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Reyboy's world is the sparkling ocean, the hidden treasures on the long coast, the taste of honey rice. The filmmaker accompanies the Filipino boy in his fishing village by the sea as his life is about to change forever.
Last Days at Sea (2021 )
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A distinctive, delicate yet powerful documentary depicting Hydebank Wood Facility in the Northern Irish countryside, which currently houses 104 young male offenders. From the periphery, we observe Ryan who after four years is still coming to terms with the cause of his imprisonment. The unlikely catharsis to his inner demons? A flock of sheep living inside the prison walls.
Hydebank (2019 )
Workhorse (2019 )
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About the new generation of Russian protest. Milena, Kolya and their associates are twenty years old. They grew up during the presidency of Vladimir Putin and do not know other rulers. At a time when their parents might be afraid to go to a protest rally, these young activists are ready to take risks and fight for their ideals. The year before the presidential election in 2018, the characters in the film were inspired by the calls of Alexei Navalny and took on the task of convincing Muscovites not to vote for Putin.
We Are Russia (2019 )
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In a not-so-faraway village, people use discarded reels of 35-mm film to make loud toys such as rattlers, whistles and whirligigs. Every day several hundred toys are crafted, and for each of these hundred toys they splice, slit and rip filmstrips. As they follow this routine with uninterrupted monotony, a few narratives leak out from the shredded analogues of film and infuse the place with phantasmagoria.
That Cloud Never Left (2019 )
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The celebrities who visited Luisita Escarria's photo studio in Buenos Aires for decades are countless. Sol, a young photographer, discovers there more than 25,000 unpublished negatives, an archive of incalculable value that opens a window through which to look at the true artistic epicenter of Argentinean popular culture…
Luisita Photo Studio (2019 )
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For five years, seven friends film their lives together and apart from each other. As time goes by, a film begins to emerge when this archive is revisited. A film shot through many hands, a reflection on creating images today.
Our Home with the Dogs (2019 )
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A hybrid documentary about the decommissioning of a nuclear plant in Scotland. Concerned with landscape and time, myth and technology, the film explores the nature of ruins, and asks what environmental scars our generation will leave behind for the future.
Beyond the North Winds: A Post Nuclear Reverie (2019 )
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This documentary interweaves fantastical re-imaginings of buried secrets with the Deathless Woman’s ghostly narration and testimony from survivors and witnesses of historic and contemporary crimes against the Roma in Poland and Hungary.
The Deathless Woman (2019 )
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Almost two decades ago, the Itoiz dam flooded seven villages and three natural reserves on the Pyrenean hillside in Navarra. The ecologist group Solidari@s con Itoiz registered the fight against its construction. Today, those who were there dream of the land lying beneath the water on video. Their voices and gestures come together to tell the tale of an individual and collective mourning still suffered today.
Land Underwater (2019 )
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The life of the Peruvian poet Javier Heraud, who sadly passed at the young age of 21, told by his great-niece Tania through letters, poems and tales of shared times.
The Journey of Javier Heraud (2019 )
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When his hairdressing salon is destroyed by the local authorities, hairdresser Romeo has to search for new premises. He finds a ramshackle hut as a makeshift alternative where he can continue to ply his trade for the time being. While he dreams of one day owning a hairdressing salon, his life drags on tediously and he grows tired of waiting for things to change for the better.
Nofinofy (2019 )
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Yuki lost his mother after a long illness, when he and his sister were still children. For loved ones, she is now only a distant voice, a foreign face on photos, a ghost who visits them in their dreams, an increasingly blurred memory. Munemitsu, his father, has done all he could to fill this unfathomable emptiness, even forgetting. But to no avail, given that Norie is still there, like a latent and sprawling presence, entwining the invisible bonds of the family. But who really was Norie?
Norie (2019 )
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Out Skerries is a minuscule archipelago of the United Kingdom located in Scotland, to the east of the Shetland Islands, in the middle of the North Sea. A few years ago, the fish farm—the island’s main economic resource and the only company offering the possibility of a job—went bankrupt. Then the government closed the secondary school. The archipelago’s population went from 70 to about 20 inhabitants… Julie Powis Arthur is one of the women who remained. Her husband, then her eldest son, had to leave their house for the Mainland and only rarely come back.
Vaarheim (2019 )
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The Ave Valley is, for more than a century, a territory seized by an imposing industry. Amongst ruins and operating factories, we descend the river on a journey alongside the banks of the present, unveiling the marks of the past.
Industrial Revolution (2014 )
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Bircan has decided to learn Kurdish, her once-forbidden mothertongue, with all the words her grandmother has forgotten and all the stories that have remained unspoken.
My Name is Anik (2022 )
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Introduced with a quote that invents its own creator, someone is dancing in a figure skating costume to a piece of music that conceals its source.
Jackson/Marker 4am (2012 )
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An immersive initiation into the life of a Maroon community in the former Dutch colony of Suriname. Combining stories of African ancestral traditions and escaped slavery with enacted contemporary rituals, the film explores how the community’s powerful ties to the land have become endangered as industries threaten to devastate the region through deforestation and mining.
