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A 70-year-old man and a 25-year-old woman share a candid and twisted relationship with a deadline. Trapped in one room, Antonio and Catarina are negotiating the terms of their relationship.
Antonio and Catarina (2017 )
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She is spending her life defying gravity on the vertical road that literary has no beginning or end, where she has nothing to hope for, where only injury or death can happen to her. She has only her memories.
Wall of Death, and All That (2016 )
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In 2007 an indiepop music festival was born in the unlikeliest of settings - a heritage steam train site, Butterley Derbyshire. Bringing together passionate characters from two very distinct worlds this affectionate portrait is told from the point of view of the retired volunteers that run the locos who have "steam in their blood" and don't really know very much about "this indiepop music".
Indietracks (2016 )
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The ambassador used to come here often, say the young men rooting around with sticks in the undergrowth where the German cemetery used to be. But the treasures hurriedly hidden there by the colonial rulers before they fled are long since gone. And that’s how the road to Yaoundé eventually became overgrown, the area and its inhabitants were left to fend for themselves.
Tinselwood (2017 )
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In a small community of Montana, between green valleys and wild mountains, Thaddeus, a Cheyenne native, and Nanci, a non-native woman, prepare their wedding. While we get to know them, we realize that what seems to be an everyday affair appears as a difficult path of reconciliation and cultural confrontations deeply rooted in the history of the United States of America.
Non Western (2020 )
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Mussie is a 20-year-old from Eritrea. He lives in Switzerland. For more than three years now, he's been waiting for the Swiss authorities' decision on his application for asylum.
Mussie's Room (2021 )
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As the air at a football match in the Brazilian city of Salgueiro sizzles from the summer sun, so too does an intense heat blast over the radio waves – the powerful alliterations and metaphors of the remarkable Fire Mouth, a seasoned commentator who truly brings the game alive.
Fire Mouth (2017 )
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Until the restoration of independence of Estonia in 1991, a collective farm operated in the village of Pähkla in Saaremaa, which employed almost all the villagers. Lembri Uudu also worked there as a tractor driver. After the collapse of the collective farm, most of the villagers lost their jobs and Uudu died. Sometimes, however, it happens that a person's real life force comes out only after his death.
Lembri Uudu (2017 )
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The modern history of racism and slavery in America, retold in a gifted film about a radical white activist's attempted revolution and death sentence in 1859.
Purge This Land (2017 )
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There is certainly some pressure to procreate in Western societies, but in some countries, it’s not even a question of choice. Married but childless, director Aicha Macky’s circumstance is judged unacceptable in her native Niger. Doctors haven’t been able to determine why she can’t conceive, but in her conservative Muslim society, women are always getting blamed for infertility, while men are rarely diagnosed. Speaking to her departed mother who died in childbirth, she expresses her deep sadness: “By giving life, you lost yours, whereas I’m dying a slow death by not being able to give life.” Drawing from her personal experience, Macky bravely addresses the taboo of childlessness and the stigma Nigerien women like her must endure. Through delicate, exquisitely shot portraits, and sensitive observation of other women’s secret suffering, she finds a way to affirm herself as a fulfilled individual among mothers.
The Fruitless Tree (2017 )
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Plants such as Dracaena, Ficus, and Philodendron were integral parts of the socialist modernist architecture in the seventies and eighties. Today, they remain strong visual reminders of the socialist state. In "Currents", the movement of plants, the only remaining residents of the building, may be read as a part of a wider context, the change of currents. One paradigm of understanding space is being replaced with another one, the concept of the welfare state, and its undertakings are treated with contempt. Absurdity is a feature of this situation, in which that which was once of great importance becomes completely irrelevant.
Currents (2019 )
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As the sun rises above a forgotten pyramid, Mahmoud saddles his horse Asefa besides a desert race track. This is how they prepare for their daily training. Friday, all eyes will be on them. Mahmoud senses the fear inside him. Will he be able to win the race one more time?
I Feel Your Eyes (2019 )
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Dennis and his filmmaker friend decide to join his parents in Tuscany where they are spending the summer holiday. Dennis is not in the best of moods. His past and his choices seem to loom over him, to haunt him even in the golden and warm sun of Tuscany. His friend tries to unlock his silences, unsuccessfully. Dennis seems to be hurting. Only skating feels a bit like a momentary peace of mind. His parents do not ask, and Dennis does not tell.
Summerloch (2019 )
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An experimental documentary about the architecture of Buffalo, New York, using intertitles quoting famous books about architecture, interviews with Buffalo residents and many crisply shot images of the city taken from a camera which never moves.
Learning From Buffalo (2018 )
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The daily workins of Austria's Danube Hospital.
Donauspital (2012 )
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In this documentary, we are invited to the mind of the elderly Hiam, a Palestinian woman from Nazareth. The mundanity of everyday life gives us a few sentimental glimpses of Hiam's past and present through the eyes of the filmmaker Juna Suleiman, her granddaughter.
Mussolini's Sister (2019 )
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Welcome to the world of industrial food production and high-tech farming! To the rhythm of conveyor belts and immense machines, the film looks without commenting into the places where food is produced in Europe: monumental spaces, surreal landscapes and bizarre sounds - a cool, industrial environment which leaves little space for individualism.
Our Daily Bread (2006 )
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A wind strike, a splash of water and an accomplice look. Will they be enough to change the life of a child?
Blu (2019 )
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How is it like to be forced to wait while people are drowning just a few miles away? "No News" gives an insight into the absurdity of European migration policy.
No News (2021 )
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Ismael Loutfi discusses getting married right before the coronavirus lockdown, compares Donald Trump’s and Joe Biden’s personalities, and questions why Floridians aren’t considered Southern.
Ismael Loutfi: Sound It Out (2022 )