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After André Levesque missionnaire, Oksana Karpovych is back at the RIDM with her first feature, which she filmed in her native country, Ukraine. To take the pulse of the country, the filmmaker adopts one of documentary cinema’s most prolific sub-genres: the train film. Filmed entirely in the old, run-down, overcrowded passenger trains used by ordinary Ukrainians, the film captures conversations, observes the landscape, and accompanies several protagonists on their journey; they open our eyes to popular preoccupations in a country that seems perpetually anchored in its highly visible Soviet legacy. A fine lesson in listening and humanity.
Don't Worry, the Doors Will Open (2019 )
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The main characters of the film are the inhabitants of the contemporary Ukrainian cities of Kyiv, Odesa, and Lviv. Their reality is multi-layered, unvarnished, deprived of unambiguous interpretations of good and evil, humanity and cruelty, charity and indifference. This story is a kaleidoscope, which features all of us: the righteous, the merciless, the funny, the naïve. The honest.
The Diviners (2019 )
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"Myth" was the callsign of Vasyl Slipak, the world-famous Ukrainian opera singer, a soloist of the Parisian National Opera, who left the big stage to become a volunteer, a warrior fighting in the East of Ukraine. The Hero of Ukraine, the Knight of the Order "Golden Star" and the Order "For Courage", Vasyl Slipak gave his life, defending Ukraine. This documentary is a real story of heroism and self-sacrifice, which makes us think over our own lives.
Myth (2018 )
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In the rural Ukraine, in a ghostly world where fantasy tears the veil of reality, life fiercely fights death every day and old values and vengeance reign over people's souls, Vitka, an imaginative and rebellious little girl, is the fascinated witness to the crazy love that Larysa, her teenage cousin, feels for Scar, a young criminal.
When the Trees Fall (2018 )
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White winter blizzard covers everything. We can rely now only on saints, on our prayers. The future has sailed away, with us left behind. Astray, we did not board the magic ship. The task at hand is simple — not to perish in the fog, not to die from the cold, not to get trapped under the ice. Not to fall in our own snares. Or are we all in one big trap anyway? Running around in a small circle, counting those who vanished.
Delta (2017 )
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A lone car drives across the vast expanses of the Ukrainian landscape. Two young men are traveling to celebrate their elder brother’s birthday, but their plan is delayed when their car breaks down.
Without You (2016 )
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Twenty-five-year-old Vadym earns a living recording and selling all kinds of different sounds; nevertheless, he’d rather exchange his life in Kyiv for a better future in far-flung Canada. Thus, when he gets a generous job offer which might help him realise his dream, he jumps at the chance; he soon sets off to record the sounds of animals indigenous to Ukraine and also a rare bird native to the Carpathians. The situation proves somewhat more complicated when Vadym’s companion on the trip turns out to be his mother… To the sounds of a synthesized music score, debuting Ukrainian director Antonio Lukich unfolds a visually creative road movie, in which he demonstrates a highly unusual talent for constructing tragicomic situations.
My Thoughts Are Silent (2020 )
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A simple-minded Ukrainian worker Levko inherits his uncle's flourishing mill business. The sudden and unexpected fortune consequently reveals Levko's furious crave for money. He starts with laying hands on the tavern of the missing Jew Yankel, who was snatched for cupidity by the devil Khapun. In the blink of an eye Levko becomes a village usurer, he fuddles peasants, he dilutes horilka, he wants and squeezes money from everyone. But the unruly desire to be rich leads to a complete loss of compassion, friends, and love. And the main question is how the hero's ordeals will end - will the real feelings triumph or will the greed prevail.
The Tale Of Money (2018 )
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Enerhodar is a city that functions with the routine of its power plants. Every day thousands of people return to the reinforced concrete hive. After work, Oleksіy, like the rest, gets on the bus, but he doesn't go home. He goes to create a free space of wood and metal. Or maybe it's a dream?
