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In the process of social transformation in China, urbanization has deeply affected and changed the countryside. Heishuigetuo is a remote village with over 300 years of history which is gradually withered. Currently, there're only 15 villagers living in it. The mountain village retains the traditional features of northwestern Shanxi Province. Hou Junli is the only young man in the village. He raises more than 500 goats with his father. Liu Sanlong, 82 years old, is a farmer of the older generation living on farming. Liu Guoping is a young man among the first group of people leaving the village to work in the cities.
The Fading Village (2019 )
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The ambassador used to come here often, say the young men rooting around with sticks in the undergrowth where the German cemetery used to be. But the treasures hurriedly hidden there by the colonial rulers before they fled are long since gone. And that’s how the road to Yaoundé eventually became overgrown, the area and its inhabitants were left to fend for themselves.
Tinselwood (2017 )
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As the air at a football match in the Brazilian city of Salgueiro sizzles from the summer sun, so too does an intense heat blast over the radio waves – the powerful alliterations and metaphors of the remarkable Fire Mouth, a seasoned commentator who truly brings the game alive.
Fire Mouth (2017 )
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Until the restoration of independence of Estonia in 1991, a collective farm operated in the village of Pähkla in Saaremaa, which employed almost all the villagers. Lembri Uudu also worked there as a tractor driver. After the collapse of the collective farm, most of the villagers lost their jobs and Uudu died. Sometimes, however, it happens that a person's real life force comes out only after his death.
Lembri Uudu (2017 )
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The 60-year-old Nils has turned his back on society and has taken his refuge in a small wooden cabin in the mountains of Norway. Despite his attempt to distance himself from the world, Nils brought his cellphone and is confronted with his urge to have contact with others. This documentary describes and observes how Nils is trying to find the balance between being in touch with nature, himself and his family. This film explores the question of durable contact, and how and with whom you can manage it.
Drømmeland (2019 )
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As the sun rises above a forgotten pyramid, Mahmoud saddles his horse Asefa besides a desert race track. This is how they prepare for their daily training. Friday, all eyes will be on them. Mahmoud senses the fear inside him. Will he be able to win the race one more time?
I Feel Your Eyes (2019 )
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Dennis and his filmmaker friend decide to join his parents in Tuscany where they are spending the summer holiday. Dennis is not in the best of moods. His past and his choices seem to loom over him, to haunt him even in the golden and warm sun of Tuscany. His friend tries to unlock his silences, unsuccessfully. Dennis seems to be hurting. Only skating feels a bit like a momentary peace of mind. His parents do not ask, and Dennis does not tell.
Summerloch (2019 )
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An experimental documentary about the architecture of Buffalo, New York, using intertitles quoting famous books about architecture, interviews with Buffalo residents and many crisply shot images of the city taken from a camera which never moves.
Learning From Buffalo (2018 )
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At 63 years old and almost retired, Joaquim is forced to follow job centre rules so he can collect unemployment benefits. Despite knowing that he will never return to active life, he must go from company to company asking for stamps to attest that he is looking for work. In these trips he reminisces about his life as an immigrant to the U.S., where he worked as a cab driver in New York and witnessed numerous Wall Street crashes.
Jack’s Ride (2021 )
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Every day, the Carlingford ferry takes travelers from Northern Ireland to Ireland, a short sea voyage across an invisible border that invites reflection on the consequences of Brexit.
Four Seasons in a Day (2021 )
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In the spring of 2018, the filmmaker Maria Petschnig befriended Marc who at that time was living in his car in Brooklyn for more than a year, while also holding a day job. Petschnig started to record his life and struggle, his thoughts, routines, etc. over the course of two years.
Uncomfortably Comfortable (2021 )
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Simon Chambers is shooting a film in India when his uncle David calls him with a message of doom: “I think I may be dying.” What the viewer doesn’t yet know is that David, an eccentric gay actor, is a total drama queen, and a Shakespeare-lover who has grown old on a diet of attention and applause. Chambers returns to London to look after his uncle and capture his final stages of life on camera.
Much Ado About Dying (2024 )
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Vilnius is a city of notable historical heritage and unique character currently undergoing considerable changes. Some of the life fragments our camera has recorded are no more. The film, therefore, is a testimony to that which has faded into oblivion, and a glimpse into what is to come.
Once Upon a Vilnius (2022 )
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A wind strike, a splash of water and an accomplice look. Will they be enough to change the life of a child?
Blu (2019 )
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How is it like to be forced to wait while people are drowning just a few miles away? "No News" gives an insight into the absurdity of European migration policy.
No News (2021 )
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Ismael Loutfi discusses getting married right before the coronavirus lockdown, compares Donald Trump’s and Joe Biden’s personalities, and questions why Floridians aren’t considered Southern.
Ismael Loutfi: Sound It Out (2022 )
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Jamilia is the heroine of the classic Kyrgyz novel about a young woman who, having been forced to marry, fled with her lover. Fifty years later, Aminatou Echard meets several generations of Kyrgyz women, resulting in portraits reflecting both the novel’s candor and the strength of today’s Jamilias.
Jamilia (2018 )
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Emily is a young mother and a heroin addict facing the nightmare of losing her daughter if she can't put her life back together.
Seahorse (2022 )
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“I am not the remains. I exist.” Three Jordanian women barely survived the violence inflicted on them by men. Çelik films them from as up close as possible in their flats, which they barely leave, listening to them speak with the opaque logic of trauma.
Anqa (2023 )