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This documentary interweaves fantastical re-imaginings of buried secrets with the Deathless Woman’s ghostly narration and testimony from survivors and witnesses of historic and contemporary crimes against the Roma in Poland and Hungary.
The Deathless Woman (2019 )
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The life of the Peruvian poet Javier Heraud, who sadly passed at the young age of 21, told by his great-niece Tania through letters, poems and tales of shared times.
The Journey of Javier Heraud (2019 )
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Full of hope, Fahed arrived in England from Algeria back in 2001. Fifteen years later, his dreams of prosperity have evaporated and he finds himself in a midlife crisis, no longer knowing where his home is. Will Fahed, the director's cousin, return to his place of birth?
My English Cousin (2019 )
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When his hairdressing salon is destroyed by the local authorities, hairdresser Romeo has to search for new premises. He finds a ramshackle hut as a makeshift alternative where he can continue to ply his trade for the time being. While he dreams of one day owning a hairdressing salon, his life drags on tediously and he grows tired of waiting for things to change for the better.
Nofinofy (2019 )
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Yuki lost his mother after a long illness, when he and his sister were still children. For loved ones, she is now only a distant voice, a foreign face on photos, a ghost who visits them in their dreams, an increasingly blurred memory. Munemitsu, his father, has done all he could to fill this unfathomable emptiness, even forgetting. But to no avail, given that Norie is still there, like a latent and sprawling presence, entwining the invisible bonds of the family. But who really was Norie?
Norie (2019 )
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Out Skerries is a minuscule archipelago of the United Kingdom located in Scotland, to the east of the Shetland Islands, in the middle of the North Sea. A few years ago, the fish farm—the island’s main economic resource and the only company offering the possibility of a job—went bankrupt. Then the government closed the secondary school. The archipelago’s population went from 70 to about 20 inhabitants… Julie Powis Arthur is one of the women who remained. Her husband, then her eldest son, had to leave their house for the Mainland and only rarely come back.
Vaarheim (2019 )
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Astronauts set foot on the red earth of the Oman desert before the unbelieving eyes of the Bedouin. Two high school girls build castles in the air. A young boy trains to jump as far as possible. And each character seems to wonder what their place in the universe is. Skilfully weaving together the links between nomadism, exploration, colonisation and desire for freedom—a surprising film about human ingenuity.
Mars, Oman (2019 )
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The Ave Valley is, for more than a century, a territory seized by an imposing industry. Amongst ruins and operating factories, we descend the river on a journey alongside the banks of the present, unveiling the marks of the past.
Industrial Revolution (2014 )
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Bircan has decided to learn Kurdish, her once-forbidden mothertongue, with all the words her grandmother has forgotten and all the stories that have remained unspoken.
My Name is Anik (2022 )
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Introduced with a quote that invents its own creator, someone is dancing in a figure skating costume to a piece of music that conceals its source.
Jackson/Marker 4am (2012 )
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An immersive initiation into the life of a Maroon community in the former Dutch colony of Suriname. Combining stories of African ancestral traditions and escaped slavery with enacted contemporary rituals, the film explores how the community’s powerful ties to the land have become endangered as industries threaten to devastate the region through deforestation and mining.
Stones Have Laws (2019 )
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This film tries to make a silent record of the arrival of an economy of scale, its flows, and its effects upon the transformation of an island’s physical and human landscape.
Trading Cities (2014 )
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Filmed in beautiful black and white, this slow cinema piece spends four seasons with a family in Turtle Rock, a remote village in China named after a local rock formation that resembles a giant turtle. For nearly a century now, the village has been home to just seven families who have only four surnames. They once moved to this mountainous region fleeing war, and have eked out a simple life there ever since. Filmmaker Xiao Xiao’s grandmother was one of the first people to be born in Turtle Rock, and it's also the place where he grew up. This allows Xiao to get very close to the residents, whom he observes lovingly as they chop spices or firewood, carry huge trunks of bamboo on their shoulders or unhurriedly fashion an iron pipe from an old tube—here, everything is recycled. The rustling trees and cackling chickens create a natural soundtrack to this rhythmic, beautifully framed documentary, which doesn't shy away from the harsher aspects of this life, far from the madding crowd.
Turtle Rock (2017 )
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A 70-year-old man and a 25-year-old woman share a candid and twisted relationship with a deadline. Trapped in one room, Antonio and Catarina are negotiating the terms of their relationship.
Antonio and Catarina (2017 )
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She is spending her life defying gravity on the vertical road that literary has no beginning or end, where she has nothing to hope for, where only injury or death can happen to her. She has only her memories.
Wall of Death, and All That (2016 )
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In 2007 an indiepop music festival was born in the unlikeliest of settings - a heritage steam train site, Butterley Derbyshire. Bringing together passionate characters from two very distinct worlds this affectionate portrait is told from the point of view of the retired volunteers that run the locos who have "steam in their blood" and don't really know very much about "this indiepop music".