Dream Machine (2018 )
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A contemplative film whose idea is to explore the creation of the myth about the Donbas by using archive footage from documentary and feature films. The film's plot develops along two planes. The first is life through the eyes of Soviet propaganda and the Donbas as a showcase of ideology. The second is real life, hidden from unwelcome eyes. The film uses archive footage and recordings of interviews with former Donbas residents who witnessed Russian aggression and became its victims. Life promised to become a symphony of work, joy and welfare, but turned out to be a delusion and a manipulation. Now there are no illusions left. The symphony of the Donbas has turned into a cacophony of the Donbas.
The Cacophony of the Donbas (2018 )
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The protagonist researcher Dmytro Gromov and the cameraman Angel Angelov are embarking on a dangerous mission: both are planning to cross about 50 km of inhospitable desert in order to illegally enter the protected hangars of Baikonur and watch the launch of the rocket. The heat of the desert reaches almost 47 degrees Celsius. Dehydration, starvation, physical and psychological exhaustion are not the only difficulties on their way to Baikonur. The guys are risking to be arrested and put in jail if they will be spotted by the Russian military forces, since the Cosmodrome is under the legislation of Russian Federation. In such unfavorable circumstances, the protagonist is discovering his own personality traits that he was not aware of before: in vulnerability and fear, he is now inclined to quit his endeavor altogether. The adrenaline of discovery finally overtakes the fear of getting caught. The investigation of the classified object turns into the exploration of the self.
Breaking into Baikonur (2020 )
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An engaging love letter to Ukraine and its people, Enter Through the Balcony examines how architecture can be a curious pathway to a deeper understanding of culture and place.
Enter Through The Balcony (2020 )
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The action is set at the start of the twentieth century, between a village by the River Dnyepr and the coast of Florida. While the story has ironic, romantic and sometimes mystic angles, the bitter aspects of emigration from the Ukraine to the United States become clearly visible.
Fuchzhou (1993 )
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Kate is a young lonely mother. She falls in love with a fellow but does not have the courage to tell him that she has a son. As their relationship develops rapidly the revelation becomes more complicated. The choice between her personal life and responsibility for her son arises.
In Joy (2018 )
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Lyuba works at a confectionery factory. Her son is in the war zone and there is no connection with him. Lyuba goes in search of his son in an unfamiliar territory.
Unavailable (2018 )
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In 1890, in one of the villages of Ukrainian Polissia, a man died under mysterious circumstances. The locals blamed his wife, a young healer, and banished her from the village. When affliction came to the village, people believed they had been cursed by the castaway woman. They discovered she was living in the forest, found her and burned her alive as a witch. But before doing it, they sent a priest to have a final conversation with her.
Intolerance (2020 )
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Is there a future without knowledge of history, culture and tradition? Dmytro, a potter and soloist of the ethno-group "ShchukaRyba" (what literally means "pike fish"), is looking for an answer to this question, trying to introduce respect and love for tradition into the life of modern Kyiv. But the heart of the capital, Khreshchatyk, is full of oblivion and pain.
A Pike is No Fish (2024 )
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A full-scale invasion found the Kyiv director in a small Bedouin village in the Middle East. It was warm, safe, and unbearably far from home. Once the director had a prophetic dream. She decided to return to Kyiv, still the hostilities were unfolding. Despite the condemnation of relatives and the long journey, she finally managed to cross the threshold of her home. But the house itself has now become forever different.
I Did Not Want to Make a War Film (2022 )
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'A Prayer for Hetman Mazepa' unfolds during an interesting era in the history of Eastern Europe when Russia, under Peter the Great, and Sweden, under King Charles XII, struggled for power; Ukraine was the pawn in the middle. In 1709, Ivan Mazepa, Hetman of Ukraine, which was part of the Russian Empire, signed a pact with the Swedish king promising to support Sweden in its war against Russia provided that Ukraine was given its independence.
A Prayer for Hetman Mazepa (2002 )
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Being afraid of losing connection with his hometown, Kyrylo visits Odesa once again. He tries to find out what does “home” mean to him and talks to Olha and Mykyta, who are not only Odesa natives but also his mother and his childhood friend. How was life in Odesa just five days before the war started?
