料
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Eighty-year-old Paul Earling Johnson is a man most people might walk past, never guessing he was once a seafaring adventurer and famous boat designer.
The Sailor (2021 )
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Starting with the memory of a song hummed in a rainy night, Chronicles of That Time investigates the shifting identity of the Mediterranean; from ‘the shared sea’, unifying the cultural diversity of Africa and Europe, to closed borders.
Chronicles of That Time (2021 )
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Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.
The Gleaners and I (2000 )
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At the beginning of time, giants created the mountains and deep forests that surround the small town of Ydre. It’s now one of Sweden’s smallest municipality, and has a population of just a few thousand, which is carefully looked after by the friendly and idealistic mayor. He is ready with gifts and big smiles every time a child is born and he can note that Ydre has a new inhabitant. In the meantime, youths and elderly people are working and living their lives. It’s a cinematic film about responsibility, love for the community and sense of belonging told with an anchored humor about ordinary enlightened moments of everyday on-going life. Creation myths, fables and everyday realism are mixed with understated comedy in an atmospheric and moving film.
Giants and the Morning After (2018 )
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Ruth Beckermann documents the process of uncovering former UN Secretary General Kurt Waldheim’s wartime past. It shows the swift succession of new allegations by the World Jewish Congress during his Austrian presidential campaign, the denial by the Austrian political class, the outbreak of anti-Semitism and patriotism, which finally led to his election.
The Waldheim Waltz (2018 )
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A docu-comedy about three neo-hippies from Berlin who move to a farm in Poland to be closer to nature. They meditate, practice acroyoga and shower in the garden. The villagers consider them complete eccentrics.
Village of Swimming Cows (2018 )
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Using her skills of selling Internet and insurance deals, young call center employee Alice calls up elderly strangers and pretends to be their granddaughter in urgent need of money. As this trick quickly makes her rich, the film observes people and places in Zurich, all mysteriously connected to Alice’s business.
Those Who Are Fine (2018 )
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Marseille describes an interlude in the life of young Berlin photographer Sophie. Wanting a change, Sophie does an apartment swap, so she can go photograph the city of Marseille, and most of all get away from Berlin.
Marseille (2004 )
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In a small town in the American Midwest, Coby comes out as a trans man. His transformation causes his family to shift their perspective on gender and their son.
Coby (2018 )
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Two students from the Czech Film Academy commission a leading advertising agency to organize a huge campaign for the opening of a new supermarket named Czech Dream. The supermarket however does not exist and is not meant to. The advertising campaign includes radio and television ads, posters, flyers with photos of fake Czech Dream products, a promotional song, an internet site, and ads in newspapers and magazines. Will people believe in it and show up for the grand opening?
Czech Dream (2004 )
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Route 181 is the epic record of a road trip undertaken in the summer of 2002 by two filmmakers, one Palestinian and one Israeli, along sections of what had been designated as the border between Israel and Palestine by U.N. Resolution 181 in 1947.
Route 181: Fragments of a Journey in Palestine-Israel (2004 )
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1999: While NATO was bombing Yugoslavia, a truck containing 53 dead bodies plunged into the Danube near the border with Romania. No enquiries were carried out. Previously, in Suva Reka, Kosovo: Serbian police herd villagers together. A woman experiences terrible things, bodies disappear into remote mass graves. People as little more than mere matter.
Depth Two (2016 )
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Hundreds of Western volunteers have joined Kurdish armies in Syria and Iraq in their efforts to fight the Islamic State. What drives some Canadians to put their lives on the line?
My War (2018 )
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In communist Romania in the 1980s the population collectively watches "Dallas", their only window into capitalism. Inspired by the US TV show, a young woman decides to emigrate to America. "Hotel Dallas" mixes documentary scenes with staged and experimental sequences.
Hotel Dallas (2016 )
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Battlefield is a tribute to all second-wave feminist movements, an imaginary journey between different representations of femininity, in a process of subjective re-appropriation of the archive.
Battlefield (2020 )
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The film confronts two different views of the execution of General Ion Antonescu, Romania's leader during the Second World War.
The Marshal's Two Executions (2018 )
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When Gabino's father returns home after a long absence, the two men awkwardly attempt to re-establish a relationship; but Gabino and his mother quickly tire of this man who has become a stranger to them and decide to kick him out, before realizing that he has already left. Gabino eventually tracks his father down and spends time with him in his rundown apartment, trying to figure out if there is any possibility for the two of them to ever truly communicate. Though Greatest Hits continues Pereda's exploration of his perennial themes of absence, masculinity and the difficulty of maintaining a family, it opens up a whole new set of aesthetic questions through a bold formal gambit: halfway through, the entire narrative reboots and starts from scratch with another actor playing one of the key characters, leading to different iterations of events already witnessed.
Greatest Hits (2012 )
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Marcelo, a 40-year-old dandy, has a memory like no other. Monologuing between coffee and hookups, he holds court on a wide range of topics: his status, his Catholic grandmother, and his unusual sexual fantasies. At times, he takes himself for Genghis Khan or poet-philosopher Novalis.
The Blue Flower of Novalis (2018 )
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Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.
The Endless Film (2018 )
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A sociological meditation on the different "exits" that young Palestinians choose, in order to cope with life in the refugee camps.
3 Logical Exits (2020 )
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“What the hell happened to my country?” After Donald Trump’s election, this is a burning question for Susanne Brandstätter, an American filmmaker who’s lived most her life in Austria. With the critical distance of a European and an insider’s eye, she gets close to Trump voters in Ohio: a microcosm of a deeply divided USA. Showing striking parallels to Europe, the documentary explores polarization and why people stick to their political opinions – no matter what. Is there no way out?
This Land Is My Land (2020 )
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During three years of unparalleled violence in Baltimore, Charm City delivers an unexpectedly candid, observational portrait of those left on the frontlines. With grit, fury, and compassion, a group of police, citizens, and government officials grapple with the consequences of violence and try to reclaim their future.
Charm City (2018 )
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In Siculiana, a small Sicilian town full of flaking facades, religiosity is lived out as a matter of course. And of course the figure of Jesus Christ worshipped here is black, and always has been. However, some people cannot get used to their dark-skinned neighbours in the refugee camp. The camera accompanies locals and stranded people along their paths, which often lead to the church, but not necessarily together, and draws a kind of map of the city in black-on-black contrasts.
A Black Jesus (2020 )