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Filme
In his second feature film, Leandro Listorti establishes a parallel between two worlds he seems to know well: that of plants and that of cinema. This delicate cinematographic work, full of beautiful images—both archival and current—gives an account of the immense work of classification and preservation, and generously invites us to think about forms of representation and memory.
Herbaria (2022 )
Filme
A young papaya farmer discovers the pure joy of climbing in the crystalline limestone sinkholes of Mexico’s Yucatán Peninsula.
Cenote (2022 )
Filme
A group of old friends get together to be with their beloved aunt/grandmother who took care of them when they were kids for her last days. And things get complicated.
The Way We Are (2020 )
Filme
Welcome to the world of industrial food production and high-tech farming! To the rhythm of conveyor belts and immense machines, the film looks without commenting into the places where food is produced in Europe: monumental spaces, surreal landscapes and bizarre sounds - a cool, industrial environment which leaves little space for individualism.
Our Daily Bread (2006 )
Filme
Memory, nostalgia, and childhood. A reminder of a lost past, never to be lived again or remembered exactly right.
(Re)Collection (2021 )
Filme
Relegating the show and the performers to the background, Secondo Me focuses on the life of three cloakroom attendants in three different European opera houses: Vienna State Opera, La Scala in Milan and Odesa Opera House in Ukraine.
In My Opinion (2016 )
Filme
“I am not the remains. I exist.” Three Jordanian women barely survived the violence inflicted on them by men. Çelik films them from as up close as possible in their flats, which they barely leave, listening to them speak with the opaque logic of trauma.
Anqa (2023 )
Filme
A double-screen work on violence and freedom. On one screen the ‘alphabet of violence’. The second screen's function is to evoke potential, possibility, aspirations and ambitions of a future where the value of the black man in society is revitalised through a lexicon of freedom; he runs towards his freedom.
When I Grow Up I Want to Be a Black Man (2017 )