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Fueled by a raging libido, Wild Turkey, and superhuman doses of drugs, Thompson was a true "free lance, " goring sacred cows with impunity, hilarity, and a steel-eyed conviction for writing wrongs. Focusing on the good doctor's heyday, 1965 to 1975, the film includes clips of never-before-seen (nor heard) home movies, audiotapes, and passages from unpublished manuscripts.
Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008 )
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In the heart of Portugal, amid the mountains, the month of August is abuzz with people and activity...
Our Beloved Month of August (2008 )
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A small town pickpocket whose friends have moved on to higher trades finds himself bitter and unable to adapt.
Pickpocket (1997 )
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As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
Not Quite Hollywood (2008 )
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Documentary about director/artist Nicholas Ray and his time as a University professor
Don't Expect Too Much (2011 )
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Malana, a remote village in the Himalayas, isolated from outside civilization for thousands of years has been fostering a primitive existence in harmony with nature and a unique model of democracy of consensus. They have also been producing some of the best quality hashish in the world. A real life story of transition, this ancient civilization being invaded and obliterated by the modern democracy. Narrated in an epic structure, a visual essay from the edge of the world with a message of trust, peace and eternal unity.
Bom (2011 )
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An adult decides to escape the pressures of life and return to his old bedroom at his parents' house.
Momma's Man (2008 )
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Four young people navigate the suburban wonderland of metro-Detroit looking for love and adventure on the last weekend of summer.
The Myth of the American Sleepover (2011 )
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Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
The Beaches of Agnès (2008 )
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JR, an aspiring news-anchor, forces her younger brother Colin to embark on a road trip to move her belongings out of her professor-turned-lover’s place. Traveling through New England, they uncomfortably run into old school-mates or revisit familial history from which they have long since diverged.
The Color Wheel (2011 )
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Growing up in Granada, Spain, young David Fandila always dreamed of being a matador. This documentary captures the rise of "El Fandi," one of Spain's most renowned bullfighters, who first entered the ring at age 14. While it's never in doubt that Fandila is at the top of his game, filmmakers Stephen Higgins and Nina Gilden Seavey weigh the significance of bullfighting as a cultural tradition against its inherent danger and cruelty.
The Matador (2008 )
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Several story threads about consciousness and perception intertwine in this film by video installation artist Daniel Cockburn.
You Are Here (2011 )
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A near-penniless drifter's journey to Alaska in search of work is interrupted when she loses her dog while attempting to shoplift food for it.
Wendy and Lucy (2008 )
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A story about victims of summary executions. Three people start a strange therapy to escape their agonies.
Melancholia (2008 )
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Linda is a young woman of Chinese heritage whose mother converted to Christianity after gaining some fame as a badminton player. Her friend Cahyono is tired of anti-Chinese prejudice and now tells people he’s from Japan. Together, they try to make sense of their place in the Indonesian society.
Blind Pig Who Wants to Fly (2008 )
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Agnès Varda travels around the world to meet friends, artists and filmmakers for an expansive view of the global contemporary art scene.
Agnès Varda: From Here to There (2011 )
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Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.
Special Flight (2011 )
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A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.
The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images (2011 )
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In the town of Martin, Tennessee, Chip Hines, a precocious six year old, has only known life with his two dads, Cody and Joey. And a good life it is. When Cody dies suddenly in a car accident, Joey and Chip struggle to find their footing again. Just as they begin to, Cody's will reveals that he named his sister as Chip's guardian. The years of Joey's acceptance into the family unravel as Chip is taken away from him. In his now solitary home life, Joey searches for a solution. The law is not on his side, but friends are. Armed with their comfort and inspired by memories of Cody, Joey finds a path to peace with the family and closer to his son.
In the Family (2011 )
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Jess, age 18, and Moss, age 12 are second cousins in the dark-fire tobacco fields of rural Western Kentucky. Without immediate families that they can relate to, and lacking friends their own age, they only have each other. Over the course of a summer they venture on a journey exploring deep secrets and hopes of a future while being confronted with fears of isolation, abandonment and an unknown tomorrow.
Jess + Moss (2011 )
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Bor, in eastern Serbia, was once home to the largest copper mine in Europe. Now it’s just the biggest hole. This astutely observed coming-of-age film captures the pitfalls of the adult world, where idealism no longer seems to have a place, as two teens come to realize they have no choice but to grow up.
Tilva Ros (2011 )
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Nana is 4 years old and lives in a stone house beyond the forest. Back from school, a late afternoon, all she finds is silence in the house. A journey into the darkness of her childhood. The world from her height.
Nana (2011 )
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In a remote Aboriginal community, 10 year old Daniel yearns to be a gangster, like the male role models in his life. Skipping school, getting into fights and running drugs for Linden, who leads the main gang in town.
Toomelah (2011 )
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Returning from Afghanistan, Sean is befriended by lke, a strong willed evangelical who endeavors to ensure the fragile Sean's salvation.
New Jerusalem (2011 )
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Visiting day. Lindalva prepares food to take it to her son who is in jail. Metruti, Lindalva's son, shaves and wears the best clothes to welcome his mother. Today is a very special day and he really needs to make a phone call. His mother is taking a risk, she's willing to smuggle a cell phone for him into the penitentiary.
The Factory (2011 )
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Deliberately structured and less beholden to its narrative, the film is told in three parts, with each part pertaining to each of the three visits of the time-travelling visitor from when the country was fighting for independence from Spain.
Elegy to the Visitor from the Revolution (2011 )
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Léa lives in Le Havre, where she attends college whilst taking care of her elderly grandmother. To make ends meet, she works as a waitress in a night club. Her admittance to the Institute of Political Studies in Paris offers her new opportunities, but at a high price. Léa finds work as a striptease artist, so that each evening she can put into practice the theory of economic liberalism which she learns by day...
Lea (2011 )
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Peter Tscherkassky condenses the long history of railways in the movies into a rousing blast for the senses in a heartfelt tribute to another legend of experimental cinema Kurt Kren.
Train Again (2021 )
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Enigmatic and deceptively playful in tone, this film from Gabino Rodríguez, in collaboration with Nicolás Pereda, boldly transforms mundane, realist observations at a rural Mexican schoolhouse into fantasy and a sly comment on childhood, rituals, and race.
My Skin, Luminous (2019 )
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Made from images filmed by the Syrian artist Amel Alzakout after the boat on which she was fleeing Syria sank off the coast of Lesbos, Purple Sea reports on the moment in which the co-director and the other passengers are floating in the sea in their lifejackets, waiting to be rescued. Her voice-over accompanies this extremely poignant experience.
Purple Sea (2021 )
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Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.
The Gleaners and I (2000 )
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Australian teenager Heidi is left with little choice but to leave home after she's caught red-handed with her mother's boyfriend. With few options, Heidi ends up in Jindabyne, a tourist community. Upon meeting Joe at a bar, she pursues a relationship with him and tries to find something resembling a normal home life. Heidi makes small strides by getting a job and finding a place to stay, but her relationship with Joe must overcome more than its share of hurdles.
Somersault (2004 )