Indietracks (2016 )
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The ambassador used to come here often, say the young men rooting around with sticks in the undergrowth where the German cemetery used to be. But the treasures hurriedly hidden there by the colonial rulers before they fled are long since gone. And that’s how the road to Yaoundé eventually became overgrown, the area and its inhabitants were left to fend for themselves.
Tinselwood (2017 )
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In a small community of Montana, between green valleys and wild mountains, Thaddeus, a Cheyenne native, and Nanci, a non-native woman, prepare their wedding. While we get to know them, we realize that what seems to be an everyday affair appears as a difficult path of reconciliation and cultural confrontations deeply rooted in the history of the United States of America.
Non Western (2020 )
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Mussie is a 20-year-old from Eritrea. He lives in Switzerland. For more than three years now, he's been waiting for the Swiss authorities' decision on his application for asylum.
Mussie's Room (2021 )
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As the air at a football match in the Brazilian city of Salgueiro sizzles from the summer sun, so too does an intense heat blast over the radio waves – the powerful alliterations and metaphors of the remarkable Fire Mouth, a seasoned commentator who truly brings the game alive.
Fire Mouth (2017 )
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Until the restoration of independence of Estonia in 1991, a collective farm operated in the village of Pähkla in Saaremaa, which employed almost all the villagers. Lembri Uudu also worked there as a tractor driver. After the collapse of the collective farm, most of the villagers lost their jobs and Uudu died. Sometimes, however, it happens that a person's real life force comes out only after his death.
Lembri Uudu (2017 )
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The modern history of racism and slavery in America, retold in a gifted film about a radical white activist's attempted revolution and death sentence in 1859.
Purge This Land (2017 )
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There is certainly some pressure to procreate in Western societies, but in some countries, it’s not even a question of choice. Married but childless, director Aicha Macky’s circumstance is judged unacceptable in her native Niger. Doctors haven’t been able to determine why she can’t conceive, but in her conservative Muslim society, women are always getting blamed for infertility, while men are rarely diagnosed. Speaking to her departed mother who died in childbirth, she expresses her deep sadness: “By giving life, you lost yours, whereas I’m dying a slow death by not being able to give life.” Drawing from her personal experience, Macky bravely addresses the taboo of childlessness and the stigma Nigerien women like her must endure. Through delicate, exquisitely shot portraits, and sensitive observation of other women’s secret suffering, she finds a way to affirm herself as a fulfilled individual among mothers.
The Fruitless Tree (2017 )
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Plants such as Dracaena, Ficus, and Philodendron were integral parts of the socialist modernist architecture in the seventies and eighties. Today, they remain strong visual reminders of the socialist state. In "Currents", the movement of plants, the only remaining residents of the building, may be read as a part of a wider context, the change of currents. One paradigm of understanding space is being replaced with another one, the concept of the welfare state, and its undertakings are treated with contempt. Absurdity is a feature of this situation, in which that which was once of great importance becomes completely irrelevant.
Currents (2019 )
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As the sun rises above a forgotten pyramid, Mahmoud saddles his horse Asefa besides a desert race track. This is how they prepare for their daily training. Friday, all eyes will be on them. Mahmoud senses the fear inside him. Will he be able to win the race one more time?
I Feel Your Eyes (2019 )
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Dennis and his filmmaker friend decide to join his parents in Tuscany where they are spending the summer holiday. Dennis is not in the best of moods. His past and his choices seem to loom over him, to haunt him even in the golden and warm sun of Tuscany. His friend tries to unlock his silences, unsuccessfully. Dennis seems to be hurting. Only skating feels a bit like a momentary peace of mind. His parents do not ask, and Dennis does not tell.
Summerloch (2019 )
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An experimental documentary about the architecture of Buffalo, New York, using intertitles quoting famous books about architecture, interviews with Buffalo residents and many crisply shot images of the city taken from a camera which never moves.
Learning From Buffalo (2018 )
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The daily workins of Austria's Danube Hospital.
Donauspital (2012 )
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In this documentary, we are invited to the mind of the elderly Hiam, a Palestinian woman from Nazareth. The mundanity of everyday life gives us a few sentimental glimpses of Hiam's past and present through the eyes of the filmmaker Juna Suleiman, her granddaughter.
Mussolini's Sister (2019 )
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Welcome to the world of industrial food production and high-tech farming! To the rhythm of conveyor belts and immense machines, the film looks without commenting into the places where food is produced in Europe: monumental spaces, surreal landscapes and bizarre sounds - a cool, industrial environment which leaves little space for individualism.
Our Daily Bread (2006 )
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A wind strike, a splash of water and an accomplice look. Will they be enough to change the life of a child?
Blu (2019 )
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How is it like to be forced to wait while people are drowning just a few miles away? "No News" gives an insight into the absurdity of European migration policy.
No News (2021 )