Gde gledati January u Srbiji
A study on what the transition to old age means from a female perspective, taking as an example the director's two grandmothers, witnesses of the dictatorship, the transition and of contemporary Spain.
Gledajte "January" sada na MUBI, i istražite još više načina da se upustite u svoje omiljene филм uz Popcorn Time ultimativni vodič za strimovanje.
January je danas rangiran kao #31016 na Popcorn Time striming listama u Srbiji. Film je napredovao za 1 mesta od juče.
Sistem rangiranja Popcorn Time-a izračunava popularnost kombinovanjem podataka iz više pouzdanih izvora, uključujući streaming platforme, peer-to-peer trendove i globalne baze podataka.
Naš algoritam dinamički prilagođava rangiranje na osnovu performansi sadržaja na različitim platformama, regionima i vremenskim okvirima. Svaki film ili serija se ocenjuje korišćenjem kombinacije globalne pozicije, regionalne popularnosti i istorijskog učinka. Ovo obezbeđuje fer, precizan i stalno ažuriran odraz onoga što je popularno u Srbiji.
Istražite još više opcija za streaming January!
Otkrijte kako da gledate January na različitim platformama i u različitim zemljama! Bilo da ste kod kuće ili putujete u inostranstvo, nikada nije bilo lakše pronaći gde da strimujete legalno. Od , January je dostupan na vodećim servisima kao što su . Trenutno nije dostupan u drugim zemljama, možete istražiti prilagođene opcije strimovanja koje su u skladu sa lokalnim licenciranjem, što osigurava jednostavno i legalno gledanje.
Više informacija
- Trajanje
- 60 minuta
- Objavljeno
- Zemlja porekla
- Спаин
- Jezici
- es
- Titlovi
- en, pt, tr
Slično kao January
Филм
From her own personal experience and from talking with her lifelong friends, Melisa (24) wonders about the mandates and prohibitions that mold the cultural construction of the female gender, especially in relation to the image. With humor and candidness, the film portraits a feminine world seen from the inside, from conversations, personal photos and home movies.
The Pretty Ones (2016 )
Филм
Produced out of Harvard's Sensory Ethnography Lab, Laura Huertas Millán's quietly masterful La Libertad follows a group of matriarchal weavers in Mexico, formally mimicking the examination of an object through subtle shifts in scale and space.
La Libertad (2017 )
Филм
Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.
The Endless Film (2018 )
Филм
Ciro Galindo was born on August 29th, 1952 in Colombia. Wherever he's gone, war has found him. After twenty years of friendship, I understood Ciro 's life sums up Colombia's history. As so many Colombians he is a survivor, who has run away from war for more than sixty years, and now dreams of living in peace. "Ciro and Me" is a journey to memory, seeking to give sorrow words; a journey, similar to that of Colombia in times of peace, in search to recover its dignity.
Ciro and Me (2018 )
Филм
Pedro Lemebel, the writer and visual artist, defeated a marginal childhood to become one of the first to shake up Chile’s conservative society during Pinochet’s dictatorship. Dressed in feather boas, stilettos and a sharp tongue, he staged revolutionary performances that defied the era’s terror, he said what no one wanted to hear in a homophobic, repressed and militarized country.
Lemebel (2019 )
Филм
Ësáasi Eweera, one of the last kings of the Bubi people of Equatorial Guinea and a threat to Spanish colonial rule, died in suspicious circumstances. A century later, the case is reopened: a formalist detective story and an indictment of colonialism.
A Storm Was Coming (2020 )
Филм
Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.
Corporate Responsibility (2020 )
Филм
The year is 1896. In the dense jungle of Paraguay a three years old Ache girl survives a slaughter perpetrated by white settlers. The girl is named Damiana by her captors. Anthropologists from the La Plata Museum of Natural Sciences in Argentina take her as an object of scientific interest in the context of their racial studies. Later she is handed over to a family where she grows up as a maid. In 1907, at the age of 14, she is committed to a mental institution. There she is photographed naked just two months before her death from tuberculosis. Once dead her body is studied in La Plata and in Berlin. One hundred years later, an anthropology student identifies part of her remains in the La Plata museum. Her head is found soon after at Charite Hospital in Berlin.
Damiana Kryygi (2015 )