Otkrijte gde možete gledati L.A. Story u Srbiji

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  Over the course of one afternoon, in six different parts of Los Angeles, six couples connect, reconnect, or fall apart. Marked by nimble shifts in tone (the six stories range from romping farce to emotionally gutting drama) and a potent combination of innovative cinematic storytelling and evergreen themes of the difficulties and ultimate resiliency of love in all its many forms.

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  A true story of Samy, native of La Courneuve, who is out of love for Nadia, decides to climb Mount Everest.

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  A summer day in Italy. The camera follows the deaf-mute Giacomo and a childhood girlfriend Stefi closely – in the woods, by the river – without wanting to disrupt the mystery of their relationship, between restrained sensuality and childhood games.

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  A story presenting personal and collective events that offers a reflection about sport accessibility, suburb life, migrant condition, ladies football and ultras role in the Social Football movement. This is Cap20100, a documentary in which a self managed experience Championship, goes in parallel to other 4 self managed teams participating in official tournaments.

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  The Inspection is a mighty film without (luckily) any morality in the end — it is a story about what can and what cannot be told to children. A school teacher receives a visit from an educational inspector, who is trying to coherently react to the parents’ complaints. It turns out she spends too much time telling children about the horrible events of the 20th century, in particular about the Holocaust — all in contradiction to the logically drawn school curriculum. She is deeply convinced that while one cannot talk too much about the genocide of the European Jews, it is way too easy not to say enough, not to warn and not to explain.

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  The story of a leading political man, suddenly telling “all the truth” after a serious illness and therefore overwhelming lifes of anyone surrounding him…

  Viva l'Italia (2012 )

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  There is certainly some pressure to procreate in Western societies, but in some countries, it’s not even a question of choice. Married but childless, director Aicha Macky’s circumstance is judged unacceptable in her native Niger. Doctors haven’t been able to determine why she can’t conceive, but in her conservative Muslim society, women are always getting blamed for infertility, while men are rarely diagnosed. Speaking to her departed mother who died in childbirth, she expresses her deep sadness: “By giving life, you lost yours, whereas I’m dying a slow death by not being able to give life.” Drawing from her personal experience, Macky bravely addresses the taboo of childlessness and the stigma Nigerien women like her must endure. Through delicate, exquisitely shot portraits, and sensitive observation of other women’s secret suffering, she finds a way to affirm herself as a fulfilled individual among mothers.

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