Stones Have Laws (2019 )
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This film tries to make a silent record of the arrival of an economy of scale, its flows, and its effects upon the transformation of an island’s physical and human landscape.
Trading Cities (2014 )
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On each side of the border between Lithuania and the Russian exclave of Kaliningrad, there is an ornithological station that studies the migration of the millions of birds crossing this border region. Today, for the first time, both ornithological stations are trying to cross borders with a joint bird research project. Will they be able to work together?
Before They Meet (2021 )
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Filmed in beautiful black and white, this slow cinema piece spends four seasons with a family in Turtle Rock, a remote village in China named after a local rock formation that resembles a giant turtle. For nearly a century now, the village has been home to just seven families who have only four surnames. They once moved to this mountainous region fleeing war, and have eked out a simple life there ever since. Filmmaker Xiao Xiao’s grandmother was one of the first people to be born in Turtle Rock, and it's also the place where he grew up. This allows Xiao to get very close to the residents, whom he observes lovingly as they chop spices or firewood, carry huge trunks of bamboo on their shoulders or unhurriedly fashion an iron pipe from an old tube—here, everything is recycled. The rustling trees and cackling chickens create a natural soundtrack to this rhythmic, beautifully framed documentary, which doesn't shy away from the harsher aspects of this life, far from the madding crowd.
Turtle Rock (2017 )
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A 70-year-old man and a 25-year-old woman share a candid and twisted relationship with a deadline. Trapped in one room, Antonio and Catarina are negotiating the terms of their relationship.
Antonio and Catarina (2017 )
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She is spending her life defying gravity on the vertical road that literary has no beginning or end, where she has nothing to hope for, where only injury or death can happen to her. She has only her memories.
Wall of Death, and All That (2016 )
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In 2007 an indiepop music festival was born in the unlikeliest of settings - a heritage steam train site, Butterley Derbyshire. Bringing together passionate characters from two very distinct worlds this affectionate portrait is told from the point of view of the retired volunteers that run the locos who have "steam in their blood" and don't really know very much about "this indiepop music".
Indietracks (2016 )
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In the process of social transformation in China, urbanization has deeply affected and changed the countryside. Heishuigetuo is a remote village with over 300 years of history which is gradually withered. Currently, there're only 15 villagers living in it. The mountain village retains the traditional features of northwestern Shanxi Province. Hou Junli is the only young man in the village. He raises more than 500 goats with his father. Liu Sanlong, 82 years old, is a farmer of the older generation living on farming. Liu Guoping is a young man among the first group of people leaving the village to work in the cities.
The Fading Village (2019 )
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The ambassador used to come here often, say the young men rooting around with sticks in the undergrowth where the German cemetery used to be. But the treasures hurriedly hidden there by the colonial rulers before they fled are long since gone. And that’s how the road to Yaoundé eventually became overgrown, the area and its inhabitants were left to fend for themselves.
Tinselwood (2017 )
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As the air at a football match in the Brazilian city of Salgueiro sizzles from the summer sun, so too does an intense heat blast over the radio waves – the powerful alliterations and metaphors of the remarkable Fire Mouth, a seasoned commentator who truly brings the game alive.
Fire Mouth (2017 )
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Until the restoration of independence of Estonia in 1991, a collective farm operated in the village of Pähkla in Saaremaa, which employed almost all the villagers. Lembri Uudu also worked there as a tractor driver. After the collapse of the collective farm, most of the villagers lost their jobs and Uudu died. Sometimes, however, it happens that a person's real life force comes out only after his death.
Lembri Uudu (2017 )
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The 60-year-old Nils has turned his back on society and has taken his refuge in a small wooden cabin in the mountains of Norway. Despite his attempt to distance himself from the world, Nils brought his cellphone and is confronted with his urge to have contact with others. This documentary describes and observes how Nils is trying to find the balance between being in touch with nature, himself and his family. This film explores the question of durable contact, and how and with whom you can manage it.
Drømmeland (2019 )
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As the sun rises above a forgotten pyramid, Mahmoud saddles his horse Asefa besides a desert race track. This is how they prepare for their daily training. Friday, all eyes will be on them. Mahmoud senses the fear inside him. Will he be able to win the race one more time?
I Feel Your Eyes (2019 )
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Dennis and his filmmaker friend decide to join his parents in Tuscany where they are spending the summer holiday. Dennis is not in the best of moods. His past and his choices seem to loom over him, to haunt him even in the golden and warm sun of Tuscany. His friend tries to unlock his silences, unsuccessfully. Dennis seems to be hurting. Only skating feels a bit like a momentary peace of mind. His parents do not ask, and Dennis does not tell.
Summerloch (2019 )
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An experimental documentary about the architecture of Buffalo, New York, using intertitles quoting famous books about architecture, interviews with Buffalo residents and many crisply shot images of the city taken from a camera which never moves.
Learning From Buffalo (2018 )