Dear Odesa (2022 )
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This is an incredible story of Valerii Markus (Valerii Ananiev), a paratrooper of the Armed Forces of Ukraine, a veteran of the Anti-Terrorist Operation, a blogger, traveler and author of the bestseller book "Footprints on the Road". To somehow structure in his mind the three years he spent in the war, Valerii Markus leaves Paris for the Way of El Camino de Santiago. But will the paratrooper find peace by following the legendary path of the pilgrims? What changes will Valerii get after all that he has gone through and why is he being drawn to another long journey again and again?
Free Man. Pilgrimage (2022 )
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Crimea. A young Crimean Tatar Aziz falls in love with Masha, a Russian girl. Their parents will stop at nothing to separate them.
Love You (2014 )
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This a playful film bringing us back to childhood, where everything started. It portraits seven girls who have grown up and who now "rock". They won't be talking about success, but they are the ones who know the rules of the game, and who also know how to violate them correctly. The film is a collective portrait of seven outstanding women in modern Ukrainian culture: writer Sofia Adrukhovych, cultural journalist Vira Baldyniuk, conductor Oksana Lyniv, artist Alina Kleytman, theatre director Tamara Trunova, cultural manager Yulia Fediv and film director Iryna Tsilyk.
Women Who Play (2021 )
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Documentary about specific phases of the battle for the Donetsk airport and about the hero-fighters of the Ukrainian Volunteer corps in Pisky. The film presents the war in extreme focus – adrenaline, humor, pain, anguish, and courage are tightly packed into 82 minutes of screen time. It shows scenes of the battle, evacuation of the wounded, the capture of the new airport terminal, and civilians, who live near the fighting’s epicenter. It features death and frontline humor, and a bit of philosophical discussions as well.
The Ukrainians: Battle for Donetsk Airport (2015 )
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Polia, Solomiіa, Mariіa play in the local theater. After the spectacle, they meet a guy and walk through the night city together. Polia seems to fall in love with him. In the morning he will leave the city and they will not see each other again.
Leopolis Night (2021 )
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It’s a Date is a culmination of his preoccupations, a weird but humanistic look at a couple on a first date. It seems to be going well until the man decides to really open up and get (sur)real.
It's a Date (2017 )
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In an age when disinformation muddles the truth, a newly discovered voice cuts through the historical haze. She is Rhea Clyman, a young Canadian reporter who traversed the starving Soviet heartland when Stalin’s man made famine was just beginning in Ukraine. Clyman’s newly discovered newspaper articles for Toronto and London newspapers in 1932 show her remarkable resourcefulness and courage. After she was banished from the USSR for writing about the Holodomor and the Gulag, this brave woman went on to cover Hitler’s early lethal years in power.
Hunger for Truth (2017 )
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What is left backstage of the heroic videos of our warriors in Ukraine? What do they have to face, one on one, in peaceful life, and where does the war stop?
No Obvious Signs (2018 )
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Some 200 women defiantly cling to their ancestral homeland in Chernobyl’s radioactive “Exclusion Zone.”
The Babushkas of Chernobyl (2015 )
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“Lives begin and end, but everything goes back to the earth.” A tour-de-force of cinematography and sound design, this captivating, award-winning documentary looks at three generations of sheepherders in the Carpathian Mountains. While father and son take their flock on their annual journey through the highlands, the 82-year-old widower Vasyl reflects on his past back home. A sublime look at the cycles of life and the waning of tradition.
The Living Fire (2015 )
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Alisa is a 26-year-old student at the film academy in Kiev. Her life is pretty normal until the day that President Viktor Yanukovych refuses to sign the EU-Ukraine Association Agreement. Suddenly, everything changes: protests erupt in the capital, with the inhabitants demanding the president’s resignation.
Alisa in Warland (2015 )
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A girl who believes she is too fat is invited to the "Kingdom of Slimbuttlandia".
My Fat Arse and I (2020 )